Something Childish, but Very Natural

(from Richard II, spoken by King Richard) No matter where; of comfort no man speak:
Let’s talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth,
Let’s choose executors and talk of wills:
And yet not so, for what can we bequeath
Save our deposed bodies to the ground?

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both. Here I am, an old man in a dry month,

Because I feel that, in the Heavens above,
The angels, whispering to one another,
Can find, among their burning terms of love,
None so devotional as that of “Mother,”
Therefore by that dear name I long have called you—
You who are more than mother unto me,
And fill my heart of hearts, where Death installed you
In setting my Virginia's spirit free.

Then said Almitra, Speak to us of Love.
And he raised his head and looked upon
the people, and there fell a stillness upon
them. And with a great voice he said:
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to
him,

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His classic studies made a little puzzle,
Because of filthy loves of gods and goddesses,
Who in the earlier ages raised a bustle,
But never put on pantaloons or bodices;
His reverend tutors had at times a tussle,
And for their Aeneids, Iliads, and Odysseys,
Were forced to make an odd sort of apology,
For Donna Inez dreaded the mythology.

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Ovid's a rake, as half his verses show him,
Anacreon's morals are a still worse sample,

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.

And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade

Ah blessed absence of God,
How lovingly I am bound to you!
You strengthen my will in its pain
And make dear to me
The long hard wait in my poor body.
The nearer I come to you,
The more wonderfully and abundantly
God comes upon me,

Vainly my heart had with thy sorceries striven:
It had no refuge from thy love,—no Heaven
But in thy fatal presence;—from afar
It owned thy power and trembled like a star
O’erfraught with light and splendor. Could I deem
How dark a shadow should obscure its beam?—
Could I believe that pain could ever dwell
Where thy bright presence cast its blissful spell?

Because I could not stop for Death,
He kindly stopped for me;
The Carriage held but just Ourselves
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility.

Take, oh, take those lips away
That so sweetly were forsworn
And those eyes, like break of day,
Lights that do mislead the morn;
But my kisses bring again,
Seals of love, though sealed in vain.

Hide, oh, hide those hills of snow,

A wild-bear chace, didst never see?
Then hast thou lived in vain.
Thy richest bump of glorious glee,
Lies desert in thy brain.

When first my father settled here,
’Twas then the frontier line:
The panther’s scream, filled night with fear

One Sunday morning,
instead of studying The Illiad,
I escaped with Bino to Florence,
to see what miracles the aviator Manissero
would perform.

Whether he would demonstrate the art of Daedalus
or the folly of Icarus.

We found the whole city festooned with banners

Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life,
Unvex’d with anxious Cares, and void of Strife!
Who studying Peace, and shunning Civil Rage,
Enjoy’d his Youth, and now enjoys his Age:

There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life

(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed
Is this joint work, by double interest thine,
Thine by his own, and what is done of mine
Inspired by thee, thy secret power impressed.

Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.

I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,

Where does such tenderness come from?
These aren’t the first curls
I’ve wound around my finger—
I’ve kissed lips darker than yours.

The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.

But I’ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.

(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I
Take back that Heart, you with such Caution give,
Take the fond valu’d Trifle back;
I hate Love-Merchants that a Trade wou’d drive

1.

Tonite in need of you
and God
I move imperfect
through this ancient city.

Quiet. No one hears
No one feels the tears
of multitudes.

During the Second World War, I was going home one night
along a street I seldom used. All the stores were closed
except one—a small fruit store.
An old Italian was inside to wait on customers.
As I was paying him I saw that he was sad.