To S. M. A Young African Painter, On Seeing His Works

HAil holy Light, ofspring of Heav'n first-born,
Or of th' Eternal Coeternal beam
May I express thee unblam'd? since God is light,
And never but in unapproached light
Dwelt from Eternitie, dwelt then in thee,
Bright effluence of bright essence increate.
Or hear'st thou rather pure Ethereal stream,
Whose Fountain who shall tell? before the Sun,
Before the Heavens thou wert, and at the voice
Of God, as with a Mantle didst invest
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I re-visit now with bolder wing,
Escap't the Stygian Pool, though long detain'd
In that obscure sojourn, while in my flight

Hail, happy day, when, smiling like the morn,
Fair Freedom rose New-England to adorn:
The northern clime beneath her genial ray,
Dartmouth, congratulates thy blissful sway:
Elate with hope her race no longer mourns,
Each soul expands, each grateful bosom burns,
While in thine hand with pleasure we behold
The silken reins, and Freedom's charms unfold.

Home, thou return'st from Thames, whose Naiads long
Have seen thee ling'ring, with a fond delay,
Mid those soft friends, whose hearts, some future day,
Shall melt, perhaps, to hear thy tragic song.
Go, not unmindful of that cordial youth,
Whom, long endear'd, thou leav'st by Lavant's side;
Together let us wish him lasting truth,
And joy untainted with his destined bride.
Go! nor regardless, while these numbers boast
My short-lived bliss, forget my social name;
But think far off how, on the southern coast,
I met thy friendship with an equal flame!
Fresh to that soil thou turn'st, whose ev'ry vale
Shall prompt the poet, and his song demand:
To thee thy copious subjects ne'er shall fail;

Delight of Human kind, and Gods above;
Parent of Rome; Propitious Queen of Love;
Whose vital pow’r, Air, Earth, and Sea supplies;
And breeds what e’r is born beneath the rowling Skies:
For every kind, by thy prolifique might,
Springs, and beholds the Regions of the light:
Thee, Goddess thee, the clouds and tempests fear,
And at thy pleasing presence disappear:
For thee the Land in fragrant Flow’rs is drest,
For thee the Ocean smiles, and smooths her wavy breast;
And Heav’n it self with more serene, and purer light is blest.
For when the rising Spring adorns the Mead,
And a new Scene of Nature stands display’d,
When teeming Budds, and chearful greens appear,
And Western gales unlock the lazy year,

1
Sometime now past in the Autumnal Tide,
When Phoebus wanted but one hour to bed,
The trees all richly clad, yet void of pride,
Were gilded o’re by his rich golden head.
Their leaves and fruits seem’d painted but was true
Of green, of red, of yellow, mixed hew,
Rapt were my senses at this delectable view.

2
I wist not what to wish, yet sure thought I,
If so much excellence abide below,
How excellent is he that dwells on high?
Whose power and beauty by his works we know.
Sure he is goodness, wisdom, glory, light,

In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love!—From Abelard it came,
And Eloisa yet must kiss the name.

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")

Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.84)
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing—This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:

Excellent In The Two Sister-Arts Of POËsy And Painting: An Ode 1
Thou youngest virgin-daughter of the skies,