A Walk in the River

Ugliest little boy
that everyone ever saw.
That is what everyone said.

Even to his mother it was apparent—
when the blue-aproned nurse came into the
northeast end of the maternity ward
bearing his squeals and plump bottom
looped up in a scant receiving blanket,

An Episode AND the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.

Alas, my Purse! how lean and low!
My silken Purse! what art thou now!
One I beheld—but stocks will fall—
When both thy ends had wherewithal.
When I within thy slender fence
My fortune placed, and confidence;
A poet’s fortune!—not immense:
Yet, mixed with keys, and coins among,

My hair is grey, but not with years,
Nor grew it white
In a single night,
As men's have grown from sudden fears:
My limbs are bow'd, though not with toil,
But rusted with a vile repose,
For they have been a dungeon's spoil,
And mine has been the fate of those

In a world where all the heroes
are pilots with voices like God
he brought her a strand of some woman’s

hair to wear on her wing.
She looked sideways at the ground
silent behind the cloudy film covering

her eyes knowing she would be his
forever. They cruised the city nights

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

I first discovered what was killing these men.
I had three sons who worked with their father in the tunnel:
Cecil, aged 23, Owen, aged 21, Shirley, aged 17.
They used to work in a coal mine, not steady work
for the mines were not going much of the time.
A power Co. foreman learned that we made home brew,
he formed a habit of dropping in evenings to drink,
persuading the boys and my husband —

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE

O zummer clote! when the brook’s a-glidèn
So slow an’ smooth down his zedgy bed,
Upon thy broad leaves so seäfe a-ridèn
The water’s top wi’ thy yollow head,
By alder sheädes, O,
An’ bulrush beds, O,
Thou then dost float, goolden zummer clote!

The grey-bough’d withy’s a leänèn lowly
Above the water thy leaves do hide;
The bènden bulrush, a-swaÿèn slowly,
Do skirt in zummer thy river’s zide;
An’ perch in shoals, O,
Do vill the holes, O,
Where thou dost float, goolden zummer clote!

A woman ladder leans
with her two-year-old boy in her arms.
Her arms & legs & hands & feet
are thin as crayons.

The man ladder
is holding his glass of bourbon,
he is coming out of the child’s drawing
in his old open pajamas—

In the greenest of our valleys
By good angels tenanted,
Once a fair and stately palace—
Radiant palace—reared its head.
In the monarch Thought’s dominion,
It stood there!
Never seraph spread a pinion
Over fabric half so fair!

Traveler, your footprints
are the only road, nothing else.
Traveler, there is no road;
you make your own path as you walk.
As you walk, you make your own road,
and when you look back
you see the path
you will never travel again.

'There it is!–
You play beside a death-bed like a child,
Yet measure to yourself a prophet's place
To teach the living. None of all these things,
Can women understand. You generalise,
Oh, nothing!–not even grief! Your quick-breathed hearts,
So sympathetic to the personal pang,

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks—
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!

Let the musicians begin,
Let every instrument awaken and instruct us
In love’s willing river and love’s dear discipline:
We wait, silent, in consent and in the penance
Of patience, awaiting the serene exaltation
Which is the liberation and conclusion of expiation.

Now may the chief musician say:
“Lust and emulation have dwelt amoung us

(excerpt)

AN ANATOMY OF THE WORLD
Wherein,
by occasion of the untimely death of Mistress
Elizabeth Drury, the frailty and the decay
of this whole world is represented
THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone,
Whom all do celebrate, who know they have one
(For who is sure he hath a soul, unless
It see, and judge, and follow worthiness,

My sister! my sweet sister! if a name
Dearer and purer were, it should be thine.
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same
A lov'd regret which I would not resign.
There yet are two things in my destiny—
A world to roam through, and a home with thee.

And in a little while we broke under the strain:
suppurations ad nauseam, the wanting to be taller,
though it‘s simply about being mysterious, i.e., not taller,
like any tree in any forest.
Mute, the pancake describes you.
It had tiny roman numerals embedded in its rim.
It was a pancake clock. They had ’em in those days,
always getting smaller, which is why they finally became extinct.

1.

Far from the sea far from the sea
of Breton fishermen
the white clouds scudding
over Lowell
and the white birches the
bare white birches
along the blear night roads

who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?

it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.