A Swimmer's Dream

PART I
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit! Tu—whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

Over gutters and over parking lots,
over rooftops, fountains, cloudbanks and the bay,
beyond the sun, beyond the medium that fills
unoccupied space, beyond the confines of the known

universe, ghost, you slip out of me
with the ease of a swimmer
at one with the waves, furrowing the deep
with a pleasure we can’t articulate

Let the musicians begin,
Let every instrument awaken and instruct us
In love’s willing river and love’s dear discipline:
We wait, silent, in consent and in the penance
Of patience, awaiting the serene exaltation
Which is the liberation and conclusion of expiation.

Now may the chief musician say:
“Lust and emulation have dwelt amoung us

Last night I dreamed I ran through the streets of New York
Looking for help for you, Nicanor.
But my few friends who are rich or influential
were temporarily absent from their penthouses or hotel suites.
They had gone to the opera, or flown for the weekend to Bermuda.
At last I found one or two of them at home,
preparing for social engagements,
absently smiling, as they tried on gown after gown

I need more time, a simple day in Paris hotels and window shopping.
The croissants will not bake themselves and the Tower of London would
Like to spend a night in the tropics with gray sassy paint. It has many
Wounds and historic serial dreams under contract to Hollywood.
Who will play the head of Mary, Queen of Scots, and who will braid her

Hair? Was it she who left her lips on the block for the executioner,
Whose hands would never find ablution, who would never touch a woman
Again or eat the flesh of a red animal? Blood pudding would repulse him
Until joining Anne. That is the way of history written for Marlow and
Shakespear. They are with us now that we are sober and wiser,

Not taking the horrors of poetry too seriously. Why am I telling you this
Nonsense, when I have never seen you sip your coffee or tea,
In the morning? Not to mention,

Are you content, you pretty three-years’ wife?
Are you content and satisfied to live
On what your loving husband loves to give,
And give to him your life?

Are you content with work, — to toil alone,
To clean things dirty and to soil things clean;
To be a kitchen-maid, be called a queen, —

We have set out from here for the sublime
Pastures of summer shade and mountain stream;
I have no doubt we shall arrive on time.

Is all the green of that enameled prime
A snapshot recollection or a dream?
We have set out from here for the sublime

Without provisions, without one thin dime,
And yet, for all our clumsiness, I deem

Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

THE Angel ended, and in Adams Eare
So Charming left his voice, that he a while
Thought him still speaking, still stood fixt to hear;
Then as new wak't thus gratefully repli'd.
What thanks sufficient, or what recompence
Equal have I to render thee, Divine
Hystorian, who thus largely hast allayd
The thirst I had of knowledge, and voutsaf't
This friendly condescention to relate
Things else by me unsearchable, now heard
With wonder, but delight, and, as is due,
With glorie attributed to the high
Creator; something yet of doubt remaines,
Which onely thy solution can resolve.
When I behold this goodly Frame, this World

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

As I drew nearer to the end of all desire,
I brought my longing's ardor to a final height,
Just as I ought. My vision, becoming pure,

Entered more and more the beam of that high light
That shines on its own truth. From then, my seeing
Became too large for speech, which fails at a sight

Beyond all boundaries, at memory's undoing—
As when the dreamer sees and after the dream

Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.

The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.

Swift rush the spectral vapours white

In what sense
I am I
a minor observer
as in a dream
absorbed in the interior,

a beardless youth
unaccountably
remote yet present

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I've got oil wells
Pumping in my living room.

Now swarthy Summer, by rude health embrowned,
Precedence takes of rosy fingered Spring;
And laughing Joy, with wild flowers prank'd, and crown'd,
A wild and giddy thing,
And Health robust, from every care unbound,
Come on the zephyr's wing,
And cheer the toiling clown.

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

From golden showers of the ancient skies,
On the first day, and the eternal snow of stars,
You once unfastened giant calyxes
For the young earth still innocent of scars:

Young gladioli with the necks of swans,
Laurels divine, of exiled souls the dream,
Vermilion as the modesty of dawns
Trod by the footsteps of the seraphim;

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")