To a Husband

On seeing some pictures of the interior of his house, Washington, D.C. Only the casket left, the jewel gone
Whose noble presence filled these stately rooms,

A black cat among roses,
Phlox, lilac-misted under a first-quarter moon,
The sweet smells of heliotrope and night-scented stock.
The garden is very still,
It is dazed with moonlight,
Contented with perfume,
Dreaming the opium dreams of its folded poppies.
Firefly lights open and vanish
High as the tip buds of the golden glow
Low as the sweet alyssum flowers at my feet.
Moon-shimmer on leaves and trellises,
Moon-spikes shafting through the snow ball bush.
Only the little faces of the ladies’ delight are alert and staring,
Only the cat, padding between the roses,
Shakes a branch and breaks the chequered pattern

Touching your goodness, I am like a man
Who turns a letter over in his hand
And you might think this was because the hand
Was unfamiliar but, truth is, the man
Has never had a letter from anyone;
And now he is both afraid of what it means
And ashamed because he has no other means
To find out what it says than to ask someone.

Not that the pines were darker there,
nor mid-May dogwood brighter there,
nor swifts more swift in summer air;
it was my own country,

having its thunderclap of spring,
its long midsummer ripening,
its corn hoar-stiff at harvesting,
almost like any country,

Go to the western gate, Luke Havergal,
There where the vines cling crimson on the wall,
And in the twilight wait for what will come.
The leaves will whisper there of her, and some,
Like flying words, will strike you as they fall;
But go, and if you listen she will call.
Go to the western gate, Luke Havergal—
Luke Havergal.

A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon,
The dinosaur, who left dried tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.

Ay, gaze upon her rose-wreathed hair,
And gaze upon her smile;
Seem as you drank the very air
Her breath perfumed the while:

And wake for her the gifted line,
That wild and witching lay,
And swear your heart is as a shrine,
That only owns her sway.

Baton Rouge, 1940 These are savannas bluer than your dreams
Where other loves are fashioned to older music,

THERE are no handles upon a language
Whereby men take hold of it
And mark it with signs for its remembrance.
It is a river, this language,
Once in a thousand years
Breaking a new course
Changing its way to the ocean.
It is mountain effluvia
Moving to valleys
And from nation to nation
Crossing borders and mixing.
Languages die like rivers.
Words wrapped round your tongue today
And broken to shape of thought
Between your teeth and lips speaking