Astrophil and Stella 20: Fly, fly, my friends, I have my death wound, fly

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks—
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!

There is no radical shift of light
or redwings calling areas of marsh
their territories yet, nor plovers
probing for copepods. Only a yellow
front-end loader laying out a new berm
on the beach, from tubes too heavy
to be called hoses, its audience one man
and his protesting dog. No frosted

I am happy living simply:
like a clock, or a calendar.
Worldly pilgrim, thin,
wise—as any creature. To know

the spirit is my beloved. To come to things—swift
as a ray of light, or a look.
To live as I write: spare—the way
God asks me—and friends do not.

1919

Twilight—and you,
Quiet—the stars;
Snare of the shine of your teeth,
Your provocative laughter,
The gloom of your hair;
Lure of you, eye and lip ;
Yearning, yearning,
Languor, surrender;

for Ros Krauss Tell yourself
as it gets cold and gray falls from the air

In the greenest of our valleys
By good angels tenanted,
Once a fair and stately palace—
Radiant palace—reared its head.
In the monarch Thought’s dominion,
It stood there!
Never seraph spread a pinion
Over fabric half so fair!

Traveler, your footprints
are the only road, nothing else.
Traveler, there is no road;
you make your own path as you walk.
As you walk, you make your own road,
and when you look back
you see the path
you will never travel again.

The next morning I felt that our house
had been lifted away from its foundation
during the night, and was now adrift,
though so heavy it drew a foot or more
of whatever was buoying it up, not water
but something cold and thin and clear,
silence riffling its surface as the house
began to turn on a strengthening current,

1.

I watched thee when the foe was at our side,
Ready to strike at him—or thee and me,
Were safety hopeless—rather than divide
Aught with one loved save love and liberty.

I'm Ramón González Barbagelata from anywhere,
from Cucuy, from Paraná, from Rio Turbio, from Oruro,
from Maracaibo, from Parral, from Ovalle, from Loconmilla,
I'm the poor devil from the poor Third World,
I'm the third-class passenger installed, good God!
in the lavish whiteness of snow-covered mountains,
concealed among orchids of subtle idiosyncrasy.

I've arrived at this famous year 2000, and what do I get?
With what do I scratch myself? What do I have to do with
the three glorious zeros that flaunt themselves
over my very own zero, my own non-existence?
Pity that brave heart awaiting its call
or the man enfolded by warmer love,
nothing's left today except my flimsy skeleton,

I lay down under language
it left me and I slept

—You, the Comforter, came into the room

my blood, my mouth
all buttoned away—

Makers of houses, books, clothes-
makers, goodbye—

Thus every Creature, and of every Kind,
The secret Joys of sweet Coition find:
Not only Man’s Imperial Race; but they
That wing the liquid Air, or swim the Sea,
Or haunt the Desert, rush into the flame:
For Love is Lord of all; and is in all the same.
’Tis with this rage, the Mother Lion stung,
Scours o’re the Plain; regardless of her young:

From my hands—take this city not made by hands,
my strange, my beautiful brother.

Take it, church by church—all forty times forty churches,
and flying up the roofs, the small pigeons;

And Spassky Gates—and gates, and gates—
where the Orthodox take off their hats;

And the Chapel of Stars—refuge chapel—
where the floor is—polished by tears;

Lord, it’s not true
That my faith is cooling.
It’s just that people
Are saying that candle smoke
Has caused cancer in church mice.
And I also worry that candle light
Is too weak to reach your cloud.

Do I need a hydrogen candle?

Give me something to eat,
Good people, I pray;
I have really not had
One mouthful today!

I am hungry and cold,
And last night I dreamed
A scarecrow had caught me—
Good land, how I screamed!

Of one little children
And six ailing wives
(No, one wife and six children),
Not one of them thrives.

Unfortunately happiness
Depends a little more than less
On undependable, and hence
Absurdly charming elements.

Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.

Father of all! in every age,
In every clime adored,
By saint, by savage, and by sage,
Jehovah, Jove, or Lord!

Thou Great First Cause, least understood:
Who all my sense confined
To know but this—that thou art good,
And that myself am blind:

Yet gave me, in this dark estate,
To see the good from ill;
And binding Nature fast in fate,
Left free the human will.

The craving of Samuel Rouse for clearance to create
was surely as hot as the iron that buffeted him. His passion
for freedom so strong that it molded the smouldering fashions
he laced, for how also could a slave plot
or counterplot such incomparable shapes,

form or reform, for house after house,
the intricate Patio pattern, the delicate
Rose and Lyre, the Debutante Settee,

As you came from the holy land
of Walsinghame
Met you not with my true love
By the way as you came?

How shall I know your true love
That have met many one
As I went to the holy land