The Rape of the Lock: Canto 1

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

Welcome to your day of sanity! Come in and close the door it will likely lock behind you and you will be home alone waste disposal will take care of your needs : at long last undisturbed phenomena without the heavy metal background of the street will be yours for observation and response : do you have visions? do you think? Your mouth do you open it for more than medication? I should know I know that I should know : we’ve watched centuries erode the fortress drain the moat the poet’s clumsy beast has reached its home and prey we wither 
in the gridlock of our power only the guns remain and are in use pure accident is beauty to be glimpsed your trembling only further clouds your sight I in my home you in your other place harmonize 
the fading anthem of an age the cracked bell of our liberty keeps time a penny for the corpse you left behind keep on recycling all that you have heard before call it a double bind much like the dead bolt that locked the door that keeps you safe and sane : ho — hum — harry who? oh that’s just a phrase found in a time capsule capped and sealed and shot up in the air : no I cannot tell you where it fell to earth that page was torn out years ago it’s chance that we have a fragment of that language left : do your archaeology before a mirror the canyons and the barren plains are clear but where to dig for a ruined golden age a fiction we were served with breakfast flakes say have you forgot this day of sanity? No problem the heavy key was thrown away as soon as the door was closed and locked you’re safe : some day the asylum may be torn down to make way for a palace of the mad it does not follow that anything will change : choose your executioner by lot almost 
everyone is trained and competent there are different schools of course check out degrees fees can become an issue of your choice and some may be in service or abroad as usual nothing’s simple it’s all a part of the grand unraveling that must take place before the new line can be introduced : prepare now don’t be shocked when the music starts the year’s fashions may feature pins and nails.

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE

Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.

‘Thrice fairer than myself,’ thus she began,

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love

There was a graven image of Desire
Painted with red blood on a ground of gold
Passing between the young men and the old,
And by him Pain, whose body shone like fire,
And Pleasure with gaunt hands that grasped their hire.
Of his left wrist, with fingers clenched and cold,
The insatiable Satiety kept hold,
Walking with feet unshod that pashed the mire.
The senses and the sorrows and the sins,
And the strange loves that suck the breasts of Hate
Till lips and teeth bite in their sharp indenture,
Followed like beasts with flap of wings and fins.
Death stood aloof behind a gaping grate,
Upon whose lock was written Peradventure.

1

I always wonder
what they think the niggers are doing
while they, the pink and alabaster pragmatists,
are containing
Russia
and defining and re-defining and re-aligning
China,

I

Far-sighted into yesterday
they stand, gripping
their charters and speeches,
the presidents and kings,
masters of unconscious evil.

Their deputies are here —
judges, robed executioners,

I gave you sorrow to hang on your wall
Like a calendar in one color.
I wear a torn place on my sleeve.
It isn’t as simple as that.

Between no place of mine and no place of yours
You’d have thought I’d know the way by now
Just from thinking it over.
Oh I know

I

Behoild Pelides with his yellow hair,
Proud child of Thetis, hero loved of Jove;
Above the frowning of his brows of wove
A crown of gold, well combed, with Spartan care.
Who might have seen him, sullen, great, and fair,
As with the wrongful world he proudly strove,
And by high deeds his wilder passion shrove,
Mastering love, resentment, and despair.
He knew his end, and Phoebus’ arrow sure
He braved for fame immortal and a friend,
Despising life; and we, who know our end,
Know that in our decay he shall endure
And all our children’s hearts to grief inure,

Long neglect has worn away
Half the sweet enchanting smile;
Time has turned the bloom to gray;
Mold and damp the face defile.

But that lock of silky hair,
Still beneath the picture twined,
Tells what once those features were,

“Oh! for a thousand tongues to sing
My great Redeemer’s praise:
The glories of my Lord and King,
The triumphs of His grace.”

Oh! for a thousand cedar posts
To fence my garden ’round.
To hinder the neighbors’ pigs and goats
From rooting up my potato ground.

Oh! for a thousand hickory rails,
To make my fence secure;
A thousand patent locks and keys,
To lock my stable door.

A hears by chance a familiar name, and the name involves a riddle of the past.
B, in love with A, receives an unsigned letter in which the writer states that she is the mistress of A and begs B not to take him away from her.
B, compelled by circumstances to be a companion of A in an isolated place, alters her rosy views of love and marriage when she discovers, through A, the selfishness of men.
A, an intruder in a strange house, is discovered; he flees through the nearest door into a windowless closet and is trapped by a spring lock.
A is so content with what he has that any impulse toward enterprise is throttled.
A solves an important mystery when falling plaster reveals the place where some old love letters are concealed.
A-4, missing food from his larder, half believes it was taken by a “ghost.”
A, a crook, seeks unlawful gain by selling A-8 an object, X, which A-8 already owns.

I sit where I always sit, in back of the Buddha,
Red leather wing chair, pony skin trunk
under my feet,
Sky light above me, Chinese and Indian rugs on the floor.
1 March, 1998, where to begin again?

Over there's the ur-photograph,
Giorgio Morandi, glasses pushed up on his forehead,
Looking hard at four objects—
Two olive oil tins, one wine bottle, one flower vase,
A universe of form and structure,

The universe constricting in front of his eyes,
angelic orders
And applications scraped down

The south-wind strengthens to a gale,
Across the moon the clouds fly fast,
The house is smitten as with a flail,
The chimney shudders to the blast.

On such a night, when Air has loosed
Its guardian grasp on blood and brain,
Old terrors then of god or ghost

Most like an arch—an entrance which upholds
and shores the stone-crush up the air like lace.
Mass made idea, and idea held in place.
A lock in time. Inside half-heaven unfolds.

Most like an arch—two weaknesses that lean
into a strength. Two fallings become firm.
Two joined abeyances become a term
naming the fact that teaches fact to mean.

Wise emblem of our politic world,
Sage snail, within thine own self curl’d;
Instruct me softly to make haste,
Whilst these my feet go slowly fast.

Compendious snail! thou seem’st to me,
Large Euclid’s strict epitome;
And in each diagram dost fling

To the Memory of the Household It Describes
This Poem is Dedicated by the Author

“As the Spirits of Darkness be stronger in the dark, so Good Spirits, which be Angels of Light, are augmented not only by the Divine light of the Sun, but also by our common Wood Fire: and as the Celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.” —Cor. Agrippa, Occult Philosophy, Book I.ch. v.

“Announced by all the trumpets of the sky,
Arrives the snow, and, driving o’er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of Storm.”
EMERSON, The Snow Storm. The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.