Now swarthy Summer, by rude health embrowned, Precedence takes of rosy fingered Spring; And laughing Joy, with wild flowers prank'd, and crown'd, A wild and giddy thing, And Health robust, from every care unbound, Come on the zephyr's wing, And cheer the toiling clown.
I'm Ramón González Barbagelata from anywhere, from Cucuy, from Paraná, from Rio Turbio, from Oruro, from Maracaibo, from Parral, from Ovalle, from Loconmilla, I'm the poor devil from the poor Third World, I'm the third-class passenger installed, good God! in the lavish whiteness of snow-covered mountains, concealed among orchids of subtle idiosyncrasy.
I've arrived at this famous year 2000, and what do I get? With what do I scratch myself? What do I have to do with the three glorious zeros that flaunt themselves over my very own zero, my own non-existence? Pity that brave heart awaiting its call or the man enfolded by warmer love, nothing's left today except my flimsy skeleton,
As rising from the vegetable World My Theme ascends, with equal Wing ascend, My panting Muse; and hark, how loud the Woods Invite you forth in all your gayest Trim. Lend me your Song, ye Nightingales! oh pour The mazy-running Soul of Melody Into my varied Verse! while I deduce, From the first Note the hollow Cuckoo sings,
"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
I In a far country, and a distant age, Ere sprites and fays had bade farewell to earth, A boy was born of humble parentage; The stars that shone upon his lonely birth Did seem to promise sovereignty and fame— Yet no tradition hath preserved his name.
II ’T is said that on the night when he was born, A beauteous shape swept slowly through the room; Its eyes broke on the infant like a morn, And his cheek brightened like a rose in bloom;
MEanwhile the hainous and despightfull act
Of Satan done in Paradise, and how
Hee in the Serpent, had perverted Eve,
Her Husband shee, to taste the fatall fruit,
Was known in Heav'n; for what can scape the Eye
Of God All-seeing, or deceave his Heart
Omniscient, who in all things wise and just,
Hinder'd not Satan to attempt the minde
You are a friend then, as I make it out, Of our man Shakespeare, who alone of us Will put an ass's head in Fairyland As he would add a shilling to more shillings, All most harmonious, — and out of his Miraculous inviolable increase Fills Ilion, Rome, or any town you like Of olden time with timeless Englishmen; And I must wonder what you think of him — All you down there where your small Avon flows By Stratford, and where you're an Alderman. Some, for a guess, would have him riding back To be a farrier there, or say a dyer; Or maybe one of your adept surveyors; Or like enough the wizard of all tanners.
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
NO more of talk where God or Angel Guest With Man, as with his Friend, familiar us'd To sit indulgent, and with him partake Rural repast, permitting him the while Venial discourse unblam'd: I now must change Those Notes to Tragic; foul distrust, and breach Disloyal on the part of Man, revolt, And disobedience: On the part of Heav'n
[Introduction] Lo now! four other acts upon the stage, Childhood, and Youth, the Manly, and Old-age. The first: son unto Phlegm, grand-child to water, Unstable, supple, moist, and cold’s his Nature. The second: frolic claims his pedigree; From blood and air, for hot and moist is he. The third of fire and choler is compos’d, Vindicative, and quarrelsome dispos’d. The last, of earth and heavy melancholy, Solid, hating all lightness, and all folly. Childhood was cloth’d in white, and given to show, His spring was intermixed with some snow. Upon his head a Garland Nature set: Of Daisy, Primrose, and the Violet.
NOw Morn her rosie steps in th' Eastern Clime Advancing, sow'd the earth with Orient Pearle, When Adam wak't, so customd, for his sleep Was Aerie light from pure digestion bred, And temperat vapors bland, which th' only sound Of leaves and fuming rills, Aurora's fan, Lightly dispers'd, and the shrill Matin Song Of Birds on every bough; so much the more His wonder was to find unwak'nd Eve With Tresses discompos'd, and glowing Cheek, As through unquiet rest: he on his side Leaning half-rais'd, with looks of cordial Love Hung over her enamour'd, and beheld Beautie, which whether waking or asleep,
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
Who has not waked to list the busy sounds Of summer’s morning, in the sultry smoke Of noisy London? On the pavement hot The sooty chimney-boy, with dingy face And tattered covering, shrilly bawls his trade, Rousing the sleepy housemaid. At the door The milk-pail rattles, and the tinkling bell Proclaims the dustman’s office; while the street Is lost in clouds impervious. Now begins The din of hackney-coaches, waggons, carts; While tinmen’s shops, and noisy trunk-makers, Knife-grinders, coopers, squeaking cork-cutters, Fruit-barrows, and the hunger-giving cries Of vegetable-vendors, fill the air. Now every shop displays its varied trade,
Money burns the pocket, pocket hurts, Bootleggers in silken shirts, Ballooned, zooming Cadillacs, Whizzing, whizzing down the street-car tracks. Seventh Street is a bastard of Prohibition and the War. A crude-boned, soft-skinned wedge of nigger life breathing its loafer air, jazz songs and love, thrusting unconscious rhythms, black reddish blood into the white and whitewashed wood of Washington. Stale soggy wood of Washington. Wedges rust in soggy wood. . . Split it! In two! Again! Shred it! . . the sun. Wedges are brilliant in the sun; ribbons of wet wood dry and blow away. Black reddish blood. Pouring for crude-boned soft-skinned life, who set you flowing? Blood suckers of the War would spin in a frenzy of dizziness if they drank your blood. Prohibition would put a stop to it. Who set you flowing? White and whitewash disappear in blood. Who set you flowing? Flowing down the smooth asphalt of Seventh Street, in shanties, brick office buildings, theaters, drug stores, restaurants, and cabarets? Eddying on the corners? Swirling like a blood-red smoke up where the buzzards fly in heaven? God would not dare to suck black red blood. A Nigger God! He would duck his head in shame and call for the Judgement Day. Who set you flowing?
After the sweet promise, the summer’s mild retreat from mother’s cancer, the winter months of her death, I come to this white office, its sterile sheet, its hard tablet, its stirrups, to hold my breath while I, who must, allow the glove its oily rape, to hear the almost mighty doctor over me equate
It’s true we have invented quark-extraction, and this allows our aiming gravity at will; it’s true also that time can now be made to flow backward or forward by
the same process. It may be true as well that what is happening at the focal point, the meristem of this process,
Love like a jugler, comes to play his prise, And all minds draw his wonders to admire, To see how cuningly hee, wanting eyes, Can yett deseave the best sight of desire:
The wanton child, how hee can faine his fire So pretely, as none sees his disguise! How finely doe his tricks, while wee fooles hire The badge, and office of his tirannies,
For in the end, such jugling hee doth make As hee our harts, in stead of eyes doth take For men can only by theyr slieghts abuse
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