Hellas: Chorus

Father of all! in every age,
In every clime adored,
By saint, by savage, and by sage,
Jehovah, Jove, or Lord!

Thou Great First Cause, least understood:
Who all my sense confined
To know but this—that thou art good,
And that myself am blind:

Yet gave me, in this dark estate,
To see the good from ill;
And binding Nature fast in fate,
Left free the human will.

The mountain sheep are sweeter,
But the valley sheep are fatter;
We therefore deemed it meeter
To carry off the latter.
We made an expedition;
We met a host, and quelled it;
We forced a strong position,
And killed the men who held it.

On Dyfed's richest valley,
Where herds of kine were browsing,
We made a mighty sally,
To furnish our carousing.
Fierce warriors rushed to meet us;

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

St. Agnes' Eve—Ah, bitter chill it was!
The owl, for all his feathers, was a-cold;
The hare limp'd trembling through the frozen grass,
And silent was the flock in woolly fold:
Numb were the Beadsman's fingers, while he told
His rosary, and while his frosted breath,
Like pious incense from a censer old,
Seem'd taking flight for heaven, without a death,
Past the sweet Virgin's picture, while his prayer he saith.

His prayer he saith, this patient, holy man;
Then takes his lamp, and riseth from his knees,
And back returneth, meagre, barefoot, wan,
Along the chapel aisle by slow degrees:
The sculptur'd dead, on each side, seem to freeze,

who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?

it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.

Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.

‘Thrice fairer than myself,’ thus she began,

I wake and feel the city trembling.
Yes, there is something unsettled in the air
And the earth is uncertain.

And so it was for the tenor Caruso.
He couldn’t sleep—you know how the ovation
Rings in your ears, and you re-sing your part.

And then the ceiling trembled
And the floor moved. He ran into the street.

I
GLOOM!
An October like November;
August a hundred thousand hours,
And all September,
A hundred thousand, dragging sunlit days,
And half October like a thousand years . . .
And doom!
That then was Antwerp. . .
In the name of God,
How could they do it?
Those souls that usually dived
Into the dirty caverns of mines;
Who usually hived
In whitened hovels; under ragged poplars;

Let the bird of loudest lay
On the sole Arabian tree
Herald sad and trumpet be,
To whose sound chaste wings obey.

But thou shrieking harbinger,
Foul precurrer of the fiend,
Augur of the fever's end,

What of the bow?
The bow was made in England:
Of true wood, of yew-wood,
The wood of English bows;
So men who are free
Love the old yew-tree
And the land where the yew-tree grows.

What of the cord?
The cord was made in England:
A rough cord, a tough cord,
A cord that bowmen love;
And so we will sing
Of the hempen string
And the land where the cord was wove.

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can’t withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: “Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to

Poetry? It’s a hobby.
I run model trains.
Mr Shaw there breeds pigeons.

It’s not work. You dont sweat.
Nobody pays for it.
You could advertise soap.

Art, that’s opera; or repertory—
The Desert Song.

I. Until Jove let it be, no colonist
Mastered the wild earth; no land was marked,
None parceled out or shared; but everyone
Looked for his living in the common world.

And Jove gave poison to the blacksnakes, and
Made the wolves ravage, made the ocean roll,
Knocked honey from the leaves, took fire away—
So man might beat out various inventions

After the jostling on canal streets
and the orchids blowing in the window
I work in cut glass and majolica
and hear the plectrum of the angels.

My thoughts keep dwelling on the littoral
where china clocks tick in the cold shells
and the weeds slide in the equinox.

The night is cold for love,

Whom should I consult? Philosophers
Are happy in their homes and seminars.
See this one with the mischievous bright childlike
Gaze going out through walls and air,
A tangent to the bent rays of the star.
Hear the chalk splutter, hear the groping voice:
Conceive the demiurge in his perpetual
Strife with the chaos of the universe,

Virgin, sappy, gorgeous, the right-now
Flutters its huge prosthetics at us, flung
To the spotlights, frozen in motion, center-ice.

And the first rows, shaken with an afterslice
That’s bowled them into their seats like a big wet ciao.
O daffy panoply O rare device

O flashing leg-iron at a whopping price
Whipping us into ecstasies and how,

He was so tired that he was scarcely able to hear a note of the songs: he felt imprisoned in a cold region where his brain was numb and his spirit was isolated. 1

Requite this angel whose

The house in Broad Street, red brick, with nine rooms
the weedgrown graveyard with its rows of tombs
the jail from which imprisoned faces grinned
at stiff palmettos flashing in the wind

the engine-house, with engines, and a tank
in which young alligators swam and stank,
the bell-tower, of red iron, where the bell
gonged of the fires in a tone from hell

Nature, which is the vast creation’s soul,
That steady curious agent in the whole,
The art of Heaven, the order of this frame,
Is only number in another name.
For as some king conqu’ring what was his own,
Hath choice of several titles to his crown;
So harmony on this score now, that then,
Yet still is all that takes and governs men.
Beauty is but composure, and we find
Content is but the concord of the mind,
Friendship the unison of well-turned hearts,
Honor the chorus of the noblest parts,
And all the world on which we can reflect
Music to th’ear, or to the intellect.
If then each man a little world must be,