In those days, though, I never analysed Myself even. All analysis comes late. You catch a sight of Nature, earliest, In full front sun-face, and your eyelids wink And drop before the wonder of ‘t; you miss The form, through seeing the light. I lived, those days, And wrote because I lived–unlicensed else: My heart beat in my brain. Life’s violent flood
Ah, how poets sing and die! Make one song and Heaven takes it; Have one heart and Beauty breaks it; Chatterton, Shelley, Keats and I— Ah, how poets sing and die!
Long after Ovid’s story of Philomela has gone out of fashion and after the testimonials of Hafiz and Keats have been smothered in comment and droned dead in schools and after Eliot has gone home from the Sacred Heart and Ransom has spat and consigned to human youth what he reduced to fairy numbers after the name has become slightly embarrassing and dried skins have yielded their details and tapes have been
My desk is cleared of the litter of ages; Before me glitter the fair white pages; My fountain pen is clean and filled, And the noise of the office has long been stilled. Roget’s Thesaurus is at my hand, And I’m ready to do some work that’s grand, Dignified, eminent, great, momentous, Memorable, worthy of note, portentous, Beautiful, paramount, vital, prime, Stirring, eventful, august, sublime. For this is the way, I have read and heard, That authors look for the fitting word. All of the proud ingredients mine To build, like Marlowe, the mighty line. But never a line from my new-filled pen
“Breadth. Circle. Desert. Monarch. Month. Wisdom. (for which there are No rhymes)” was just the title, and I only read that far.
That was because I felt like some old agent-of-the-Czar When a new plotter swims within the scope of his exertions, And I was scared this hothead would start hedging his assertions Before I had him dead-to-rights. (A Chekan’s or a SMERSHian’s Lot, you know, is not an happy one.) He might retract.
Man’s Reason is in such deep insolvency to sense, that tho’ she guide his highest flight heav’nward, and teach him dignity morals manners and human comfort, she can delicatly and dangerously bedizen the rioting joys that fringe the sad pathways of Hell. Not without alliance of the animal senses hath she any miracle: Lov’st thou in the blithe hour
I When Bishop Berkeley said "there was no matter," And proved it—'twas no matter what he said: They say his system 'tis in vain to batter, Too subtle for the airiest human head; And yet who can believe it! I would shatter Gladly all matters down to stone or lead, Or adamant, to find the World a spirit, And wear my head, denying that I wear it.
II What a sublime discovery 'twas to make the Universe universal egotism, That all's ideal—all ourselves: I'll stake the World (be it what you will) that that's no schism.
Both of us had been close to Joel, and at Joel’s death my friend had gone to the wake and the memorial service and more recently he had visited Joel’s grave, there at the back of the grassy cemetery among the trees,
I wonder what the Greeks kept in these comicstrip canisters. Plums, milletseed, incense, henna, oregano. Speak to me, trove. Tell me you contained dried smoked tongue once. Or a sorcerer or a cosmetologist’s powders and unguents. And when John Keats looked at you in a collection of pots it was poetry at first sight: quotable beautiful teleological concatenations of thoughts.
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