He reminds me of someone I used to know,
 but who? Before class,
 he comes to my office to shmooze,
 a thousand thousand pointless interesting
 speculations. Irrepressible boy,
 his assignments are rarely completed,
 or actually started. This week, instead
 of research in the stacks, he’s performing
 with a reggae band that didn’t exist last week.
 kids danced to his music
 and stripped, he tells me gleefully,
 high spirit of the street festival.
 He’s the singer, of course—
 why ask if he studied an instrument?
 On the brink of graduating with
 an engineering degree (not, it turned out,
 his forte), he switched to english,
 his second language. It’s hard to swallow
 the bravura of his academic escapes
 or tell if the dark eyes laugh with his face.
 Once, he brought me a tiny persimmon
 he’d picked on campus; once, a poem
 about an elderly friend in New Delhi
 who left him volumes of Tagore
 and memories of avuncular conversation.
 My encouragement makes him skittish—
 it doesn’t suit his jubilant histrionics
 shrinking from enthusiasm or praise,
 the prospect of effort-drudgery.
 Success—a threat. A future, we figure,
 of revision—yet what can the future be
 but revision and repair? Now, on the brink
 again, graduation’s postponed, the brilliant
 thesis on Walker Percy unwritten.
 “I’ll drive to New Orleans and soak
 it up and write my paper in a weekend,”
 he announces in the Honors office.
 And, “I want to be a bum in daytime
 What could I give him from my life
 or art that matters, how share
 the desperate slumber of my early years,
 the flashes of inspiration and passion
 in a life on hold? If I didn’t fool
 myself or anyone, no one could touch
 me, or tell me much . . . This gloomy
 Houston Monday, he appears at my door,
 so sunny I wouldn’t dare to wake him
 now, or say it matters if he wakes at all.
 “Write a poem about me!” he commands,
 and so I do.



















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