Beautiful

I have just seen a most beautiful thing
Slim and still
Against a gold, gold sky,
A straight black cypress,
Sensitive,
Exquisite,
A black finger
Pointing upwards.

Yes, we'll gather by the river,
the beautiful, the beautiful river.
They say it runs by the throne of God.
This is where God invented fish.
Wherever, but then God's throne is as wide
as the universe. If you're attentive you'll
see the throne's borders in the stars. We're on this side
and when you get to the other side we don't know

Under the edge of february
in hawk of a throat
hidden by ravines of sweet oil
by temples of switchblades
beautiful in its sound of fertility
beautiful in its turban of funeral crepe
beautiful in its camouflage of grief
in its solitude of bruises

We forget where we came from. Our Jewish
names from the Exile give us away,
bring back the memory of flower and fruit, medieval cities,
metals, knights who turned to stone, roses,
spices whose scent drifted away, precious stones, lots of red,
handicrafts long gone from the world
(the hands are gone too).

Circumcision does it to us,

Said the Eye one day, “I see beyond these valleys a mountain veiledwith blue mist. Is it not beautiful?”

The Ear listened, and after listening intently awhile, said, “Butwhere is any mountain? I do not hear it.”

Then the Hand spoke and said, “I am trying in vain to feel it ortouch it, and I can find no mountain.”

And the Nose said, “There is no mountain, I cannot smell it.”

Then the Eye turned the other way, and they all began to talk togetherabout the Eye’s strange delusion. And they said, “Something mustbe the matter with the Eye.”

I’d have you known! It puzzles me forever
To hear, day in, day out, the words men use,
But never a single word about you, never.
Strange!—in your every gesture, worlds of news.
On busses people talk. On curbs I hear them;
In parks I listen, barbershop and bar.
In banks they murmur, and I sidle near them;
But none allude to you there. None so far.

LaBohem Brown


In a package of minutes there is this We.
How beautiful.
Merry foreigners in our morning,
we laugh, we touch each other,
are responsible props and posts.

A physical light is in the room.

Because the world is at the window

The planet turns there without you, beautiful.
Exiled by death you cannot
touch it. Weird joy to watch postulates

lived out and discarded, something crowded
inside us always craving to become something
glistening outside us, the relentless planet

showing itself the logic of what is
buried inside it. To love existence

The light of evening, Lissadell,
Great windows open to the south,
Two girls in silk kimonos, both
Beautiful, one a gazelle.
But a raving autumn shears
Blossom from the summer's wreath;
The older is condemned to death,
Pardoned, drags out lonely years

Released silhouettes
flow incessantly like water,
flow between mountains
swiftly like a kaleidoscope.
The solitude of  the North Pole
bustles with human silhouettes.
Endless transmission of  ABC.

On the shredded shore

After the dread tales and red yarns of the Line
Anything might have come to us; but the divine
Afterglow brought us up to a Welsh colony
Hiding in sandbag ditches, whispering consolatory
Soft foreign things. Then we were taken in
To low huts candle-lit, shaded close by slitten
Oilsheets, and there but boys gave us kind welcome,
So that we looked out as from the edge of home,
Sang us Welsh things, and changed all former notions
To human hopeful things. And the next day's guns
Nor any Line-pangs ever quite could blot out
That strangely beautiful entry to war's rout;
Candles they gave us, precious and shared over-rations—
Ulysses found little more in his wanderings without doubt.
'David of the White Rock', the 'Slumber Song' so soft, and that

Nothin very bad happen to me lately.
How you explain that? —I explain that, Mr Bones,
terms o' your bafflin odd sobriety.
Sober as man can get, no girls, no telephones,
what could happen bad to Mr Bones?
—If life is a handkerchief sandwich,

in a modesty of death I join my father
who dared so long agone leave me.

O beautiful
was the werewolf
in his evil forest.
We took him
to the carnival
and he started
crying
when he saw

The Due D’Aumal’s cannonballs
Are being marshmellowed 370 years from their masonic inception
Now lie on the Potomac
The Due D’Aumal’s balls cannonaded
Split
Through mirror teeth Washington D.C.
Black City of white rectangular bits of fear
Blown fluff of fear

I sigh for the heavenly country,
Where the heavenly people pass,
And the sea is as quiet as a mirror
Of beautiful beautiful glass.

I walk in the heavenly field,
With lilies and poppies bright,
I am dressed in a heavenly coat
Of polished white.

From my hands—take this city not made by hands,
my strange, my beautiful brother.

Take it, church by church—all forty times forty churches,
and flying up the roofs, the small pigeons;

And Spassky Gates—and gates, and gates—
where the Orthodox take off their hats;

And the Chapel of Stars—refuge chapel—
where the floor is—polished by tears;

I
It’s odd to have a separate month. It
escapes the year, it is not only cold, it is warm
and loving like a death grip on a willing knee. The
Indians have a name for it, they call it:

I ply with all the cunning of my art This little thing, and with consummate care
I fashion it—so that when I depart,
Those who come after me shall find it fair
And beautiful. It must be free of flaws—
Pointing no laborings of weary hands;

It was as if a flower bloomed as if
Its muttering root and stem had suddenly spoken,

Uttering on the air a poem of summer,
The rose the utterance of its root and stem.

Thus her beautiful face, the crippled girl’s,
Was like the poem spoken by her body—

The richness of that face!—most generous
In what it keeps, giving in its having.

The rose reserves the sweetness that it yields,
Petal on petal, telling its own silence,

if there is a river
more beautiful than this
bright as the blood
red edge of the moon if

there is a river
more faithful than this
returning each month
to the same delta if there

Some claim the origin of song
was a war cry
some say it was a rhyme
telling the farmers when to plant and reap
don’t they know the first song was a lullaby
pulled from a mother’s sleep
said the old woman

A significant
factor generating my delight in being
alive this springtime
is the birdsong
that like a sweeping mesh has captured me
like diamond rain I can’t
hear it enough said the tulip

When I have baked white cakes
And grated green almonds to spread upon them;
When I have picked the green crowns from the strawberries
And piled them, cone-pointed, in a blue and yellow platter;
When I have smoothed the seam of the linen I have been working;
What then?
To-morrow it will be the same:
Cakes and strawberries,
And needles in and out of cloth.
If the sun is beautiful on bricks and pewter,
How much more beautiful is the moon,
Slanting down the gauffered branches of a plum-tree;
The moon,
Wavering across a bed of tulips;
The moon,

Beloved,
I have to adore the earth:

The wind must have heard
your voice once.
It echoes and sings like you.

The soil must have tasted
you once.
It is laden with your scent.

It is all kind of lovely that I know
what I attend here now the maturity of snow
has settled around forming a sort of time
pushing that other over either horizon and all is mine

in any colors to be chosen and
everything is cold and nothing is totally frozen

soon enough
the primary rough

1

Moving over the hills, crossing the irrigation
canals perfect and profuse in the mountains the
streams of women and men walking under the high-
tension wires over the brown hills

in the multiple world of the fly’s
multiple eye the songs they go to hear on
this occasion are no one’s own

Afterward, to tell how it was possible to
identify absolute space, a matter of great
difficulty, keeping in mind always
that not all old music is beautiful and
therefore it’s necessary to choose. Ice
loading and unloading as the ice caps
wax and wither. Brutal and uncouth from the beginning
even unto time, space, place, motion.

I am inside someone
who hates me. I look
out from his eyes. Smell
what fouled tunes come in
to his breath. Love his
wretched women.

Slits in the metal, for sun. Where
my eyes sit turning, at the cool air

It is their way to find the surface
when they die.
Fish feed on fish
and drop those beautiful bones
to swim.
I see them stretch the water to their need
as I domesticate the separate air to be my
breath.

All you violated ones with gentle hearts;
You violent dreamers whose cries shout heartbreak;
Whose voices echo clamors of our cool capers,
And whose black faces have hollowed pits for eyes.
All you gambling sons and hooked children and bowery bums
Hating white devils and black bourgeoisie,
Thumbing your noses at your burning red suns,
Gather round this coffin and mourn your dying swan.

O world, I cannot hold thee close enough!
Thy winds, thy wide grey skies!
Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with colour!That gaunt crag
To crush!To lift the lean of that black bluff!
World, World, I cannot get thee close enough!

Long have I known a glory in it all,
But never knew I this;
Here such a passion is
As stretcheth me apart,—Lord, I do fear
Thou’st made the world too beautiful this year;
My soul is all but out of me,—let fall
No burning leaf; prithee, let no bird call.

Praised be the moon of books! that doth above
A world of men, the fallen Past behold,
And fill the spaces else so void and cold
To make a very heaven again thereof;
As when the sun is set behind a grove,
And faintly unto nether ether rolled,
All night his whiter image and his mould
Grows beautiful with looking on her love.

Thou therefore, moon of so divine a ray,
Lend to our steps both fortitude and light!
Feebly along a venerable way
They climb the infinite, or perish quite;
Nothing are days and deeds to such as they,
While in this liberal house thy face is bright.

Suddenly discovering in the eyes of the very beautiful
Normande cocotte
The eyes of the very learned British Museum assistant.

How I loved those spiky suns,
rooted stubborn as childhood
in the grass, tough as the farmer’s
big-headed children—the mats
of yellow hair, the bowl-cut fringe.
How sturdy they were and how
slowly they turned themselves
into galaxies, domes of ghost stars
barely visible by day, pale
cerebrums clinging to life
on tough green stems.Like you.
Like you, in the end.If you were here,
I’d pluck this trembling globe to show
how beautiful a thing can be
a breath will tear away.

We sat together at one summer’s end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, ‘A line will take us hours maybe;
Yet if it does not seem a moment’s thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones

The sea and a crescent strip of beach
Show between the service station and a deserted shack

A creek drains thru the beach
Forming a ditch
There is a discarded super-market cart in the ditch
That beach is the edge of a nation

There is something like shouting along the highway
A California shouting

O beautiful
was the werewolf
in his evil forest.
We took him
to the carnival
and he started
crying
when he saw
the Ferris wheel.
Electric
green and red tears
flowed down
his furry cheeks.
He looked
like a boat

As I stood upon London Bridge and viewed the mighty throng
Of thousands of people in cabs and ’busses rapidly whirling along,
All furiously driving to and fro,
Up one street and down another as quick as they could go:

Then I was struck with the discordant sound of human voices there,
Which seemed to me like wild geese cackling in the air:
And the river Thames is a most beautiful sight,
To see the steamers sailing upon it by day and by night.

And the Tower of London is most gloomy to behold,
And the crown of England lies there, begemmed with precious stones and gold;
King Henry the Sixth was murdered there by the Duke of Glo’ster,
And when he killed him with his sword he called him an impostor.

Driving through
hot brushy country
in the late autumn,
I saw a hawk
crucified on a
barbed-wire fence.

I guess as a kind
of advertisement

Matilde, years or days
sleeping, feverish,
here or there,
gazing off,
twisting my spine,
bleeding true blood,
perhaps I awaken
or am lost, sleeping:

When it is finally ours, this freedom, this liberty, this beautiful
and terrible thing, needful to man as air,
usable as earth; when it belongs at last to all,
when it is truly instinct, brain matter, diastole, systole,
reflex action; when it is finally won; when it is more
than the gaudy mumbo jumbo of politicians:
this man, this Douglass, this former slave, this Negro
beaten to his knees, exiled, visioning a world

Greenland’s icy mountains are fascinating and grand,
And wondrously created by the Almighty’s command;
And the works of the Almighty there’s few can understand:
Who knows but it might be a part of Fairyland?

Because there are churches of ice, and houses glittering like glass,
And for scenic grandeur there’s nothing can it surpass,
Besides there’s monuments and spires, also ruins,

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,

Human reason is beautiful and invincible.
No bars, no barbed wire, no pulping of books,
No sentence of banishment can prevail against it.
It establishes the universal ideas in language,
And guides our hand so we write Truth and Justice
With capital letters, lie and oppression with small.
It puts what should be above things as they are,
Is an enemy of despair and a friend of hope.

Oh mighty City of New York! you are wonderful to behold,
Your buildings are magnificent, the truth be it told,
They were the only thing that seemed to arrest my eye,
Because many of them are thirteen storeys high.

And as for Central Park, it is lovely to be seen,
Especially in the summer season when its shrubberies and trees are green;
And the Burns’ statue is there to be seen,
Surrounded by trees, on the beautiful sward so green;
Also Shakespeare and Sir Walter Scott,
Which by Englishmen and Scotchmen will ne’er be forgot.

There the people on the Sabbath-day in thousands resort,
All loud, in conversation and searching for sport,
Some of them viewing the menagerie of wild beasts there,

Love lives beyond
The tomb, the earth, which fades like dew—
I love the fond,
The faithful, and the true

Love lives in sleep,
'Tis happiness of healthy dreams
Eve’s dews may weep,
But love delightful seems.

'Tis seen in flowers,
And in the even's pearly dew
On earth's green hours,
And in the heaven's eternal blue.

Who can say now,
“When I was young, the country was very beautiful?
Oaks and willows grew along the rivers
and there were many herbs and flowering bushes.
The forests were so dense the deer slipped through
the cottonwoods and maples unseen.”

Who would listen?
Who will carry even the vicarious tone of that time?

Child! do not throw this book about!
Refrain from the unholy pleasure
Of cutting all the pictures out!
Preserve it as your chiefest treasure.

Child, have you never heard it said
That you are heir to all the ages?
Why, then, your hands were never made
To tear these beautiful thick pages!

1. INSIDE FROM THE PERSPECTIVE OF A TREE

Beautiful women in smoky blue culottes
lying around on fluffy pink pillows
beneath windows onto charming views,
sea views, seasonal leaves and trees.
Inside is outside and outside inside.
Smell of saltwater swimming in the room.


2. OUTSIDE FROM THE PERSPECTIVE OF A ROCKING CHAIR

Amber husk
fluted with gold,
fruit on the sand
marked with a rich grain,

treasure
spilled near the shrub-pines
to bleach on the boulders:

your stalk has caught root
among wet pebbles
and drift flung by the sea
and grated shells
and split conch-shells.

I see a beautiful gigantic swimmer swimming naked through the eddies of the sea,
His brown hair lies close and even to his head, he strikes out with courageous arms, he urges himself with his legs,
I see his white body, I see his undaunted eyes,
I hate the swift-running eddies that would dash him head-foremost on the rocks.

What are you doing you ruffianly red-trickled waves?
Will you kill the courageous giant? will you kill him in the prime of his middle-age?

Steady and long he struggles,
He is baffled, bang’d, bruis’d, he holds out while his strength holds out,
The slapping eddies are spotted with his blood, they bear him away, they roll him, swing him, turn him,
His beautiful body is borne in the circling eddies, it is continually bruis’d on rocks,
Swiftly and out of sight is borne the brave corpse.

"What you are struggling with," said
the psychologist, "is
a continuous song, something like
a telephone's tone. Nebulous, noncommittal,
unrelenting, pretending
to give you messages it can't deliver.

Because the body is unattached. It is,"
he said, "like a valentine sent
out cold, beautiful, brittle as tomorrow's
deja-vu, but distortedly misaddressed.
These pills will help you
find yourself
somewhere where the lace ends up loose
and the paste is still humming

When last we parted, thou wert young and fair,
How beautiful let fond remembrance say!
Alas! since then old time has stolen away
Full thirty years, leaving my temples bare.—
So has it perished like a thing of air,
The dream of love and youth!— now both are grey
Yet still remembering that delightful day,
Though time with his cold touch has blanched my hair,

From "Metamorphoses," Book II, 846-875 Majesty is incompatible truly with love; they cohabit
Nowhere together. The father and chief of the gods, whose right hand is

When the first dark had fallen around them
And the leaves were weary of praise,
In the clear silence Beauty found them
And shewed them all her ways.

In the high noon of the heavenly garden
Where the angels sunned with the birds,
Beauty, before their hearts could harden,

I’ll go among the dead to see my friend.
The place I leave is beautiful: the sea
Repeats the winds’ far swell in its long sound,
And, there beside it, houses solemnly
Shine with the modest courage of the land,
While swimmers try the verge of what they see.

I cannot go, although I should pretend
Some final self whose phantom eye could see

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love—
I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
Coveted her and me.

And this was the reason that, long ago,

In the Shreve High football stadium,
I think of Polacks nursing long beers in Tiltonsville,
And gray faces of Negroes in the blast furnace at Benwood,
And the ruptured night watchman of Wheeling Steel,
Dreaming of heroes.

All the proud fathers are ashamed to go home,
Their women cluck like starved pullets,
Dying for love.

Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder like a cup.

Life has loveliness to sell,
Music like a curve of gold,

One wading a Fall meadow finds on all sides
The Queen Anne’s Lace lying like lilies
On water; it glides
So from the walker, it turns
Dry grass to a lake, as the slightest shade of you
Valleys my mind in fabulous blue Lucernes.

The beautiful changes as a forest is changed
By a chameleon’s tuning his skin to it;

An old man in a lodge within a park;
The chamber walls depicted all around
With portraitures of huntsman, hawk, and hound,
And the hurt deer. He listeneth to the lark,
Whose song comes with the sunshine through the dark
Of painted glass in leaden lattice bound;
He listeneth and he laugheth at the sound,
Then writeth in a book like any clerk.
He is the poet of the dawn, who wrote
The Canterbury Tales, and his old age
Made beautiful with song; and as I read
I hear the crowing cock, I hear the note
Of lark and linnet, and from every page
Rise odors of ploughed field or flowery mead.

Sometimes she’s Confucian—
resolute in privation. . . .

Each day, more immobile,
hip not mending, legs swollen;

still she carries her grief
with a hard steadiness.

Twelve years uncompanioned,
there’s no point longing for

How much death works,
No one knows what a long
Day he puts in. The little
Wife always alone
Ironing death’s laundry.
The beautiful daughters
Setting death’s supper table.
The neighbors playing

I
The Owl and the Pussy-cat went to sea
In a beautiful pea-green boat,
They took some honey, and plenty of money,
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
"O lovely Pussy! O Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!"

II
Pussy said to the Owl, "You elegant fowl!

The snow is deep on the ground.
Always the light falls
Softly down on the hair of my belovèd.

This is a good world.
The war has failed.
God shall not forget us.
Who made the snow waits where love is.

Only a few go mad.

“O Love, thou art winged and swift,
Yet stay with me evermore!”
And I guarded my house with bolt and bar
Lest Love fly forth at the door.

Without, in the world, ’t was cold,
While Love and I together
Laughed and sang by my red hearth-fire,
Nor knew it was winter weather.

When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme
In praise of ladies dead and lovely knights,
Then, in the blazon of sweet beauty's best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have express'd
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring;
And, for they look'd but with divining eyes,
They had not skill enough your worth to sing:
For we, which now behold these present days,
Have eyes to wonder, but lack tongues to praise.

Falling in love with a mustache
is like saying
you can fall in love with
the way a man polishes his shoes
which,
of course,
is one of the things that turns on
my tuned-up engine

Tell me,
Was Venus more beautiful
Than you are,
When she topped
The crinkled waves,
Drifting shoreward
On her plaited shell?
Was Botticelli’s vision

Wash of cold river
in a glacial land,
Ionian water,
chill, snow-ribbed sand,
drift of rare flowers,
clear, with delicate shell-
like leaf enclosing
frozen lily-leaf,

Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe--
Sailed on a river of crystal light,
Into a sea of dew.
"Where are you going, and what do you wish?"
The old moon asked of the three.
"We have come to fish for the herring fish
That live in this beautiful sea;