Dream

Good morning, daddy!
Ain’t you heard
The boogie-woogie rumble
Of a dream deferred?

Listen closely:
You’ll hear their feet
Beating out and beating out a—

You think

Good evening, daddy!
I know you’ve heard
The boogie-woogie rumble
Of a dream deferred
Trilling the treble
And twining the bass
Into midnight ruffles
Of cat-gut lace.

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love

In every dream of a room
the first room intrudes.
No matter the years, the tears dried
and forgotten, it is the skeleton
of the first that protrudes.

When i blow open green bottles
straight across hump of a frozen tongue

when i shove brown glass
through skull of a possum
and pass from my ears a baptism of red piss

when i cry from my butt like a jackal
and throw limbs of a dying mule into the river

when i spit venom from the head

For Frank O'Hara I
The lights are out

During the day I play at drowning
looking for the smoke
of eyelashes and faded hair
the lilac shadows of blood
and the ruins of coffee
but a night
I dream of the last syllable
in my mother's heart

too old for
vision I must
settle for dreams

specific forms
of cloud

(body surrounded by
body)

every sensation con-

My mouth is snow slowly caking that stiff pigeon.
My mouth, the intricately moist machinery of a plant.
I have forgotten if I ever had a mouth.

I have two mouths.
One like warm rain;
or wind manipulating the worn limbs of an elm.

My mouth knows nothing of music.
Or of the oils of love.

I put my hand
Into the dream
That falls upon
The air. It
Touches me a little,
But I don’t complain.
I’m almost asleep
When I get there.
Where Byron
Lost the scent of his
Life, over there,
Where the dreams are.
It’s always
Hot, like
The eyes of the

(from A Midsummer Night's Dream, spoken by Bottom) When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince? Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep? I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was. Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what. Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.

From my mother’s sleep I fell into the State,
And I hunched in its belly till my wet fur froze.
Six miles from earth, loosed from its dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.

I

I sought a theme and sought for it in vain,
I sought it daily for six weeks or so.
Maybe at last being but a broken man
I must be satisfied with my heart, although
Winter and summer till old age began
My circus animals were all on show,
Those stilted boys, that burnished chariot,

Is it a weightless pistol —
your hand.

The tail of smoke
like a limitless conversation
risks blooming and death.
The head of a desert.
A blank crawls parallel to lines of combed hair.
A barometer pursued its dream

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? —By the Rood
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,

(“Died of Wounds”) Because you died, I shall not rest again,
But wander ever through the lone world wide,
Seeking the shadow of a dream grown vain
Because you died.

The room I entered was a dream of   this room.
Surely all those feet on the sofa were mine.
The oval portrait
of   a dog was me at an early age.
Something shimmers, something is hushed up.

We had macaroni for lunch every day
except Sunday, when a small quail was induced
to be served to us. Why do I tell you these things?

Choppers in the night husk the brilliants of thought
Beyond the cities of patina grow caves of thought
Coyote Hummingbird Owl are rivers of thought
The lumens the pumpkins dance: pits of correspondence over the land
Birds the dream tongues warble Iroquois Mojavé Ohlone
Market Street of “The Mad Doctor” via the occult centers
A gang of fox spirits at the crossroads
Bandoleros set between the obliteration of grizzly bears painted by an Arcimboldist and the monstrance of bleeding chains

banging around in a cigarette she isn’t “in love”
my dream a drink with Ira Hayes we discuss the code of the west
my hands make love to my body when my arms are around you
you never tell me your name
and I am forced to write “belly” when I mean “love”

Unmet at Euston in a dream
Of London under Turner’s steam
Misting the iron gantries, I
Found myself running away
From Scotland into the golden city.

I ran down Gray’s Inn Road and ran
Till I was under a black bridge.
This was me at nineteen

for Charles Morice Music first and foremost! In your verse,
Choose those meters odd of syllable,

i would be eight people and then the difficulties vanish
only as one i contain the complications
in a warm house roofed with the rib-cage of an elephant
i pass my grey mornings re-running the reels
and the images are the same but the emphasis shifts
the actors bow gently to me and i envy them
their repeated parts, their constant presence in that world

i would be eight people each inhabiting the others’ dreams

I
To dream of love, and, waking, to remember you:
As though, being dead, one dreamed of heaven, and woke
in hell.
At night my lovely dreams forget the old farewell:
Ah! wake not by his side, lest you remember too!


II
I set all Rome between us: with what joy I set

Despite the geologists’ knowledge and craft,
mocking magnets, graphs, and maps—
in a split second the dream
piles before us mountains as stony
as real life.

And since mountains, then valleys, plains
with perfect infrastructures.
Without engineers, contractors, workers,
bulldozers, diggers, or supplies—
raging highways, instant bridges,
thickly populated pop-up cities.

Without directors, megaphones, and cameramen—
crowds knowing exactly when to frighten us

Slowly the white dream wrestle(s) to life
hands shaping the salt and the foreign cornfields
the cold flesh kneaded by fingers
is ready for the charcoal for the black wife

of heat the years of green sleeping in the volcano.
the dream becomes tougher. settling into its shape
like a bullfrog. suns rise and electrons
touch it. walls melt into brown. moving to crisp and crackle

That afternoon the dream of the toads rang through the elms by Little River and affected the thoughts of men, though they were not conscious that they heard it.--Henry Thoreau The dream of toads: we rarely
credit what we consider lesser
life with emotions big as ours,
but we are easily distracted,

"God made me an Indian, but not a reservation Indian."—Sitting Bull Hin-Mah-Too-Yah-Lat-Ket: Thunder-rolling in-the-mountains,

Where once I loved my flesh,
That social fellow,
Now I want security of bone
And cherish the silence of my skeleton.

Where once I walked the world
Hunting the devil,
Now I find the darkness and the void
Within my side.

Let the musicians begin,
Let every instrument awaken and instruct us
In love’s willing river and love’s dear discipline:
We wait, silent, in consent and in the penance
Of patience, awaiting the serene exaltation
Which is the liberation and conclusion of expiation.

Now may the chief musician say:
“Lust and emulation have dwelt amoung us

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound—
And that was why it whispered and did not speak.
It was no dream of the gift of idle hours,
Or easy gold at the hand of fay or elf:
Anything more than the truth would have seemed too weak
To the earnest love that laid the swale in rows,
Not without feeble-pointed spikes of flowers
(Pale orchises), and scared a bright green snake.
The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,

I sit and sew—a useless task it seems,
My hands grown tired, my head weighed down with dreams—
The panoply of war, the martial tred of men,
Grim-faced, stern-eyed, gazing beyond the ken
Of lesser souls, whose eyes have not seen Death,
Nor learned to hold their lives but as a breath—
But—I must sit and sew.

I sit and sew—my heart aches with desire—

quincunx of succulents
subtle colors and forms
succinct in dust

appropriate the pot
assigned, set each
for spill into Other

always my core dream
winding a garden

Tonight, away begins to go
farther away, and the dream
what do we know of the dream
metallic leaps Jackson Pollock
silvery streams Jackson Pollock
I gaze across the sea

see in the distance your walk and you
pass the Pacific, distant and blue

Her life was dwarfed, and wed to blight,
Her very days were shades of night,
Her every dream was born entombed,
Her soul, a bud,—that never bloomed.

In placid hours well-pleased we dream
Of many a brave unbodied scheme.
But form to lend, pulsed life create,
What unlike things must meet and mate:
A flame to melt—a wind to freeze;
Sad patience—joyous energies;
Humility—yet pride and scorn;
Instinct and study; love and hate;
Audacity—reverence. These must mate,
And fuse with Jacob’s mystic heart,
To wrestle with the angel—Art.

Would I might rouse the Lincoln in you all,
That which is gendered in the wilderness
From lonely prairies and God’s tenderness.
Imperial soul, star of a weedy stream,
Born where the ghosts of buffaloes still dream,
Whose spirit hoof-beats storm above his grave,
Above that breast of earth and prairie-fire—
Fire that freed the slave.

The room I entered was a dream of this room.
Surely all those feet on the sofa were mine.
The oval portrait
of a dog was me at an early age.
Something shimmers, something is hushed up.

We had macaroni for lunch every day
except Sunday, when a small quail was induced
to be served to us. Why do I tell you these things?

If I could only get hold of the whole of you,
How could I ever get hold of the whole of you,
Even more than the most beloved idols,
More than mountains quarried whole,
More than mines
Of burning coal,
Let’s say mines of extinguished coal
And the breath of day like a fiery furnace.

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn’t he danced his did.

Women and men(both little and small)
cared for anyone not at all
they sowed their isn’t they reaped their same
sun moon stars rain

They sap man’s substance
as moon the dew.
A rope grows erect
from the crown of the head.
A black swan hatches
from a pebble.
And a flock of angels in the sky
is taking an evening class

Come to me in the silence of the night;
Come in the speaking silence of a dream;
Come with soft rounded cheeks and eyes as bright
As sunlight on a stream;
Come back in tears,
O memory, hope, love of finished years.

Oh dream how sweet, too sweet, too bitter sweet,
Whose wakening should have been in Paradise,

In one dream I am made watchful.
In this dream the name we never clearly have heard
is spoken, which name, if we knew

and could speak it, would call back to us
those whom in time we will have come to love
and who will die; would bring them back to us

like us abandoned again
to his terrible consequence,

I love all beauteous things,
I seek and adore them;
God hath no better praise,
And man in his hasty days
Is honoured for them.

I too will something make
And joy in the making;

If Cynthia be a queen, a princess, and supreme,
Keep these among the rest, or say it was a dream,
For those that like, expound, and those that loathe express
Meanings according as their minds are moved more or less;
For writing what thou art, or showing what thou were,
Adds to the one disdain, to the other but despair,
Thy mind of neither needs, in both seeing it exceeds.

Passing the American graveyard, for my birthday
the crosses stuttering, white on tropical green,
the years’ quick focus of faces I do not remember . . .

The palm trees stalking like deliberate giants
for my birthday, and all the hot adolescent memories
seen through a screen of water . . .

For my birthday thrust into the adult and actual:
expected to perform the action, not to ponder

Tell me not in mormonful numbers
“Life is but an empty dream!”
To a student of the slumbers
Things are never what they seem.

Life is yearning and suppression;
Life is that to be enjoyed;
Puritanical discretion
Was not spoke by Dr. Freud.

Deep enjoyment, and not sorrow,
Is our destined end or way;
But to dream, that each to-morrow
Finds us Freudier than to-day.

An idle poet, here and there,
Looks round him; but, for all the rest,
The world, unfathomably fair,
Is duller than a witling’s jest.
Love wakes men, once a lifetime each;
They lift their heavy lids, and look;
And, lo, what one sweet page can teach,
They read with joy, then shut the book.
And some give thanks, and some blaspheme
And most forget; but, either way,
That and the Child’s unheeded dream
Is all the light of all their day.

Lying asleep walking
Last night I met my father
Who seemed pleased to see me.
He wanted to speak. I saw
His mouth saying something
But the dream had no sound.

We were surrounded by
Laid-up paddle steamers

When my mother She who is not All at once
Was a young girl Who she was I could see
Before the War Waits to be My mother
Reading sad books Yet she is In eternity
By the river Already I told her
Sometimes, she Mother She always
Looked up, wisely Whose child Would be
But did not dream Though not yet The one

Amid the glare of light and song
And talk that knows not when to cease,
The sullen voices of the throng,
My weary soul cries out for peace,
Peace and the quietness of death;
The wash of waters deep and cool,
The wind too faint for any breath
To stir oblivion’s silent pool,

Defend me. I am not capable.
The river sweeps by three minutes at once
cleansing me of guilt. But the bear
crashes through it and breaches my
innocence.
He rages and frightens my innocence.

The psychologist says, "You are the bear.
You are the river.
You are the green car
crossing the bridge. Defend yourself."

But the green car
is in a forest I have failed to speak to.
The green car was never intended

Flow gently, sweet Afton, among thy green braes,
Flow gently, I'll sing thee a song in thy praise;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.

Thou stock-dove, whose echo resounds thro' the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing, thy screaming forbear,
I charge you disturb not my slumbering fair.

How lofty, sweet Afton, thy neighbouring hills,
Far mark'd with the courses of clear winding rills;
There daily I wander as noon rises high,
My flocks and my Mary's sweet cot in my eye.

The princess in her world-old tower pined
A prisoner, brazen-caged, without a gleam
Of sunlight, or a windowful of wind;
She lived but in a long lamp-lighted dream.

They brought her forth at last when she was old;
The sunlight on her blanched hair was shed
Too late to turn its silver into gold.
“Ah, shield me from this brazen glare!” she said.

Speak to her heart!
That manic force
When wits depart
Forbids remorse.

Dream with her dreaming
Until her lust
Seems to her seeming
An act of trust!

I have a twin who bears my name;
Bears it about with him in shame;

Who goes a way I would not go;
Has knowledge of things I would not know;

When I was brave he was afraid;
He told the truth, I lied;

What’s sweet to me tastes bitter to him;
My friends, my friends, he doesn’t love them;

The houses are haunted
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace

Dogs are Shakespearean, children are strangers.
Let Freud and Wordsworth discuss the child,
Angels and Platonists shall judge the dog,
The running dog, who paused, distending nostrils,
Then barked and wailed; the boy who pinched his sister,
The little girl who sang the song from Twelfth Night,
As if she understood the wind and rain,
The dog who moaned, hearing the violins in concert.

In visions of the dark night
I have dreamed of joy departed—
But a waking dream of life and light
Hath left me broken-hearted.

Ah! what is not a dream by day
To him whose eyes are cast
On things around him with a ray

Dear love, for nothing less than thee
Would I have broke this happy dream;
It was a theme
For reason, much too strong for fantasy,
Therefore thou wak'd'st me wisely; yet
My dream thou brok'st not, but continued'st it.
Thou art so true that thoughts of thee suffice
To make dreams truths, and fables histories;
Enter these arms, for since thou thought'st it best,
Not to dream all my dream, let's act the rest.

As lightning, or a taper's light,
Thine eyes, and not thy noise wak'd me;
Yet I thought thee
(For thou lovest truth) an angel, at first sight;

Cigarettes in my mouth
to puncture blisters in my brain.
My bass a fine piece of furniture.
My fingers soft, too soft to rattle
rafters in second-rate halls.
The harmonies I could never learn
stick in Ayler's screams.
An African chant chokes us. My image shot.

Grass grew long in the story.


Pieces clung to bedclothes. In the night he believed he grew taller.
Grass covered the dream of a serpent, eyes sunk in his head, tail of silk clover. The dream translated into silver tone. More serpent heads and the
dream turned into an opera.

It was the opera that made the dreamer famous. Location of opera could be
in any country, could be Antarctica, more likely Finland, where they believe
in silk clover, it is gold in a land of starved desire for summer.

The opera had a clover leaf copied in porcelain by Aalto, the famous

I know 'tis but a Dream, yet feel more anguish
Than if 'twere Truth. It has been often so:
Must I die under it? Is no one near?
Will no one hear these stifled groans and wake me?

What happens to a dream deferred?

Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?

Have you dug the spill
Of Sugar Hill?
Cast your gims
On this sepia thrill:
Brown sugar lassie,
Caramel treat,
Honey-gold baby
Sweet enough to eat.

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Memory, hither come,
And tune your merry notes;
And, while upon the wind,
Your music floats,
I'll pore upon the stream,
Where sighing lovers dream,
And fish for fancies as they pass
Within the watery glass.

I'll drink of the clear stream,
And hear the linnet's song;
And there I'll lie and dream
The day along:
And, when night comes, I'll go
To places fit for woe,

NOVEMBER 4, 1889

Somno mollior unda I
Dawn is dim on the dark soft water,
Soft and passionate, dark and sweet.
Love's own self was the deep sea's daughter,

Speciously individual
like a solid piece of spit
floating in a cuspidor
I dream of free bravery
but am a social being.
I should do something
to get out of here
but float around in the culture

Of your fate
Fast asleep
On the bed you made
Dream away
Wake up late