Love's Apparition and Evanishment: An Allegoric Romance

Were’t aught to me I bore the canopy,
With my extern the outward honouring,
Or laid great bases for eternity,
Which proves more short than waste or ruining;
Have I not seen dwellers on form and favour
Lose all, and more, by paying too much rent,
For compound sweet forgoing simple savour,
Pitiful thrivers, in their gazing spent?

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His classic studies made a little puzzle,
Because of filthy loves of gods and goddesses,
Who in the earlier ages raised a bustle,
But never put on pantaloons or bodices;
His reverend tutors had at times a tussle,
And for their Aeneids, Iliads, and Odysseys,
Were forced to make an odd sort of apology,
For Donna Inez dreaded the mythology.

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Ovid's a rake, as half his verses show him,
Anacreon's morals are a still worse sample,

Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.

I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,

Out of a high meadow where flowers
bloom above cloud, come down;
pursue me with reasons for smiling without malice.

Bring mimic pride like that of the seedling fir,
surprise in the perfect leg-stems
and queries unstirred by recognition or fear
pooled in the deep eyes.

Come down by regions where rocks

I try to carry the gravestone
from the darkness of my mother's sickroom—
scratches of light around drawn shades—
outside, the gold and red of autumn.

She is like a queen in exile
scraping with her nails on silk walls
her message of anger, her weak
insatiable demands and regrets.

Why did my parents send me to the schools
That I with knowledge might enrich my mind?
Since the desire to know first made men fools,
And did corrupt the root of all mankind.

Where, like a pillow on a bed
A pregnant bank swell'd up to rest
The violet's reclining head,
Sat we two, one another's best.
Our hands were firmly cemented
With a fast balm, which thence did spring;
Our eye-beams twisted, and did thread
Our eyes upon one double string;
So to'intergraft our hands, as yet
Was all the means to make us one,
And pictures in our eyes to get
Was all our propagation.
As 'twixt two equal armies fate
Suspends uncertain victory,
Our souls (which to advance their state

I

Above the fresh ruffles of the surf
Bright striped urchins flay each other with sand.
They have contrived a conquest for shell shucks,
And their fingers crumble fragments of baked weed
Gaily digging and scattering.

And in answer to their treble interjections
The sun beats lightning on the waves,

O living pictures of the dead,
O songs without a sound,
O fellowship whose phantom tread
Hallows a phantom ground—
How in a gleam have these revealed
The faith we had not found.

We have sought God in a cloudy Heaven,
We have passed by God on earth:
His seven sins and his sorrows seven,
His wayworn mood and mirth,
Like a ragged cloak have hid from us
The secret of his birth.

Brother of men, when now I see

How can I keep my maidenhead,
My maidenhead, my maidenhead;
How can I keep my maidenhead,
Among sae mony men, O.

The Captain bad a guinea for’t,
A guinea for’t, a guinea for’t,
The Captain bad a guinea for’t,
The Colonel he bad ten, O.

But I’ll do as my minnie did,
My minnie did, my minnie did,
But I’ll do as my minnie did,
For siller I’ll hae nane, O.

Head to limp head, the sunk-eyed wounded scanned Yesterday's Mail; the casualties (typed small) And (large) Vast Booty from our Latest Haul. Also, they read of Cheap Homes, not yet planned; “For,” said the paper, “when this war is done The men's first instinct will be making homes. Meanwhile their foremost need is aerodromes, It being certain war has just begun.

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose

Time was away and somewhere else,
There were two glasses and two chairs
And two people with the one pulse
(Somebody stopped the moving stairs):
Time was away and somewhere else.

And they were neither up nor down;
The stream’s music did not stop
Flowing through heather, limpid brown,

1.
i'm crazy bout that chile but she gotta go.
she don't pay me no mind no mo. guess her
mama was right to put her out cuz she
couldn't do nothin wid her. but she been
mine so long. she been my heart so long
now she breakin it wid her bad habits.
always runnin like a machine out of control;

In Rome on the Campo dei Fiori
baskets of olives and lemons,
cobbles spattered with wine
and the wreckage of flowers.
Vendors cover the trestles
with rose-pink fish;
armfuls of dark grapes
heaped on peach-down.

December 1938 About suffering they were never wrong,
The Old Masters: how well they understood

Do not compare: what lives is incomparable.
I felt a a kind of tender fear
as I took on the plains' equality
and the wide sky became my malady.

I summoned the air, my serving man,
expected from him services or news,
made ready to set out, sail on the arc
of expeditions that could never start.

There is a coal-black Angel
With a thick Afric lip,
And he dwells (like the hunted and harried)
In a swamp where the green frogs dip.
But his face is against a City
Which is over a bay of the sea,
And he breathes with a breath that is blastment,
And dooms by a far decree.

at the third floor window of the tenement,
the street looks shiny.
It has been washed and rinsed by rain.
Beyond the silver streaks of the streetcar tracks
a single streetlight stands
in a pool of wet light. It is night.
St. Louis. Nineteen forty-seven.
I have just come home from the orphanage

One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel — every canvas means
The same one meaning, neither more or less.