The Summer Bower

Dear Charles XII, the Poltava battle Has been fortunately lost. To quote Lenin’s burring rattle, “Time will show you Kuzka’s mother”, ruins along the waste, Bones of post-mortem bliss with a Ukrainian aftertaste.
It’s not the green flag , eaten by the isotope , It’s the yellow-and-blue flying over Konotop , Made out of canvas – must be a gift from Toronto – Alas, it bears no cross, but the Khokhly don’t want to.
Oh, rushnyks and roubles, sunflowers in summer season!

My dear, your eyes are weary;
Rest them a little while.
Assume the languid posture
Of pleasure mixed with guile.
Outside the talkative fountain
Continues night and day
Repeating my warm passion
In whatever it has to say.

The sheer luminous gown
The fountain wears
Where Phoebe’s very own
Color appears
Falls like a summer rain
Or shawl of tears.

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

Ink-black, but moving independently
across the black and white parquet of print,
the ant cancels the author out. The page,
translated to itself, bears hair-like legs
disturbing the fine hairs of its fiber.
These are the feet of summer, pillaging meaning,
destroying Alexandria. Sunlight is silence
laying waste all languages, until, thinly,

I
He who has never tasted the grapes of Canaan can only view them from Pisgah.

I have my tides, O sea-foamed Venus, dearer than watercress, pipkins, thyme and clymene. You once held me by the cord of my navel, but I have not died to live in Mahomet’s paradise.

Would that I could gather up my love to me as one does one’s fate, or measure her nature as God does the sea.

We are a weary race that hates seedtime. Poor Persephone, who is Maying springtime, and the coming up of flowers! We remember only what we seed, and Persephone goes down into the earth after Spring and Summer vegetation only because Pluto gave her pomegranate seeds to remember him, but if the seed perish, Persephone will die, and memory shall pass from the earth.

A man of humble blood, with a soul of Kidron, needs a Rachel, but I labored for years in the weary fields for Leah.II
The world is a wound in my soul, and I have sought the living waters in meditation, and the angelical fountains in the desert of Beersheba for solitude, for what health there is in friendship comes when one is alone.

I shed tears on the Mount of Olives because people no longer care for each other, but my friends have lacked the character for the vigil. There is no Cana wine in human affections that are not always awake, for people who do not trouble about each other are foes.

It is humiliating being the lamb and bleating to each passerby, “Feed me!” What is the use of saying that men are stones when I know I am going to try to turn them into bread.

I am afraid to say that people are truthful. When a man tells me he is honest I press my hand close to my heart where I keep my miserable wallet. If he says he has any goodness in him, I avoid him, for I trust nobody who has so little fear of the evils that grow and ripen in us while we imagine we have one virtuous trait. These demons lie in ambush in the thick, heady coverts of the blood, where hypocrisy and egoism fatten, waiting to mock or betray us in any moment of self-esteem.

I have no faith in a meek man, and regard anyone that shows a humble mien as one who is preparing to make an attack upon me, for there is some brutish, nether fault in starved vanity.

Yet once a friend leaned as gently on my coat as that disciple had on the bosom of the Saviour, and I went away, not knowing by his affection whether I was the John Christ was said to have loved most. I whispered thanks to my soul because he leaned upon me, for I shall never know who I am if I am not loved.

V
Much flesh walks upon the earth void of heart and warm liver, for it is the spirit that dies soonest.

Some men have marshland natures with mist and sea-water in their intellects, and are as sterile as the Florida earth which De Soto found in those meager, rough Indian settlements, and their tongues are fierce, reedy arrows. They wound and bleed the spirit, and their oaks and chestnut trees and acorns are wild, and a terrible, barren wind from the Atlantic blows through their blood as pitiless as the primitive rivers De Soto’s soldiers could not ford.

Do not attempt to cross these mad, tumid rivers, boreal and brackish, for water is unstable, and you cannot link yourself to it.

There are also inland, domestic men who are timid pulse and vetch, and though they may appear as stupid as poultry rooting in the mire, they are housed people, and they have orchards and good, tamed wine that makes men loving rather than predatory; go to them, and take little thought of their ignorance which brings forth good fruits, for here you may eat and not be on guard for the preservation of your soul.

People who have domestic animals are patient, for atheism and the stony heart are the result of traveling: sorrow never goes anywhere. Were we as content as our forefathers were with labor in the fallow, or as a fuller with his cloth, or a drayman with his horses and mules, we would stay where we are, and that is praying.

There are men that are birds, and their raiment is trembling feathers, for they show their souls to everyone, and everything that is ungentle or untutored or evil or mockery is as a rude stone cast at them, and they suffer all day long, or as Paul remarks they are slain every moment.

God forgive me for my pride; though I would relinquish my own birthright for that wretched pottage of lentils which is friendship, I mistrust every mortal.

Each day the alms I ask of heaven is not to have a new chagrin which is my daily bread.

December 1959

Let the musicians begin,
Let every instrument awaken and instruct us
In love’s willing river and love’s dear discipline:
We wait, silent, in consent and in the penance
Of patience, awaiting the serene exaltation
Which is the liberation and conclusion of expiation.

Now may the chief musician say:
“Lust and emulation have dwelt amoung us

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

There be none of Beauty's daughters
With a magic like thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charmed ocean's pausing,
The waves lie still and gleaming,
And the lull'd winds seem dreaming:

Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.

I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,

My sister! my sweet sister! if a name
Dearer and purer were, it should be thine.
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same
A lov'd regret which I would not resign.
There yet are two things in my destiny—
A world to roam through, and a home with thee.

“Vengeance of Jenny’s case! Fie on her! Never name her, child!”—Mrs. Quickly Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

PART I
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit! Tu—whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

In Memory of Charles Baudelaire

Nous devrions pourtant lui porter quelques fleurs;
Les morts, les pauvres morts, ont de grandes douleurs,
Et quand Octobre souffle, émondeur des vieux arbres,
Son vent mélancolique àl'entour de leurs marbres,
Certe, ils doivent trouver les vivants bien ingrats.

Les Fleurs du Mal.
I
Shall I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,

We aged a hundred years and this descended
In just one hour, as at a stroke.
The summer had been brief and now was ended;
The body of the ploughed plains lay in smoke.

The hushed road burst in colors then, a soaring
Lament rose, ringing silver like a bell.
And so I covered up my face, imploring
God to destroy me before battle fell.

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE

Late in the cold night wakened, and heard wind,
And lay with eyes closed and silent, knowing
These words how bodiless they are, this darkness
Empty under my roof and the panes rattling
Roughed by wind. And so lay and imagined
Somewhere far off black seas heavy-shouldered
Plunging on sand and the ebb off-streaming and
Thunder forever. So lying bethought me, friend,

I'll not weep that thou art going to leave me,
There's nothing lovely here;
And doubly will the dark world grieve me,
While thy heart suffers there.

I'll not weep, because the summer's glory
Must always end in gloom;
And, follow out the happiest story—
It closes with a tomb!

And I am weary of the anguish
Increasing winters bear;
Weary to watch the spirit languish
Through years of dead despair.

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

All the kids came rumbling down the wood tenement
Shaky stairs, sneakers slapping against the worn
Tin tread edges, downhall came Pepo, Chino, Cojo,
Curly bursting from the door like shells exploding
Singing "I'm a Rican Doodle Dandy" and "What shall
We be today, Doctors or Junkies, Soldiers or Winos?"

Pepo put a milk crate on a Spanish Harlem johnny pump
And drops opened like paratroopers carrying war news.