Torquemada. Now that Castile and Aragon in holy wedlock are Spain, and the last city of the Moors in Spain is Spanish except for Moor and Jew— about every crucifix in every market-place and in the court itself the Jews!— as seven centuries of Christian valor, Christian piety triumph
I sing the man that never equal knew, Whose mighty arms all Asia did subdue, Whose conquests through the spacious world do ring, That city-raser, king-destroying king, Who o’er the warlike Macedons did reign, And worthily the name of Great did gain. This is the prince (if fame you will believe, To ancient story any credit give.) Who when the globe of Earth he had subdued, With tears the easy victory pursued; Because that no more worlds there were to win, No further scene to act his glories in.
Ah that some pitying Muse would now inspire My frozen style with a poetic fire,
The plunging limbers over the shattered track Racketed with their rusty freight, Stuck out like many crowns of thorns, And the rusty stakes like sceptres old To stay the flood of brutish men Upon our brothers dear.
The wheels lurched over sprawled dead But pained them not, though their bones crunched, Their shut mouths made no moan. They lie there huddled, friend and foeman, Man born of man, and born of woman, And shells go crying over them From night till night and now.
Thou hidden love of God, whose height, Whose depth unfathom’d no man knows, I see from far thy beauteous light, Inly I sigh for thy repose; My heart is pain’d, nor can it be At rest, till it finds rest in thee.
Thy secret voice invites me still, The sweetness of thy yoke to prove: And fain I would: but tho’ my will Seem fix’d, yet wide my passions rove; Yet hindrances strew all the way; I aim at thee, yet from thee stray.
CHORUS Come we shepherds whose blest sight Hath met love’s noon in nature’s night; Come lift we up our loftier song And wake the sun that lies too long.
To all our world of well-stol’n joy He slept, and dreamt of no such thing, While we found out heav’n’s fairer eye, And kiss’d the cradle of our King. Tell him he rises now too late To show us aught worth looking at.
Tell him we now can show him more Than he e’er show’d to mortal sight,
[Supposed of Pamphylax the Antiochene: It is a parchment, of my rolls the fifth, Hath three skins glued together, is all Greek, And goeth from Epsilon down to Mu: Lies second in the surnamed Chosen Chest, Stained and conserved with juice of terebinth, Covered with cloth of hair, and lettered Xi, From Xanthus, my wife's uncle, now at peace: Mu and Epsilon stand for my own name. I may not write it, but I make a cross To show I wait His coming, with the rest, And leave off here: beginneth Pamphylax.]
I said, "If one should wet his lips with wine, "And slip the broadest plantain-leaf we find,
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
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