Sea-Wash

Ye tender young virgins attend to my lay,
My heart is divided in twain;
My Collin is beautiful, witty, and gay,
And Damon’s a kind-hearted swain.

Whenever my lovely young Collin I meet,
What pleasures arise in my breast;
The dear gentle swain looks so charming and sweet,

Now comes the evening of the mind.
Here are the fireflies twitching in the blood;
Here is the shadow moving down the page
Where you sit reading by the garden wall.
Now the dwarf peach trees, nailed to their trellises,
Shudder and droop. You know their voices now,
Faintly the martyred peaches crying out
Your name, the name nobody knows but you.

I was enriched, not casting after marvels,
But as one walking in a usual place,
Without desert but common eyes and ears,
No recourse but to hear, power but to see,
Got to love you of grace.

Subtle musicians, that could body wind,
Or contrive strings to anguish, in conceit
Random and artless strung a branch with bells,

Moving from Cheer to Joy, from Joy to All,
I take a box
And add it to my wild rice, my Cornish game hens.
The slacked or shorted, basketed, identical
Food-gathering flocks
Are selves I overlook. Wisdom, said William James,

Is learning what to overlook. And I am wise
If that is wisdom.

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,

I’ll go among the dead to see my friend.
The place I leave is beautiful: the sea
Repeats the winds’ far swell in its long sound,
And, there beside it, houses solemnly
Shine with the modest courage of the land,
While swimmers try the verge of what they see.

I cannot go, although I should pretend
Some final self whose phantom eye could see

Oh why is heaven built so far,
Oh why is earth set so remote?
I cannot reach the nearest star
That hangs afloat.

I would not care to reach the moon,
One round monotonous of change;
Yet even she repeats her tune

Whom should I choose for my Judge? the earnest, impersonal reader,
Who, in the work, forgets me and the world and himself!

Ye who have eyes to detect, and Gall to Chastise the imperfect,
Have you the heart, too, that loves, feels and rewards the Compleat?

What is the meed of thy Song? 'Tis the ceaseless, the thousandfold Echo
Which from the welcoming Hearts of the Pure repeats and prolongs it,
Each with a different Tone, compleat or in musical fragments.

Somewhat back from the village street
Stands the old-fashioned country-seat.
Across its antique portico
Tall poplar-trees their shadows throw;
And from its station in the hall
An ancient timepiece says to all, —
"Forever — never!
Never — forever!"

Half-way up the stairs it stands,
And points and beckons with its hands
From its case of massive oak,
Like a monk, who, under his cloak,
Crosses himself, and sighs, alas!
With sorrowful voice to all who pass, —