Little Exercise

1
The Saturday morning meadowlark
came in from high up
with her song gliding into tall grass
still singing. How I'd like
to glide around singing in the summer
then to go south to where I already was
and find fields full of meadowlarks

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

Eating is her subject.
While eating is her subject.
Where eating is her subject.
Withdraw whether it is eating which is her subject. Literally
while she ate eating is her subject. Afterwards too and in be-
tween. This is an introduction to what she ate.
She ate a pigeon and a soufflé.

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. ‘Silas is back.’
She pushed him outward with her through the door
And shut it after her. ‘Be kind,’ she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

‘When was I ever anything but kind to him?
But I’ll not have the fellow back,’ he said.
‘I told him so last haying, didn’t I?
If he left then, I said, that ended it.

I sit where I always sit, in back of the Buddha,
Red leather wing chair, pony skin trunk
under my feet,
Sky light above me, Chinese and Indian rugs on the floor.
1 March, 1998, where to begin again?

Over there's the ur-photograph,
Giorgio Morandi, glasses pushed up on his forehead,
Looking hard at four objects—
Two olive oil tins, one wine bottle, one flower vase,
A universe of form and structure,

The universe constricting in front of his eyes,
angelic orders
And applications scraped down

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

. . . . . tell you? ha! who
can tell another how
to manage the swimming?

he was right: people

don’t change. They only stand more
revealed. I,
likewise

1

He that had come that morning,
One after the other,
Over seven hills,
Each of a new color,

Came now by the last tree,
By the red-colored valley,
To a gray river
Wide as the sea.

You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass's head in Fairyland
As he would add a shilling to more shillings,
All most harmonious, — and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him —
All you down there where your small Avon flows
By Stratford, and where you're an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.