Youth and Art

Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.

(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:

I dreamed that I was old: in stale declension
Fallen from my prime, when company
Was mine, cat-nimbleness, and green invention,
Before time took my leafy hours away.

My wisdom, ripe with body’s ruin, found
Itself tart recompense for what was lost
In false exchange: since wisdom in the ground
Has no apocalypse or pentecost.

There is a land of pure delight
Where saints immortal reign;
Infinite day excludes the night,
And pleasures banish pain.

There everlasting spring abides,
And never-withering flowers;
Death like a narrow sea divides
This heavenly land from ours.

Sweet fields beyond the swelling flood
Stand dressed in living green:
So to the Jews old Canaan stood,
While Jordan rolled between.

(Being the philosophy of many Soldiers.) Sit on the bed; I'm blind, and three parts shell.
Be careful; can't shake hands now; never shall.

The craving of Samuel Rouse for clearance to create
was surely as hot as the iron that buffeted him. His passion
for freedom so strong that it molded the smouldering fashions
he laced, for how also could a slave plot
or counterplot such incomparable shapes,

form or reform, for house after house,
the intricate Patio pattern, the delicate
Rose and Lyre, the Debutante Settee,

Written for the Nativity of Our Lord, Puebla, 1689. Since Love is shivering
in the ice and cold,

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.

Twilight—and you,
Quiet—the stars;
Snare of the shine of your teeth,
Your provocative laughter,
The gloom of your hair;
Lure of you, eye and lip ;
Yearning, yearning,
Languor, surrender;

Over gutters and over parking lots,
over rooftops, fountains, cloudbanks and the bay,
beyond the sun, beyond the medium that fills
unoccupied space, beyond the confines of the known

universe, ghost, you slip out of me
with the ease of a swimmer
at one with the waves, furrowing the deep
with a pleasure we can’t articulate

Now swarthy Summer, by rude health embrowned,
Precedence takes of rosy fingered Spring;
And laughing Joy, with wild flowers prank'd, and crown'd,
A wild and giddy thing,
And Health robust, from every care unbound,
Come on the zephyr's wing,
And cheer the toiling clown.

When you get in on a try you never learn it back
umpteen times the tenth part of a featured world
in black and in back it’s roses and fostered nail
bite rhyme sling slang, a song that teaches without
travail of the tale, the one you longing live
and singing burn

It’s insane to remain a trope, of a rinsing out
or a ringing whatever, it’s those bells that . . .

Her hair was curls of Pleasure and Delight,
Which on her brow did cast a glistening light.
As lace her bashful eyelids downward hung:
A modest countenance o'er her face was flung:
Blushes, as coral beads, she strung to wear
About her neck, and pendants for each ear:
Her gown was by Proportion cut and made,
With veins embroidered, with complexion laid,
Rich jewels of pure honor she did wear,
By noble actions brightened everywhere:
Thus dressed, to Fame's great court straightways she went,
To dance a brawl with Youth, Love, Mirth, Content.

Stranger, you who hide my love
In the curved cheek of a smile
And sleep with her upon a tongue
Of soft lies that beguile,
Your paradisal ecstasy
Is justified is justified
By hunger of the beasts beneath
The overhanging cloud

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I've got oil wells
Pumping in my living room.

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair

And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;

Do not allow me to sink, I said
To a top floating ribbon of kelp.
As I was lifted on each wave
And made to slide into the vale
I wanted not to drown. I wanted
To make it all right with my dear,
To tell my cat I’ll be away,
To have them all destroyed, the poems

While one sere leaf, that parting Autumn yields,
Trembles upon the thin, and naked spray,
November, dragging on this sunless day,
Lours, cold and sullen, on the watery fields;
And Nature to the waste dominion yields,
Stripped her last robes, with gold and purple gay —
So droops my life, of your soft beams despoiled,
Youth, Health, and Hope, that long exulting smiled;
And the wild carols, and the bloomy hues
Of merry Spring-time, spruce on every plain
Her half-blown bushes, moist with sunny rain,
More pensive thoughts in my sunk heart infuse
Than Winter’s grey, and desolate domain
Faded like my lost Youth, that no bright Spring renews.

I need more time, a simple day in Paris hotels and window shopping.
The croissants will not bake themselves and the Tower of London would
Like to spend a night in the tropics with gray sassy paint. It has many
Wounds and historic serial dreams under contract to Hollywood.
Who will play the head of Mary, Queen of Scots, and who will braid her

Hair? Was it she who left her lips on the block for the executioner,
Whose hands would never find ablution, who would never touch a woman
Again or eat the flesh of a red animal? Blood pudding would repulse him
Until joining Anne. That is the way of history written for Marlow and
Shakespear. They are with us now that we are sober and wiser,

Not taking the horrors of poetry too seriously. Why am I telling you this
Nonsense, when I have never seen you sip your coffee or tea,
In the morning? Not to mention,