Advice to a Prophet

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")

(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I
Take back that Heart, you with such Caution give,
Take the fond valu’d Trifle back;
I hate Love-Merchants that a Trade wou’d drive

'There it is!–
You play beside a death-bed like a child,
Yet measure to yourself a prophet's place
To teach the living. None of all these things,
Can women understand. You generalise,
Oh, nothing!–not even grief! Your quick-breathed hearts,
So sympathetic to the personal pang,

To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say,
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.

[Supposed of Pamphylax the Antiochene:
It is a parchment, of my rolls the fifth,
Hath three skins glued together, is all Greek,
And goeth from Epsilon down to Mu:
Lies second in the surnamed Chosen Chest,
Stained and conserved with juice of terebinth,
Covered with cloth of hair, and lettered Xi,
From Xanthus, my wife's uncle, now at peace:
Mu and Epsilon stand for my own name.
I may not write it, but I make a cross
To show I wait His coming, with the rest,
And leave off here: beginneth Pamphylax.]

I said, "If one should wet his lips with wine,
"And slip the broadest plantain-leaf we find,

[Introduction]
Lo now! four other acts upon the stage,
Childhood, and Youth, the Manly, and Old-age.
The first: son unto Phlegm, grand-child to water,
Unstable, supple, moist, and cold’s his Nature.
The second: frolic claims his pedigree;
From blood and air, for hot and moist is he.
The third of fire and choler is compos’d,
Vindicative, and quarrelsome dispos’d.
The last, of earth and heavy melancholy,
Solid, hating all lightness, and all folly.
Childhood was cloth’d in white, and given to show,
His spring was intermixed with some snow.
Upon his head a Garland Nature set:
Of Daisy, Primrose, and the Violet.

I am that which began;
Out of me the years roll;
Out of me God and man;
I am equal and whole;
God changes, and man, and the form of them bodily; I am the soul.

Before ever land was,
Before ever the sea,
Or soft hair of the grass,
Or fair limbs of the tree,
Or the fresh-coloured fruit of my branches, I was, and thy soul was in me.

First life on my sources
First drifted and swam;
Out of me are the forces

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

for Joseph Cady

Camden, 1882 Is it raining, Mary, can you see?

Three days after I was born, as I lay in my silken cradle, gazing
with astonished dismay on the new world round about me, my mother
spoke to the wet-nurse, saying, “How does my child?”

And the wet-nurse answered, “He does well, Madame, I have fed him
three times; and never before have I seen a babe so young yet so
gay.”

And I was indignant; and I cried, “It is not true, mother; for
my bed is hard, and the milk I have sucked is bitter to my mouth,
and the odour of the breast is foul in my nostrils, and I am most
miserable.”

But my mother did not understand, nor did the nurse; for the language
I spoke was that of the world from which I came.

And on the twenty-first day of my life, as I was being christened,
the priest said to my mother, “You should indeed by happy, Madame,
that your son was born a Christian.”

And I was surprised,—and I said to the priest, “Then your mother
in Heaven should be unhappy, for you were not born a Christian.”

But the priest too did not understand my language.

And after seven moons, one day a soothsayer looked at me, and he
said to my mother, “Your son will be a statesman and a great leader
of men.”

But I cried out,—”That is a false prophet; for I shall be a
musician, and naught but a musician shall I be.”

But even at that age my language was not understood—and great was
my astonishment.

And after three and thirty years, during which my mother, and the
nurse, and the priest have all died, (the shadow of God be upon
their spirits) the soothsayer still lives. And yesterday I met him
near the gates of the temple; and while we were talking together
he said, “I have always known you would become a great musician.
Even in your infancy I prophesied and foretold your future.”

And I believed him—for now I too have forgotten the language of
that other world.

I drew solitude over me, on the long shore.
—Robinson Jeffers, “Prelude”

For whoever does not afflict his soul through this day, shall be
cut off from his people.
—Leviticus 23:29

I
We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel—
We dare not feel it yet—the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment

Of old sat Freedom on the heights,
The thunders breaking at her feet:
Above her shook the starry lights:
She heard the torrents meet.

There in her place she did rejoice,
Self-gather'd in her prophet-mind,
But fragments of her mighty voice

We have a friend in common, the retired sophomore.
His concern: that I shall get it like that,
in the right and righter of a green bush
chomping on future considerations. In the ghostly
dreams of others it appears I am all right,
and even going on tomorrow there is much
to be said on all these matters, “issues,” like
“No rest for the weary.” (And yet—why not?)
Feeling under orders is a way of showing up,
but stepping on Earth—she’s not going to.
Ten shades of pleasing himself brings us to tomorrow
evening and will be back for more. I disagree
with you completely but couldn’t be prouder
and fonder of you. So drink up. Feel good for two.

Oh there once was a woman
and she kept a shop
selling trinkets to tourists
not far from a dock
who came to see what life could be
far back on the island.

And it was always a party there
always different but very nice

Dans l'adversité de nos meilleurs amis nous trouvons quelque chose, qui ne nous déplaît pas.
["In the hard times of our best friends we find something that doesn't displease us."]
As Rochefoucauld his maxims drew
From Nature, I believe 'em true:
They argue no corrupted mind
In him; the fault is in mankind.

To all events I squirted you
knowing this not to be this came to pass
when we were out and it looked good.
Why wouldn’t you want a fresh piece
of outlook to stand in down the years?
See, your house, a former human energy construction,
crashed with us for a few days in May
and sure enough, the polar inscape
brought about some easier poems,
which I guessed was a good thing. At least
some of us were relaxed, Steamboat Bill included.

He didn’t drink nothing.
It was one thing
to be ready for their challenge, quite another to accept it.

Clarice, the Swiss Appraiser, paces our rooms, listing furnishings
on her yellow legal pad with a Waterman pen, a microcamera.
Although I've asked why we have to do this, I forgot the answer.

The answer to why is because, inscrutable, outside of logic,
helpless, useless because. Wing chairs, a deco lamp, my mother's
cherry dining table—nothing we both loved using looks tragic.

Most nights now I sit in the den reading the colorful spines
of your art books, Fra Angelico to Zurburan, volume after volume