Hate

The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never any more the dead.

The verses in it say and say:
‘The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay.’

When in the dumps, I hate the things
That ordinarily I love.
I loathe the lark that blindly sings;
I hate the bland, blue sky above.

The crocus, sneering on the lawn,
Forsythia about to bloom—
I'd like to see them dead and gone,
Instead of filling life with gloom.

If you are not to become a monster,
you must care what they think.
If you care what they think,

how will you not hate them,
and so become a monster
of the opposite kind? From where then

is love to come—love for your enemy
that is the way of liberty?

(A Christmas Circular Letter) The city had withdrawn into itself
And left at last the country to the country;
When between whirls of snow not come to lie
And whirls of foliage not yet laid, there drove

I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan’s poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind

We burrowed night and day with tools of lead,
Heaped the bank up and cast it in a ring
And hurled the earth above. And Caesar said,
"Why, it is excellent. I like the thing."
We, who are dead,
Made it, and wrought, and Caesar liked the thing.

And here we strove, and here we felt each vein
Ice-bound, each limb fast-frozen, all night long.
And here we held communion with the rain
That lashed us into manhood with its thong,
Cleansing through pain.
And the wind visited us and made us strong.

This is no case of petty right or wrong
That politicians or philosophers
Can judge. I hate not Germans, nor grow hot
With love of Englishmen, to please newspapers.
Beside my hate for one fat patriot
My hatred of the Kaiser is love true:—
A kind of god he is, banging a gong.
But I have not to choose between the two,
Or between justice and injustice. Dinned
With war and argument I read no more
Than in the storm smoking along the wind
Athwart the wood. Two witches' cauldrons roar.
From one the weather shall rise clear and gay;
Out of the other an England beautiful
And like her mother that died yesterday.

You are blind like us. Your hurt no man designed,
And no man claimed the conquest of your land.
But gropers both through fields of thought confined
We stumble and we do not understand.
You only saw your future bigly planned,
And we, the tapering paths of our own mind,
And in each other's dearest ways we stand,
And hiss and hate. And the blind fight the blind.

When it is peace, then we may view again
With new-won eyes each other's truer form
And wonder. Grown more loving-kind and warm
We'll grasp firm hands and laugh at the old pain,
When it is peace. But until peace, the storm

(from Richard III, spoken by Gloucester) Now is the winter of our discontent
Made glorious summer by this sun of York;

Stronger than alcohol, more great than song,
deep in whose reeds great elephants decay,
I, an island, sail, and my shoes toss
on a fragrant evening, fraught with sadness
bristling hate.

Fle fro the pres, and dwelle with sothefastnesse,
Suffise thin owen thing, thei it be smal;
For hord hath hate, and clymbyng tykelnesse,
Prees hath envye, and wele blent overal.
Savour no more thanne the byhove schal;
Reule weel thiself, that other folk canst reede;
And trouthe schal delyvere, it is no drede.

Tempest the nought al croked to redresse,

The scientists are in terror
and the European mind stops
Wyndham Lewis chose blindness
rather than have his mind stop.
Night under wind mid garofani,
the petals are almost still
Mozart, Linnaeus, Sulmona,
When one’s friends hate each other

You asked me once,
on our way back
from the midmorning
trip to the spring:
“What do you hate,
and who do you love?”

And I answered,
from behind the eyelashes

My familiar ghost again
Comes to see what he can see,
Critic, son of Conscious Brain,
Spying on our privacy.

Slam the window, bolt the door,
Yet he’ll enter in and stay;
In to-morrow’s book he’ll score
Indiscretions of to-day.

Whispered love and muttered fears,
How their echoes fly about!
None escape his watchful ears,
Every sigh might be a shout.

Now I begin to know at last,
These nights when I sit down to rhyme,
The form and measure of that vast
God we call Poetry, he who stoops
And leaps me through his paper hoops
A little higher every time.

Tempts me to think I’ll grow a proper
Singing cricket or grass-hopper
Making prodigious jumps in air
While shaken crowds about me stare
Aghast, and I sing, growing bolder
To fly up on my master’s shoulder
Rustling the thick stands of his hair.

Only he
Remembered the day we met
And only I
The day we said goodbye:
“Last day of  June, our first blackberry pie,”
He always said.
A wood fire in the summer kitchen,
The hottest day.... A squall in the bedroom.

There is joy in the woods just now,
The leaves are whispers of song,
And the birds make mirth on the bough
And music the whole day long,
And God! to dwell in the town
In these springlike summer days,
On my brow an unfading frown
And hate in my heart always—

My bands of silk and miniver
Momently grew heavier;
The black gauze was beggarly thin;
The ermine muffled mouth and chin;
I could not suck the moonlight in.

Harlequin in lozenges
Of love and hate, I walked in these
Striped and ragged rigmaroles;

My roots are deep in southern life; deeper than John Brown or Nat Turner or Robert Lee. I was sired and weaned in a tropic world. The palm tree and banana leaf, mango and coconut, breadfruit and rubber trees know me.

Warm skies and gulf blue streams are in my blood. I belong with the smell of fresh pine, with the trail of coon, and the spring growth of wild onion.

I am no hothouse bulb to be reared in steam-heated flats with the music of El and subway in my ears, walled in by steel and wood and brick far from the sky.

I want the cotton fields, tobacco and the cane. I want to walk along with sacks of seed to drop in fallow ground. Restless music is in my heart and I am eager to be gone.

O Southland, sorrow home, melody beating in my bone and blood! How long will the Klan of hate, the hounds and the chain gangs keep me from my own?

Being unwise enough to have married her
I never knew when she was not acting.
‘I love you’ she would say; I heard the audiences
Sigh. ‘I hate you’; I could never be sure
They were still there. She was lovely. I
Was only the looking-glass she made up in.
I husbanded the rippling meadow
Of her body. Their eyes grazed nightly upon it.

Cherry-lipt Adonis in his snowie shape,
Might not compare with his pure ivorie white,
On whose faire front a poet’s pen may write,
Whose roseate red excels the crimson grape,
His love-enticing delicate soft limbs,
Are rarely fram’d t’intrap poore gazine eies:
His cheeks, the lillie and carnation dies,
With lovely tincture which Apollo’s dims.

In placid hours well-pleased we dream
Of many a brave unbodied scheme.
But form to lend, pulsed life create,
What unlike things must meet and mate:
A flame to melt—a wind to freeze;
Sad patience—joyous energies;
Humility—yet pride and scorn;
Instinct and study; love and hate;
Audacity—reverence. These must mate,
And fuse with Jacob’s mystic heart,
To wrestle with the angel—Art.

At the Portals of the Future,
Full of madness, guilt and gloom,
Stood the hateful form of Slavery,
Crying, Give, Oh! give me room–

Room to smite the earth with cursing,
Room to scatter, rend and slay,
From the trembling mother’s bosom
Room to tear her child away;

Room to trample on the manhood
Of the country far and wide;
Room to spread o’er every Eden
Slavery’s scorching lava-tide.

The debt is paid,
The verdict said,
The Furies laid,
The plague is stayed,
All fortunes made;
Turn the key and bolt the door,
Sweet is death forevermore.
Nor haughty hope, nor swart chagrin,

I hate how this unsummoned sigh-sound, sob-sound,
not sound really, feeling, sigh-feeling, sob-feeling,
keeps rising in me, rasping in me, not in its old disguise
as nostalgia, sweet crazed call of the blackbird;

not as remembrance, grief for so many gone,
nor either that other tangle of recall, regret
for unredeemed wrongs, errors, omissions,
petrified roots too deep to ever excise;

a mingling rather, a melding, inextricable mesh
of delight in astonishing being, of being in being,
with a fear of and fear for I can barely think what,
not non-existence, of self, loved ones, love;

Although she feeds me bread of bitterness,
And sinks into my throat her tiger’s tooth,
Stealing my breath of life, I will confess
I love this cultured hell that tests my youth.
Her vigor flows like tides into my blood,
Giving me strength erect against her hate,
Her bigness sweeps my being like a flood.
Yet, as a rebel fronts a king in state,

There was a graven image of Desire
Painted with red blood on a ground of gold
Passing between the young men and the old,
And by him Pain, whose body shone like fire,
And Pleasure with gaunt hands that grasped their hire.
Of his left wrist, with fingers clenched and cold,
The insatiable Satiety kept hold,
Walking with feet unshod that pashed the mire.
The senses and the sorrows and the sins,
And the strange loves that suck the breasts of Hate
Till lips and teeth bite in their sharp indenture,
Followed like beasts with flap of wings and fins.
Death stood aloof behind a gaping grate,
Upon whose lock was written Peradventure.

from Mustapha O wearisome condition of humanity!
Born under one law, to another bound;

In Aesop’s tales an honest wretch we find,
Whose years and comforts equally declined;
He in two wives had two domestic ills,
For different age they had, and different wills;
One plucked his black hairs out, and one his gray,
The man for quietness did both obey,
Till all his parish saw his head quite bare,
And thought he wanted brains as well as hair.

The Moral

The parties, henpecked William, are thy wives,
The hairs they pluck are thy prerogatives;
Tories thy person hate, the Whigs thy power,
Though much thou yieldest, still they tug for more,

Looking into my daughter’s eyes I read
Beneath the innocence of morning flesh
Concealed, hintings of death she does not heed.
Coldest of winds have blown this hair, and mesh
Of seaweed snarled these miniatures of hands;
The night’s slow poison, tolerant and bland,
Has moved her blood. Parched years that I have seen
That may be hers appear: foul, lingering

It lies not in our power to love or hate,
For will in us is overruled by fate.
When two are stripped, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows; let it suffice
What we behold is censured by our eyes.
Where both deliberate, the love is slight:
Who ever loved, that loved not at first sight?

Despair leaves
a dry spot
the passage of light
through my veins.
I fail as a celibate.
The smell of honey
fills my throat.
I lose touch with

Sullen, grimy, labouring person,
As I passed you in my car,
I could sense your muffled curse on
It and me and my cigar;
And though mute your malediction,
I could feel it on my head,
As in countless works of fiction
I have read.

Envy of mine obvious leisure
Seemed to green your glittering eye;
Hate for mine apparent pleasure
Filled you as I motored by.
You who had to dig for three, four
Hours in that unpleasant ditch,

When I stood behind his desk chair
and when he sat, on rare occasions,
on the porch, “sage of Anacostia,”
they called him, I smelled his mane
glorious, and as a hand saddle
the aroma of hair took me to neckline
and below. In Egypt, long after
Napoleon had shot off the face

Of course you have faced the dilemma: it is announced, they all smirk and rise. If they are ultra, they remove their hats and look ecstatic; then they look at you. What shall you do? Noblesse oblige; you cannot be boorish, or ungracious; and too, after all it is your country and you do love its ideals if not all of its realities. Now, then, I have thought of a way out: Arise, gracefully remove your hat, and tilt your head. Then sing as follows, powerfully and with deep unction. They’ll hardly note the little changes and their feelings and your conscience will thus be saved:

My country tis of thee,
Late land of slavery,
Of thee I sing.
Land where my father’s pride
Slept where my mother died,
From every mountain side
Let freedom ring!

My native country thee
Land of the slave set free,
Thy fame I love.
I love thy rocks and rills
And o’er thy hate which chills,

Moving from Cheer to Joy, from Joy to All,
I take a box
And add it to my wild rice, my Cornish game hens.
The slacked or shorted, basketed, identical
Food-gathering flocks
Are selves I overlook. Wisdom, said William James,

Is learning what to overlook. And I am wise
If that is wisdom.

I grieve and dare not show my discontent,
I love and yet am forced to seem to hate,
I do, yet dare not say I ever meant,
I seem stark mute but inwardly do prate.
I am and not, I freeze and yet am burned,
Since from myself another self I turned.

My care is like my shadow in the sun,
Follows me flying, flies when I pursue it,

Only a dad, with a tired face,
Coming home from the daily race,
Bringing little of gold or fame,
To show how well he has played the game,
But glad in his heart that his own rejoice
To see him come, and to hear his voice.

Only a dad, with a brood of four,
One of ten million men or more.
Plodding along in the daily strife,
Bearing the whips and the scorns of life,
With never a whimper of pain or hate,
For the sake of those who at home await.

Only a dad, neither rich nor proud,

Patience, though I have not
The thing that I require,
I must of force, God wot,
Forbear my most desire;
For no ways can I find
To sail against the wind.

Patience, do what they will
To work me woe or spite,
I shall content me still
To think both day and night,
To think and hold my peace,
Since there is no redress.

Patience, withouten blame,

(‘The Winged Hats’ —Puck of Pook’s Hill) Rome never looks where she treads.
Always her heavy hooves fall

I see a beautiful gigantic swimmer swimming naked through the eddies of the sea,
His brown hair lies close and even to his head, he strikes out with courageous arms, he urges himself with his legs,
I see his white body, I see his undaunted eyes,
I hate the swift-running eddies that would dash him head-foremost on the rocks.

What are you doing you ruffianly red-trickled waves?
Will you kill the courageous giant? will you kill him in the prime of his middle-age?

Steady and long he struggles,
He is baffled, bang’d, bruis’d, he holds out while his strength holds out,
The slapping eddies are spotted with his blood, they bear him away, they roll him, swing him, turn him,
His beautiful body is borne in the circling eddies, it is continually bruis’d on rocks,
Swiftly and out of sight is borne the brave corpse.

No more be grieved at that which thou hast done:
Roses have thorns, and silver fountains mud,
Clouds and eclipses stain both moon and sun,
And loathsome canker lives in sweetest bud.
All men make faults, and even I in this,
Authórizing thy trespass with compare,
Myself corrupting salving thy amiss,
Excusing thy sins more than thy sins are:

One died, and the soul was wrenched out
Of the other in life, who, walking the streets
Wrapped in an identity like a coat, sees on and on
The same corners, volumetrics, shadows
Under trees. Farther than anyone was ever
Called, through increasingly suburban airs
And ways, with autumn falling over everything:
The plush leaves the chattels in barrels

Absolute zero: the locust sings:
summer’s caught in eternity’s rings:
the rock explodes, the planet dies,
we shovel up our verities.

The razor rasps across the face
and in the glass our fleeting race
lit by infinity’s lightning wink
under the thunder tries to think.

Now you have freely given me leave to love,
What will you do?
Shall I your mirth, or passion move,
When I begin to woo;
Will you torment, or scorn, or love me too?

Each petty beauty can disdain, and I
Spite of your hate

Wife and servant are the same,
But only differ in the name:
For when that fatal knot is tied,
Which nothing, nothing can divide:
When she the word obey has said,
And man by law supreme has made,
Then all that’s kind is laid aside,
And nothing left but state and pride:
Fierce as an Eastern prince he grows,
And all his innate rigour shows:
Then but to look, to laugh, or speak,
Will the nuptial contract break.
Like mutes she signs alone must make,
And never any freedom take:
But still be governed by a nod,

And all this while I have been playing with toys
A toy power station a toy automobile a house of blocks

And all this while far off in other lands
Thousands and thousands, millions and millions—

You know—you see the pictures
Women carrying their bony infants

Men sobbing over graves
Buildings sculpted by explosion

all right all right there’s a land
where forgetting where forgetting weighs
gently upon worlds unnamed
there the head we shush it the head is mute
and one knows no but one knows nothing
the song of dead mouths dies
on the shore it has made its voyage
there is nothing to mourn

Ours are the streets where Bess first met her
cancer. She went to work every day past the
secure houses. At her job in the library
she arranged better and better flowers, and when
students asked for books her hand went out
to help. In the last year of her life
she had to keep her friends from knowing
how happy they were. She listened while they

They hail me as one living,
But don't they know
That I have died of late years,
Untombed although?

I am but a shape that stands here,
A pulseless mould,
A pale past picture, screening

All night I stumble through the fields of light,
And chase in dreams the starry rays divine
That shine through soft folds of the robe of night,
Hung like a curtain round a sacred shrine.

When daylight dawns I leave the meadows sweet
And come back to the dark house built of clay,
Over the threshold pass with lagging feet,
Open the shutters and let in the day.

To all you ladies now at Bath,
And eke, ye beaux, to you,
With aching heart, and wat'ry eyes,
I bid my last adieu.

Farewell ye nymphs, who waters sip
Hot reeking from the pumps,
While music lends her friendly aid,

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great

I find no peace, and all my war is done.
I fear and hope. I burn and freeze like ice.
I fly above the wind, yet can I not arise;
And nought I have, and all the world I seize on.
That loseth nor locketh holdeth me in prison
And holdeth me not—yet can I scape no wise—
Nor letteth me live nor die at my device,
And yet of death it giveth me occasion.

Turn, Fortune, turn thy wheel, and lower the proud;
Turn thy wild wheel thro' sunshine, storm, and cloud;
Thy wheel and thee we neither love nor hate.

Turn, Fortune, turn thy wheel with smile or frown;
With that wild wheel we go not up or down;
Our hoard is little, but our hearts are great.

Smile and we smile, the lords of many lands;
Frown and we smile, the lords of our own hands;
For man is man and master of his fate.

Turn, turn thy wheel above the staring crowd;
Thy wheel and thou are shadows in the cloud;
Thy wheel and thee we neither love nor hate.

Is it possible
That so high debate,
So sharp, so sore, and of such rate,
Should end so soon and was begun so late?
Is it possible?

Is it possible
So cruel intent,

As we drove back, crossing the hill,
The house still
Hidden in the trees, I always thought—
A fool’s fear—that it might have caught
Fire, someone could have broken in.
As if things must have been
Too good here. Still, we always found
It locked tight, safe and sound.

I long to talk with some old lover's ghost,
Who died before the god of love was born.
I cannot think that he, who then lov'd most,
Sunk so low as to love one which did scorn.
But since this god produc'd a destiny,
And that vice-nature, custom, lets it be,
I must love her, that loves not me.

Sure, they which made him god, meant not so much,
Nor he in his young godhead practis'd it.
But when an even flame two hearts did touch,
His office was indulgently to fit
Actives to passives. Correspondency
Only his subject was; it cannot be
Love, till I love her, that loves me.

It is true, that even in the best-run state
Such things will happen; it is true,
What’s done is done. The law, whereby we hate
Our hatred, sees no fire in the flue
But by the smoke, and not for thought alone
It punishes, but for the thing that’s done.

And yet there is the horror of the fact,
Though we knew not the man. To die in jail,

Hirto corde gigni quosdam homines proditur, neque alios fortioris esse industriae, sicut Aristomenen Messenium qui trecentos occidit Lacedaemonios ...
—Plinii, Naturalis Historia XI. Ixx. The guards sleep they breathe uneven
Conversation with the

Hark! ah, the nightingale—
The tawny-throated!
Hark, from that moonlit cedar what a burst!
What triumph! hark!—what pain!

O wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewilder'd brain
That wild, unquench'd, deep-sunken, old-world pain—

Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet, tranquil Thames,
And moonshine, and the dew,

(excerpt)

SCENE.—A Ravine of Icy Rocks in the Indian Caucasus. Prometheus is discovered bound to the Precipice. Panthea and Ione are seated at his feet. Time, night. During the Scene, morning slowly breaks. Prometheus.
Monarch of Gods and Dæmons, and all Spirits
But One, who throng those bright and rolling worlds
Which Thou and I alone of living things

Fear death?—to feel the fog in my throat,
The mist in my face,
When the snows begin, and the blasts denote
I am nearing the place,
The power of the night, the press of the storm,
The post of the foe;
Where he stands, the Arch Fear in a visible form,
Yet the strong man must go:

My life is vile
I hate it so
I’ll wait awhile
And then I’ll go.

Why wait at all?
Hope springs alive,
Good may befall
I yet may thrive.

When I watch the living meet,
And the moving pageant file
Warm and breathing through the street
Where I lodge a little while,

If the heats of hate and lust
In the house of flesh are strong,
Let me mind the house of dust
Where my sojourn shall be long.

In the nation that is not
Nothing stands that stood before;
There revenges are forgot,
And the hater hates no more;

Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, grey, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, whereof stars, grown old
In dancing silver-sandalled on the sea,
Sing in their high and lonely melody.

Was he married, did he try
To support as he grew less fond of them
Wife and family?

No,
He never suffered such a blow.

Did he feel pointless, feeble and distrait,
Unwanted by everyone and in the way?

From his cradle he was purposeful,

I was the Widow McFarlane,
Weaver of carpets for all the village.
And I pity you still at the loom of life,
You who are singing to the shuttle
And lovingly watching the work of your hands,
If you reach the day of hate, of terrible truth.
For the cloth of life is woven, you know,
To a pattern hidden under the loom i
A pattern you never see!
And you weave high-hearted, singing, singing,
You guard the threads of love and friendship
For noble figures in gold and purple.
And long after other eyes can see
You have woven a moon-white strip of cloth,
You laugh in your strength, for Hope o'erlays it

Moon marked and touched by sun
my magic is unwritten
but when the sea turns back
it will leave my shape behind.
I seek no favor
untouched by blood
unrelenting as the curse of love
permanent as my errors

Although I can see him still—
The freckled man who goes
To a gray place on a hill
In gray Connemara clothes
At dawn to cast his flies—
It's long since I began
To call up to the eyes
This wise and simple man.
All day I'd looked in the face
What I had hoped it would be
To write for my own race
And the reality:
The living men that I hate,
The dead man that I loved,
The craven man in his seat,