Vuillard: “The Mother and Sister of the Artist”

Thou blossom bright with autumn dew,
And colored with the heaven’s own blue,
That openest when the quiet light
Succeeds the keen and frosty night.

Thou comest not when violets lean
O’er wandering brooks and springs unseen,
Or columbines, in purple dressed,
Nod o’er the ground-bird’s hidden nest.

Thou waitest late and com’st alone,
When woods are bare and birds are flown,
And frosts and shortening days portend
The aged year is near his end.

Duncan Gray came here to woo,
Ha, ha, the wooin o't!
On blythe Yule night when we were fou,
Ha, ha, the wooin o't!
Maggie coost her head fu high,
Look'd asklent and unco skeigh,
Gart poor Duncan stand abeigh;
Ha, ha, the wooin o't!

Duncan fleech'd, and Duncan pray'd,
Ha, ha, the wooin o't!
Meg was deaf as Ailsa Craig,
Ha, ha, the wooin o't!
Duncan sigh'd baith out and in,
Grat his een baith bleer't and blin',

New yeare forth looking out of Janus gate,
Doth seeme to promise hope of new delight:
And bidding th’old Adieu, his pass

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah, yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty’s summer dead.

TO MRS. FRY IN NEWGATE

Sermons in stones.—As You Like It.
Out! out! damned spot.—Macbeth. I like you, Mrs. Fry! I like your name!

The craving of Samuel Rouse for clearance to create
was surely as hot as the iron that buffeted him. His passion
for freedom so strong that it molded the smouldering fashions
he laced, for how also could a slave plot
or counterplot such incomparable shapes,

form or reform, for house after house,
the intricate Patio pattern, the delicate
Rose and Lyre, the Debutante Settee,

Written for the Nativity of Our Lord, Puebla, 1689. Since Love is shivering
in the ice and cold,

Twilight—and you,
Quiet—the stars;
Snare of the shine of your teeth,
Your provocative laughter,
The gloom of your hair;
Lure of you, eye and lip ;
Yearning, yearning,
Languor, surrender;

Over gutters and over parking lots,
over rooftops, fountains, cloudbanks and the bay,
beyond the sun, beyond the medium that fills
unoccupied space, beyond the confines of the known

universe, ghost, you slip out of me
with the ease of a swimmer
at one with the waves, furrowing the deep
with a pleasure we can’t articulate

Then said Almitra, Speak to us of Love.
And he raised his head and looked upon
the people, and there fell a stillness upon
them. And with a great voice he said:
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to
him,

And the weaver said, Speak to us of
Clothes.
And he answered:
Your clothes conceal much of your beauty,
yet they hide not the unbeautiful.
And though you seek in garments the
freedom of privacy you may find in them
a harness and a chain.

And when my Joy was born, I held it in my arms and stood on the
house-top shouting, “Come ye, my neighbours, come and see, for Joy
this day is born unto me. Come and behold this gladsome thing that
laugheth in the sun.”

But none of my neighbours came to look upon my Joy, and great was
my astonishment.

And every day for seven moons I proclaimed my Joy from the
house-top—and yet no one heeded me. And my Joy and I were alone,
unsought and unvisited.

Then my Joy grew pale and weary because no other heart but mine
held its loveliness and no other lips kissed its lips.

Then my Joy died of isolation.

And now I only remember my dead Joy in remembering my dead Sorrow.
But memory is an autumn leaf that murmurs a while in the wind and
then is heard no more.

Upon a lonely mountain, there lived two hermits who worshipped God
and loved one another.

Now these two hermits had one earthen bowl, and this was their only
possession.

One day an evil spirit entered into the heart of the older hermit
and he came to the younger and said, “It is long that we have
lived together. The time has come for us to part. Let us divide
our possessions.”

Then the younger hermit was saddened and he said, “It grieves
me, Brother, that thou shouldst leave me. But if thou must needs
go, so be it,” and he brought the earthen bowl and gave it to him
saying, “We cannot divide it, Brother, let it be thine.”

Then the older hermit said, “Charity I will not accept. I will
take nothing but mine own. It must be divided.”

And the younger one said, “If the bowl be broken, of what use would
it be to thee or to me? If it be thy pleasure let us rather cast
a lot.”

But the older hermit said again, “I will have but justice and mine
own, and I will not trust justice and mine own to vain chance. The
bowl must be divided.”

Then the younger hermit could reason no further and he said, “If
it be indeed thy will, and if even so thou wouldst have it let us
now break the bowl.”

But the face of the older hermit grew exceedingly dark, and he
cried, “O thou cursed coward, thou wouldst not fight.”

The country lies flat, expressionless as the face of a stranger.
Not one hillock shelters a buried bone. The city:
a scene thin as a theater backdrop, where no doors open,
no streets extend beyond the view from the corner.

Only the railroad embankment is high, shaggy with grass.
Only the freight, knuckling a red sun under its wheels,
drags familiar box-car shapes down long perspectives
of childhood meals and all crossings at sunset.

Wheel of sorrow, centerless.
Voices, sad without cause,
slope upward, expiring on grave summits.
Mournfulness of muddy playgrounds,
raw smell of rubbers and wrapped lunches
when little girls stand in a circle singing
of windows and of lovers.

Hearing them, no one could tell

(from Julius Caesar, spoken by Marc Antony) Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,

Out of a high meadow where flowers
bloom above cloud, come down;
pursue me with reasons for smiling without malice.

Bring mimic pride like that of the seedling fir,
surprise in the perfect leg-stems
and queries unstirred by recognition or fear
pooled in the deep eyes.

Come down by regions where rocks

Ink-black, but moving independently
across the black and white parquet of print,
the ant cancels the author out. The page,
translated to itself, bears hair-like legs
disturbing the fine hairs of its fiber.
These are the feet of summer, pillaging meaning,
destroying Alexandria. Sunlight is silence
laying waste all languages, until, thinly,

While that my soul repairs to her devotion,
Here I intomb my flesh, that it betimes
May take acquaintance of this heap of dust;
To which the blast of death's incessant motion,
Fed with the exhalation of our crimes,
Drives all at last. Therefore I gladly trust

My body to this school, that it may learn
To spell his elements, and find his birth
Written in dusty heraldry and lines ;
Which dissolution sure doth best discern,
Comparing dust with dust, and earth with earth.
These laugh at jet, and marble put for signs,

To sever the good fellowship of dust,

Ay me, to whom shall I my case complain,
That may compassion my impatient grief?
Or where shall I unfold my inward pain,
That my enriven heart may find relief?
Shall I unto the heavenly pow’rs it show,
Or unto earthly men that dwell below?

To heavens? Ah, they, alas, the authors were,
And workers of my unremedied woe:
For they foresee what to us happens here,
And they foresaw, yet suffered this be so.
From them comes good, from them comes also ill,
That which they made, who can them warn to spill.

To men? Ah, they, alas, like wretched be,