Sea

It was at first a single image.
A mirage-like illusional dance
Wavering and decomposing in the
Distance like a plastic mosaic.

Then it cleared.

Not one but three Bothisattvas
Suspended in a cloud of yellow dust
Just above the rows of cotton

And a merchant said, Speak to us of
Buying and Selling.
And he answered and said:
To you the earth yields her fruit, and you
shall not want if you but know how to fill
your hands.
It is in exchanging the gifts of the earth
that you shall find abundance and be satisfied.

Useless! Useless!
—heavy rain driving
into the sea

We walked at the edge of the sea, the dog,
still young then, running ahead of us.

Few people. Gulls. A flock of pelicans
circled beyond the swells, then closed
their wings and dropped head-long
into the dazzle of light and sea. You clapped
your hands; the day grew brilliant.

Later we sat at a small table

My soul and I went to the great sea to bathe. And when we reached the shore, we went about looking for a hidden and lonely place.

But as we walked, we saw a man sitting on a grey rock taking pinches of salt from a bag and throwing them into the sea.

“This is the pessimist,” said my soul, “Let us leave this place. We cannot bathe here.”

We walked on until we reached an inlet. There we saw, standing on a white rock, a man holding a bejeweled box, from which he took sugar and threw it into the sea.

“And this is the optimist,” said my soul, “And he too must not see our naked bodies.”

Further on we walked. And on a beach we saw a man picking up dead fish and tenderly putting them back into the water.

“And we cannot bathe before him,” said my soul. “He is the humane philanthropist.”

And we passed on.

I saw a man this morning
Who did not wish to die
I ask, and cannot answer,
If otherwise wish I.

Fair broke the day this morning
Against the Dardanelles;
The breeze blew soft, the morn's cheeks
Were cold as cold sea-shells.

But other shells are waiting
Across the Aegean sea,
Shrapnel and high explosive,
Shells and hells for me.

Nothin very bad happen to me lately.
How you explain that? —I explain that, Mr Bones,
terms o' your bafflin odd sobriety.
Sober as man can get, no girls, no telephones,
what could happen bad to Mr Bones?
—If life is a handkerchief sandwich,

in a modesty of death I join my father
who dared so long agone leave me.

Surviving in its fragile skin,
a white egret rises
from the gulf of its strength.
I want the lightest needle of a pine
to fall on my hand,
a pine with ravaged limbs.

I'd stare through salt-blind eyes
at a remote fragile sea. I'd roar.

for Gary Snyder

“I think I’ll be the Buddha of this place”

and sat himself
down


1.

Stronger than alcohol, more great than song,
deep in whose reeds great elephants decay,
I, an island, sail, and my shoes toss
on a fragrant evening, fraught with sadness
bristling hate.

I

look out the window in upstate New York, see

the Mediterranean stretching out below me

down the rocky hillside at Faro, three

years, two months, fourteen days earlier .

8:25 A. M.

Rosemary gone back to sleep, pink & white . I

stand at the livingroom window drinking coffee, open

I

They went to sea in a Sieve, they did,
In a Sieve they went to sea:
In spite of all their friends could say,
On a winter’s morn, on a stormy day,
In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, ‘You’ll all be drowned!’
They called aloud, ‘Our Sieve ain’t big,
But we don’t care a button! we don’t care a fig!
In a Sieve we’ll go to sea!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,

I was stretched out on the couch, about to doze off, when I imagined a small figure asleep on a couch identical to mine. “Wake up, little man, wake up,” I cried. “The one you’re waiting for is rising from the sea, wrapped in spume, and soon will come ashore. Beneath her feet the melancholy garden will turn bright green and the breezes will be light as babies’ breath. Wake up, before this creature of the deep is gone and everything goes blank as sleep.” How hard I try to wake the little man, how hard he sleeps. And the one who rose from the sea, her moment gone, how hard she has become—how hard those burning eyes, that burning hair.

Her terrace was the sand
And the palms and the twilight.

She made of the motions of her wrist
The grandiose gestures
Of her thought.

The rumpling of the plumes
Of this creature of the evening
Came to be sleights of sails

Crash on crash of the sea,
straining to wreck men; sea-boards, continents,
raging against the world, furious,
stay at last, for against your fury
and your mad fight,
the line of heroes stands, godlike:

Akroneos, Oknolos, Elatreus,
helm-of-boat, loosener-of-helm, dweller-by-sea,
Nauteus, sea-man,
Prumneos, stern-of-ship,
Agchilalos, sea-girt,
Elatreus, oar-shaft:
lover-of-the-sea, lover-of-the-sea-ebb,
lover-of-the-swift-sea,

the time i dropped your almost body down
down to meet the waters under the city
and run one with the sewage to the sea
what did i know about waters rushing back
what did i know about drowning
or being drowned

you would have been born into winter
in the year of the disconnected gas

The sea-wash never ends.
The sea-wash repeats, repeats.
Only old songs? Is that all the sea knows?
Only the old strong songs?
Is that all?
The sea-wash repeats, repeats.

I


Fate is cleverer than the king
of Babylon. Shadow of yew
fall through windows onto

the floor of the nave and
touch the pillars with tattered
shade. You claim the dearest wish of your

life is to sink into a soul-freezing

love is more thicker than forget
more thinner than recall
more seldom than a wave is wet
more frequent than to fail

it is most mad and moonly
and less it shall unbe
than all the sea which only
is deeper than the sea

Man, looking into the sea—
taking the view from those who have as much right to it as you have it to yourself—
it is human nature to stand in the middle of a thing
but you cannot stand in the middle of this:
the sea has nothing to give but a well excavated grave.
The firs stand in a procession—each with an emerald turkey-foot at the top—
reserved as their contours, saying nothing;
repression, however, is not the most obvious characteristic of the sea;
the sea is a collector, quick to return a rapacious look.
There are others besides you who have worn that look—
whose expression is no longer a protest; the fish no longer investigate them
for their bones have not lasted;
men lower nets, unconscious of the fact that they are desecrating a grave,
and row quickly away—the blades of the oars
moving together like the feet of water-spiders as if there were no such thing as death.

Through the meridian’s fine blue hairlines, the admirals are converging
in their fish-hulled ships, with their frogmen and sirens, and tanks with knotted chain flails
that beat the ground before them as they crawl.

Behind them the cities dim out, on the foredeck the admirals sigh
to lean from the curving bows, to trail
their fingertips in the water . . .

All alone on the landmass, the Ship’s Artist simply draws what he sees:
red men with arms like flesh clubs, blue-daubed men with parasol feet

An inland sea – blue as a sapphire – set
Within a sparkling, emerald mountain chain
Where day and night fir-needles sift like rain
Thro’ the voluptuous air. The soft winds fret
The waves, and beat them wantonly to foam.
The golden distances across the sea
Are shot with rose and purple. Languorously
The silver seabirds in wide circles roam.
The sun drops slowly down the flaming West
And flings its rays across to set aglow
The islands rocking on the cool waves’ crest
And the great glistening domes of snow on snow.
And thro’ the mist the Olympics flash and float
Like opals linked around a beating throat.

I set out now
in a box upon the sea. Maximus VI Three weeks, and now I hear!
What a headstart for the other elegists!

Tonight, away begins to go
farther away, and the dream
what do we know of the dream
metallic leaps Jackson Pollock
silvery streams Jackson Pollock
I gaze across the sea

see in the distance your walk and you
pass the Pacific, distant and blue

The Moon is distant from the Sea –
And yet, with Amber Hands –
She leads Him – docile as a Boy –
Along appointed Sands –

He never misses a Degree –
Obedient to Her eye –
He comes just so far – toward the Town –
Just so far – goes away –

Thou two-faced year, Mother of Change and Fate,
Didst weep when Spain cast forth with flaming sword,
The children of the prophets of the Lord,
Prince, priest, and people, spurned by zealot hate.
Hounded from sea to sea, from state to state,
The West refused them, and the East abhorred.
No anchorage the known world could afford,
Close-locked was every port, barred every gate.

after Sappho Yea, thou shalt be forgotten like spilt wine,
Except these kisses of my lips on thine
Brand them with immortality; but me –
Men shall not see bright fire nor hear the sea,

Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, though on the right mainly,
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving. Blackberries
Big as the ball of my thumb, and dumb as eyes
Ebon in the hedges, fat
With blue-red juices. These they squander on my fingers.
I had not asked for such a blood sisterhood; they must love me.

The past
will overtake
alien force
our house
formed
of my mind
to enter
explorer

Ar. Now you have been taught words and I am free,
My pine struck open, your thick tongue untied,
And bells call out the music of the sea.

From this advantage I can clearly see
You will abuse me in your grovelling pride
Now you have been taught words: and I am free

To pinch and bully you eternally,
Swish round the island while the mermaids hide

Sometimes you watch them going out to sea
On such a day as this, in the worst of weathers,
Their boat holding ten or a dozen of them,
In black rubber suits crouched around the engine housing,
Tanks of air, straps and hoses, and for their feet
Enormous flippers.

The bow, with such a load on board,
Hammers through the whitecaps, while they talk;

She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.

The sea was not a mask. No more was she.

(For Blues People) In the south, sleeping against
the drugstore, growling under

Eastern Sea, 100 fathoms,
green sand, pebbles,
broken shells.

Off Suno Saki, 60 fathoms,
gray sand, pebbles,
bubbles rising.

Plasma-bearer
and slow-

I have had to learn the simplest things
last. Which made for difficulties.
Even at sea I was slow, to get the hand out, or to cross
a wet deck.
The sea was not, finally, my trade.
But even my trade, at it, I stood estranged
from that which was most familiar. Was delayed,
and not content with the man’s argument

I

In a detachment cool as the glint of light
on wet roads through wet spruce, or iced mountains
hailed from the sea in moonfill, or the sea
when one horizon’s black and the other burning;

the gulls are kissing time in its own flowing
over the shell-scraped rocka coming and going
as of glass bees with a bubble of light in each

Whirl up, sea—
whirl your pointed pines,
splash your great pines
on our rocks,
hurl your green over us,
cover us with your pools of fir.

Sitting between the sea and the buildings
He enjoyed painting the sea’s portrait.
But just as children imagine a prayer
Is merely silence, he expected his subject
To rush up the sand, and, seizing a brush,
Plaster its own portrait on the canvas.

So there was never any paint on his canvas
Until the people who lived in the buildings

There is a land of pure delight
Where saints immortal reign;
Infinite day excludes the night,
And pleasures banish pain.

There everlasting spring abides,
And never-withering flowers;
Death like a narrow sea divides
This heavenly land from ours.

Sweet fields beyond the swelling flood
Stand dressed in living green:
So to the Jews old Canaan stood,
While Jordan rolled between.

When Israel came from Egypt’s coast,
And Goshen’s marshy plains,
And Jacob with his joyful host
From servitude and chains;

Then was it seen how much the Jews
Were holy in his sight,
And God did Israel’s kingdom choose
To manifest his might.

The sea beheld it, and with dread
Retreated to make way;
And Jordan to his fountain head
Ran backwards in dismay.

For whom the possessed sea littered, on both shores,
Ruinous arms; being fired, and for good,
To sound the constitution of just wars,
Men, in their eloquent fashion, understood.

Relieved of soul, the dropping-back of dust,
Their usage, pride, admitted within doors;
At home, under caved chantries, set in trust,
With well-dressed alabaster and proved spurs

I have hidden inside a sea shell
but forgotten in which.

Now daily I dive,
filtering the sea through my fingers,
to find myself.
Sometimes I think
a giant fish has swallowed me.
Looking for it everywhere I want to make sure

The seas has made a wall for its defence
of falling water. Those whose impertinence
leads them to its moving ledges
it rejects. Those who surrender
it will with the next wave drag under.

Sand is the beginning and the end
of our dominion.

The way to the dunes is easy.

This is my advice to foreigners:
call it simply—the river;
never say old muddy
or even Missouri,
and except when it is necessary
ignore the fact that it moves.
It is the river, a singular,
stationary figure of division.

But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.

The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats—

We would go down to the fish market early
to cleanse our vision: the fish were silver,
and scarlet, and green, and the color of sea.
The fish were lovelier than even the sea
with its silvery scales. We thought of return.

Lovely too the women with jars on their heads,
olive-brown clay, shaped softly like thighs:
we each thought of our women, their voices,

I’ll go among the dead to see my friend.
The place I leave is beautiful: the sea
Repeats the winds’ far swell in its long sound,
And, there beside it, houses solemnly
Shine with the modest courage of the land,
While swimmers try the verge of what they see.

I cannot go, although I should pretend
Some final self whose phantom eye could see

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love—
I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
Coveted her and me.

And this was the reason that, long ago,

Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.

O, well for the fisherman's boy,
That he shouts with his sister at play!
O, well for the sailor lad,
That he sings in his boat on the bay!

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,

I was thy neighbour once, thou rugged Pile!
Four summer weeks I dwelt in sight of thee:
I saw thee every day; and all the while
Thy Form was sleeping on a glassy sea.

So pure the sky, so quiet was the air!
So like, so very like, was day to day!
Whene'er I looked, thy Image still was there;
It trembled, but it never passed away.

How perfect was the calm! it seemed no sleep;
No mood, which season takes away, or brings:
I could have fancied that the mighty Deep
Was even the gentlest of all gentle things.

In a coign of the cliff between lowland and highland,
At the sea-down's edge between windward and lee,
Walled round with rocks as an inland island,
The ghost of a garden fronts the sea.
A girdle of brushwood and thorn encloses
The steep square slope of the blossomless bed
Where the weeds that grew green from the graves of its roses
Now lie dead.

The fields fall southward, abrupt and broken,
To the low last edge of the long lone land.
If a step should sound or a word be spoken,
Would a ghost not rise at the strange guest's hand?
So long have the grey bare walks lain guestless,
Through branches and briars if a man make way,

Come, dear children, let us away;
Down and away below!
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away!

Back to the flower-town, side by side,
The bright months bring,
New-born, the bridegroom and the bride,
Freedom and spring.

The sweet land laughs from sea to sea,
Filled full of sun;
All things come back to her, being free;
All things but one.

In many a tender wheaten plot
Flowers that were dead
Live, and old suns revive; but not
That holier head.

All night I dreamed of roses,
Wild tangle by the sea,
And shadowy garden closes.
Dream-led I met with thee.

Around thee swayed the roses,
Beyond thee sang the sea;
The shadowy garden closes
Were Paradise to me.

I made a sand castle.
In rolled the sea.
"All sand castles
belong to me—
to me,"
said the sea.

I dug sand tunnels.
In flowed the sea.

Who knows whether the sea heals or corrodes?
The wading, wintered pack-beasts of the feet
slough off, in spring, the dead rind of the shoes’
leather detention, the big toe’s yellow horn
shines with a natural polish, and the whole
person seems to profit. The opposite appears
when dead sharks wash up along the beach
for no known reason. What is more built

Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.

Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west

Weary of myself, and sick of asking
What I am, and what I ought to be,
At this vessel's prow I stand, which bears me
Forwards, forwards, o'er the starlit sea.

And a look of passionate desire
O'er the sea and to the stars I send:
"Ye who from my childhood up have calm'd me,
Calm me, ah, compose me to the end!

"Ah, once more," I cried, "ye stars, ye waters,
On my heart your mighty charm renew;
Still, still let me, as I gaze upon you,
Feel my soul becoming vast like you!"

There were bees about. From the start I thought
The day was apt to hurt. There is a high
Hill of sand behind the sea and the kids
Were dropping from the top of it like schools
Of fish over falls, cracking skulls on skulls.
I knew the holiday was hot. I saw
The August sun teeming in the bodies
Logged along the beach and felt the yearning

Sing me a song of a lad that is gone,
Say, could that lad be I?
Merry of soul he sailed on a day
Over the sea to Skye.

Mull was astern, Rum on the port,
Eigg on the starboard bow;
Glory of youth glowed in his soul;

Far out of sight forever stands the sea,
Bounding the land with pale tranquillity.
When a small child, I watched it from a hill
At thirty miles or more. The vision still
Lies in the eye, soft blue and far away:
The rain has washed the dust from April day;
Paint-brush and lupine lie against the ground;
The wind above the hill-top has the sound

(From Crossportion’s Pastoral) The bottom of the sea has come
And builded in my noiseless room

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
And the tide rises, the tide falls.

Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.

The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore

Unfathomable Sea! whose waves are years,
Ocean of Time, whose waters of deep woe
Are brackish with the salt of human tears!
Thou shoreless flood, which in thy ebb and flow
Claspest the limits of mortality!

And sick of prey, yet howling on for more,
Vomitest thy wrecks on its inhospitable shore;

Yes! in the sea of life enisled,
With echoing straits between us thrown,
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.

But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour—

Oh! then a longing like despair

For my mother, born March 1902, died March 1959
and my father, born February 1900, died June 1959 Gone, I say and walk from church,
refusing the stiff procession to the grave,

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;

Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe--
Sailed on a river of crystal light,
Into a sea of dew.
"Where are you going, and what do you wish?"
The old moon asked of the three.
"We have come to fish for the herring fish
That live in this beautiful sea;

Sheets entangle him
Naked on his bed
Like a toppled mast
Slack sails bedeck
At sea, no ballast
For that even keel
He cannot keep—
No steering wheel
As he falls asleep