Song

I’ve never heard a song
like that I’ve never heard

a song like that I’ve never
heard a song like that

was it peace and goodwill
to men or was it peace

to men of  goodwill was it
peace and goodwill to men

Ah, how poets sing and die!
Make one song and Heaven takes it;
Have one heart and Beauty breaks it;
Chatterton, Shelley, Keats and I—
Ah, how poets sing and die!

Blest pair of Sirens, pledges of Heav'ns joy, Sphear-born harmonious Sisters, Voice, and Vers, Wed your divine sounds, and mixt power employ Dead things with inbreath'd sense able to pierce, And to our high-rais'd phantasie present, That undisturbèd Song of pure content, Ay sung before the saphire-colour'd throne To him that sits theron

1

There is a gold light in certain old paintings
That represents a diffusion of sunlight.
It is like happiness, when we are happy.
It comes from everywhere and from nowhere at once, this light,
And the poor soldiers sprawled at the foot of the cross
Share in its charity equally with the cross.

2

The kings they came from out the south,
All dressed in ermine fine;
They bore Him gold and chrysoprase,
And gifts of precious wine.

The shepherds came from out the north,
Their coats were brown and old;
They brought Him little new-born lambs—
They had not any gold.

The wise men came from out the east,
And they were wrapped in white;
The star that led them all the way
Did glorify the night.

The palm at the end of the mind,
Beyond the last thought, rises
In the bronze decor,

A gold-feathered bird
Sings in the palm, without human meaning,
Without human feeling, a foreign song.

You know then that it is not the reason
That makes us happy or unhappy.

I made my song a coat
Covered with embroideries
Out of old mythologies
From heel to throat;
But the fools caught it,
Wore it in the world’s eyes
As though they’d wrought it.
Song, let them take it
For there’s more enterprise
In walking naked.

All the hills and vales along
Earth is bursting into song,
And the singers are the chaps
Who are going to die perhaps.
O sing, marching men,
Till the valleys ring again.
Give your gladness to earth’s keeping,
So be glad, when you are sleeping.

Cast away regret and rue,
Think what you are marching to.
Little live, great pass.
Jesus Christ and Barabbas
Were found the same day.
This died, that went his way.

This is the song of the mud,
The pale yellow glistening mud that covers the hills like satin;
The grey gleaming silvery mud that is spread like enamel over the valleys;
The frothing, squirting, spurting, liquid mud that gurgles along the road beds;
The thick elastic mud that is kneaded and pounded and squeezed under the hoofs of the horses;
The invincible, inexhaustible mud of the war zone.


This is the song of the mud, the uniform of the poilu.
His coat is of mud, his great dragging flapping coat, that is too big for him and too heavy;
His coat that once was blue and now is grey and stiff with the mud that cakes to it.
This is the mud that clothes him. His trousers and boots are of mud,
And his skin is of mud;
And there is mud in his beard.

Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on - on - and out of sight.

Everyone's voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away ... O, but Everyone
Was a bird; and the song was wordless; the singing will never be done.

Sombre the night is:
And, though we have our lives, we know
What sinister threat lurks there.

Dragging these anguished limbs, we only know
This poison-blasted track opens on our camp—
On a little safe sleep.

But hark! Joy—joy—strange joy.
Lo! Heights of night ringing with unseen larks:
Music showering on our upturned listening faces.

Death could drop from the dark
As easily as song—
But song only dropped,

NOTES FROM THE REVOLUTION During the beat of this story you may find other beats. I mean
a beat, I mean Cantus, I mean Firm us, I mean paper, I mean in
the Kingdom which is coming, which is here in discovery.

I'm an inexperienced mourner
I don't even know how to begin
to cry out like that old man
wailing in the next hospital room—
oi vay, oi vay—his two sounds
beating against the wall.

He makes me squirm
but I get his message better than my own.

My song has put off her adornments.
She has no pride of dress and decoration.
Ornaments would mar our union;
they would come between thee and me;
their jingling would drown thy whispers.

My poet’s vanity dies in shame before thy sight.
O master poet, I have sat down at thy feet.
Only let me make my life simple and straight,

Bunny Berigan first recorded “I Can’t Get Started”
with a small group that included Joe Bushkin, Cozy Cole
and Artie Shaw in 1936.
Earlier that same year, the song,
written by Ira Gershwin and Vernon Duke,

Immersed
we don’t
ask
who entered
whose stream.

Take
my hand there
is no

Your soul is like a landscape fantasy,
Where masks and Bergamasks, in charming wise,
Strum lutes and dance, just a bit sad to be
Hidden beneath their fanciful disguise.

“stooped to truth and moralized his song” Spring pricks a little. I get out the maps. Time to demoralize my song, high time.

THE WAY OUT

The night is covered with signs. The body and face of man,
with signs, and his journeys. Where the rock is split
and speaks to the water; the flame speaks to the cloud;
the red splatter, abstraction, on the door
speaks to the angel and the constellations.
The grains of sand on the sea-floor speak at last to the noon.
And the loud hammering of the land behind

“Come, surly fellow, come! A song!
“What, madmen? Sing to you?
Choose from the clouded tales of wrong
And terror I bring to you.

Of a night so torn with cries,
Honest men sleeping
Start awake with glaring eyes,
Bone chilled, flesh creeping.

Of spirits in the web-hung room
Up above the stable,
Groans, knocking in the gloom
The dancing table.

Thou art my lute, by thee I sing,—
My being is attuned to thee.
Thou settest all my words a-wing,
And meltest me to melody.

Thou art my life, by thee I live,
From thee proceed the joys I know;
Sweetheart, thy hand has power to give
The meed of love—the cup of woe.

Thou art my love, by thee I lead
My soul the paths of light along,
From vale to vale, from mead to mead,
And home it in the hills of song.

The twilight of your face,
the unknown bird in your voice,
drew me to your eyes’ green vision,

your song about a moment
that stood in the shadow
of a moon vulnerability,

a Natalie I saw standing alone,
at your friend Carolyn’s party

let me get the vocabulary of this song
right—the curious happiness of poetry—
the word materialism dropped by the way
side—its mereness of the other face of
spiritualism—just two notes to sing—
repetitious dualism—do—do—once in a while
one squawks louder than the other, baby
crows being weaned before the next batch—

Sleep, love sleep,
The night winds sigh,
In soft lullaby.
The Lark is at rest
With the dew on her breast.
So close those dear eyes,
That borrowed their hue
From the heavens so blue,
Sleep, love sleep.

Sleep, love sleep,
The pale moon looks down
On the valleys around,
The Glow Moth is flying,
The South wind is sighing,

Born like the pines to sing,
The harp and song in m’ breast,
Though far and near,
There’s none to hear,
I’ll sing as th’ winds request.

To tell the trend of m’ lay,
Is not for th’ harp or me;
I’m only to know,

Lift ev’ry voice and sing,
Till earth and heaven ring,
Ring with the harmonies of Liberty;
Let our rejoicing rise
High as the list’ning skies,
Let it resound loud as the rolling sea.
Sing a song full of the faith that the dark past has taught us,
Sing a song full of the hope that the present has brought us;
Facing the rising sun of our new day begun,
Let us march on till victory is won.

Stony the road we trod,
Bitter the chast’ning rod,
Felt in the days when hope unborn had died;
Yet with a steady beat,

To love these books, and harmless tea,
Has always been my foible,
Yet will I ne’er forgetful be
To read my Psalms and Bible.

Travels I like, and history too,
Or entertaining fiction;
Novels and plays I’d have a few,

Fame is a bee.
It has a song—
It has a sting—
Ah, too, it has a wing.

So I would hear out those lungs,
The air split into nine levels,
Some gift of tongues of the whistler

In the invalid’s bed: my mother,
Warbling all day to herself
The thousand variations of one song;

It is called Buckdancer’s Choice.
For years, they have all been dying

(Sonata for an Orchestra) Chicago is an overgrown woman
wearing her skyscrapers

A strong song tows
us, long earsick.
Blind, we follow
rain slant, spray flick
to fields we do not know.

Night, float us.
Offshore wind, shout,
ask the sea

What do I owe to you
Who loved me deep and long?
You never gave my spirit wings
Nor gave my heart a song.

But oh, to him I loved,
Who loved me not at all,
I owe the little open gate

The bird had come to the very end of its song
and the tree was dissolving under its claws.

And in the sky the clouds were twisting
and darkness flowed through all the cracks
into the sinking vessel of the landscape.

Only in the telegraph wires
a message still
crackled:

I hear a river thro’ the valley wander
Whose water runs, the song alone remaining.
A rainbow stands and summer passes under.

She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.

The sea was not a mask. No more was she.

A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln’s birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercises. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us, and the song was taught to and sung by a chorus of five hundred colored school children.
Shortly afterwards my brother and I moved away from Jacksonville to New York, and the song passed out of our minds. But the school children of Jacksonville kept singing it; they went off to other schools and sang it; they became teachers and taught it to other children. Within twenty years it was being sung over the South and in some other parts of the country. Today the song, popularly known as the Negro National Hymn, is quite generally used.
The lines of this song repay me in an elation, almost of exquisite anguish, whenever I hear them sung by Negro children. Lift every voice and sing
Till earth and heaven ring,
Ring with the harmonies of Liberty;
Let our rejoicing rise

I will make you brooches and toys for your delight
Of bird-song at morning and star-shine at night.
I will make a palace fit for you and me
Of green days in forests and blue days at sea.

I will make my kitchen, and you shall keep your room,
Where white flows the river and bright blows the broom,
And you shall wash your linen and keep your body white

Chide me not, darling, that I sing
Familiar thoughts and metres old:
Nay, do not scold
My spirit’s childish uttering.

I know not why ’t is that or this
I murmur to you thus or so:
Only I know
It throbs across my silences,

It blows over my heart,—a long
Infinite wind, again, again!
Again! and then
My life kneels down into a song.

This is the one song everyone
would like to learn: the song
that is irresistible:

the song that forces men
to leap overboard in squadrons
even though they see the beached skulls

the song nobody knows
because anyone who has heard it

At the throat of Soweto
a devil language falls
slashing
claw syllables to shred and leave
raw
the tongue of the young
girl
learning to sing

colored pictures
of all things to eat: dirty
postcards
And words, words, words
all over everything
No eyes or ears left
to do their own doings (all

There is delight in singing, tho’ none hear
Beside the singer; and there is delight
In praising, tho’ the praiser sit alone
And see the prais’d far off him, far above.
Shakspeare is not our poet, but the world’s,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale,
No man hath walkt along our roads with step
So active, so inquiring eye, or tongue
So varied in discourse. But warmer climes
Give brighter plumage, stronger wing: the breeze
Of Alpine highths thou playest with, borne on
Beyond Sorrento and Amalfi, where
The Siren waits thee, singing song for song.

Amid the glare of light and song
And talk that knows not when to cease,
The sullen voices of the throng,
My weary soul cries out for peace,
Peace and the quietness of death;
The wash of waters deep and cool,
The wind too faint for any breath
To stir oblivion’s silent pool,

"What you are struggling with," said
the psychologist, "is
a continuous song, something like
a telephone's tone. Nebulous, noncommittal,
unrelenting, pretending
to give you messages it can't deliver.

Because the body is unattached. It is,"
he said, "like a valentine sent
out cold, beautiful, brittle as tomorrow's
deja-vu, but distortedly misaddressed.
These pills will help you
find yourself
somewhere where the lace ends up loose
and the paste is still humming

The birds against the April wind
Flew northward, singing as they flew;
They sang, “The land we leave behind
Has swords for corn-blades, blood for dew.”

“O wild-birds, flying from the South,
What saw and heard ye, gazing down?”
“We saw the mortar’s upturned mouth,

The wine of Love is music,
And the feast of Love is song:
And when Love sits down to the banquet,
Love sits long:

Sits long and ariseth drunken,
But not with the feast and the wine;
He reeleth with his own heart,
That great rich Vine.

The harp at Nature’s advent strung
Has never ceased to play;
The song the stars of morning sung
Has never died away.

And prayer is made, and praise is given,
By all things near and far;
The ocean looketh up to heaven,
And mirrors every star.

Its waves are kneeling on the strand,
As kneels the human knee,
Their white locks bowing to the sand,
The priesthood of the sea!

After reading Dr Rieu’s translation of St Mark’s Gospel. Who is this that comes in splendour, coming from the blazing East?
This is he we had not thought of, this is he the airy Christ.

I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.

I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?

Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.

Bird of the bitter bright grey golden morn
Scarce risen upon the dusk of dolorous years,
First of us all and sweetest singer born
Whose far shrill note the world of new men hears
Cleave the cold shuddering shade as twilight clears;
When song new-born put off the old world's attire
And felt its tune on her changed lips expire,
Writ foremost on the roll of them that came
Fresh girt for service of the latter lyre,
Villon, our sad bad glad mad brother's name!

Alas the joy, the sorrow, and the scorn,
That clothed thy life with hopes and sins and fears,
And gave thee stones for bread and tares for corn
And plume-plucked gaol-birds for thy starveling peers

An old man in a lodge within a park;
The chamber walls depicted all around
With portraitures of huntsman, hawk, and hound,
And the hurt deer. He listeneth to the lark,
Whose song comes with the sunshine through the dark
Of painted glass in leaden lattice bound;
He listeneth and he laugheth at the sound,
Then writeth in a book like any clerk.
He is the poet of the dawn, who wrote
The Canterbury Tales, and his old age
Made beautiful with song; and as I read
I hear the crowing cock, I hear the note
Of lark and linnet, and from every page
Rise odors of ploughed field or flowery mead.

Where Claribel low-lieth
The breezes pause and die,
Letting the rose-leaves fall:
But the solemn oak-tree sigheth,
Thick-leaved, ambrosial,
With an ancient melody
Of an inward agony,
Where Claribel low-lieth.

The twilight is the morning of his day.
While Sleep drops seaward from the fading shore,
With purpling sail and dip of silver oar,
He cheers the shadowed time with roundelay,
Until the dark east softens into gray.
Now as the noisy hours are coming—hark!
His song dies gently—it is growing dark—
His night, with its one star, is on the way!

a love supreme, a love supreme
a love supreme, a love supreme Sex fingers toes
in the marketplace

Go, dumb-born book,
Tell her that sang me once that song of Lawes:
Hadst thou but song
As thou hast subjects known,
Then were there cause in thee that should condone
Even my faults that heavy upon me lie
And build her glories their longevity.

Tell her that sheds

Is this a holy thing to see,
In a rich and fruitful land,
Babes reducd to misery,
Fed with cold and usurous hand?

Is that trembling cry a song?
Can it be a song of joy?
And so many children poor?
It is a land of poverty!

And their sun does never shine.
And their fields are bleak &bare.
And their ways are fill'd with thorns.
It is eternal winter there.

Piping down the valleys wild
Piping songs of pleasant glee
On a cloud I saw a child.
And he laughing said to me.

Pipe a song about a Lamb;
So I piped with merry chear,
Piper pipe that song again—
So I piped, he wept to hear.

Drop thy pipe thy happy pipe
Sing thy songs of happy chear,
So I sung the same again
While he wept with joy to hear

Under the level winter sky
I saw a thousand Christs go by.
They sang an idle song and free
As they went up to calvary.

Careless of eye and coarse of lip,
They marched in holiest fellowship.
That heaven might heal the world, they gave

Often I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."

I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.

My lute awake! perform the last
Labour that thou and I shall waste,
And end that I have now begun;
For when this song is sung and past,
My lute be still, for I have done.

As to be heard where ear is none,
As lead to grave in marble stone,
My song may pierce her heart as soon;
Should we then sigh or sing or moan?
No, no, my lute, for I have done.

The rocks do not so cruelly
Repulse the waves continually,
As she my suit and affection;

oh antic God
return to me
my mother in her thirties
leaned across the front porch
the huge pillow of her breasts
pressing against the rail
summoning me in for bed.

I am almost the dead woman’s age times two.

This is what you changed me to:
a greypink vegetable with slug
eyes, buttock
incarnate, spreading like a slow turnip,

a skin you stuff so you may feed
in your turn, a stinking wart
of flesh, a large tuber
of blood which munches

CALM was the day, and through the trembling air
Sweet breathing Zephyrus did softly play,
A gentle spirit, that lightly did delay
Hot Titan's beams, which then did glister fair;
When I whose sullen care,
Through discontent of my long fruitless stay
In prince's court, and expectation vain
Of idle hopes, which still do fly away
Like empty shadows, did afflict my brain,
Walked forth to ease my pain
Along the shore of silver streaming Thames,
Whose rutty bank, the which his river hems,
Was painted all with variable flowers,
And all the meads adorned with dainty gems,
Fit to deck maidens' bowers,

All the night sleep came not upon my eyelids,
Shed not dew, nor shook nor unclosed a feather,
Yet with lips shut close and with eyes of iron
Stood and beheld me.

Then to me so lying awake a vision
Came without sleep over the seas and touched me,
Softly touched mine eyelids and lips; and I too,
Full of the vision,

Saw the white implacable Aphrodite,
Saw the hair unbound and the feet unsandalled
Shine as fire of sunset on western waters;
Saw the reluctant

Sing me a song of a lad that is gone,
Say, could that lad be I?
Merry of soul he sailed on a day
Over the sea to Skye.

Mull was astern, Rum on the port,
Eigg on the starboard bow;
Glory of youth glowed in his soul;

They have no song, the sedges dry,
And still they sing.
It is within my breast they sing,
As I pass by.
Within my breast they touch a string,
They wake a sigh.
There is but sound of sedges dry;
In me they sing.

Memory, hither come,
And tune your merry notes;
And, while upon the wind,
Your music floats,
I'll pore upon the stream,
Where sighing lovers dream,
And fish for fancies as they pass
Within the watery glass.

I'll drink of the clear stream,
And hear the linnet's song;
And there I'll lie and dream
The day along:
And, when night comes, I'll go
To places fit for woe,

Tossed on the glittering air they soar and skim,
Whose voices make the emptiness of light
A windy palace. Quavering from the brim
Of dawn, and bold with song at edge of night,
They clutch their leafy pinnacles and sing
Scornful of man, and from his toils aloof
Whose heart's a haunted woodland whispering;
Whose thoughts return on tempest-baffled wing;

1
When lilacs last in the dooryard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d, and yet shall mourn with ever-returning spring.

Ever-returning spring, trinity sure to me you bring,
Lilac blooming perennial and drooping star in the west,
And thought of him I love.

2
O powerful western fallen star!
O shades of night—O moody, tearful night!
O great star disappear’d—O the black murk that hides the star!
O cruel hands that hold me powerless—O helpless soul of me!
O harsh surrounding cloud that will not free my soul.

It once might have been, once only:
We lodged in a street together,
You, a sparrow on the housetop lonely,
I, a lone she-bird of his feather.

Your trade was with sticks and clay,
You thumbed, thrust, patted and polished,
Then laughed "They will see some day