Mystery and Solitude in Topeka

Openly, yes,
With the naturalness
Of the hippopotamus or the alligator
When it climbs out on the bank to experience the

Sun, I do these
Things which I do, which please
No one but myself. Now I breathe and now I am sub-
Merged; the blemishes stand up and shout when the object

In view was a
Renaissance; shall I say
The contrary? The sediment of the river which
Encrusts my joints, makes me very gray but I am used

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

the Chinaman said don’t take the hardware
and gave me a steak I couldn’t cut (except the fat)
and there was an ant circling the coffee cup;
I left a dime tip and broke out a stick of cancer,
and outside I gave an old bum who looked about
the way I felt, I gave him a quarter,
and then I went up to see the old man
strong as steel girders, fit for bombers and blondes,

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

Where is the promise of my years;
Once written on my brow?
Ere errors, agonies and fears
Brought with them all that speaks in tears,
Ere I had sunk beneath my peers;
Where sleeps that promise now?

Naught lingers to redeem those hours,
Still, still to memory sweet!
The flowers that bloomed in sunny bowers
Are withered all; and Evil towers
Supreme above her sister powers
Of Sorrow and Deceit.

I look along the columned years,

You have put your two hands upon me, and your mouth,
You have said my name as a prayer.
Here where trees are planted by the water
I have watched your eyes, cleansed from regret,
And your lips, closed over all that love cannot say,

My mother remembers the agony of her womb
And long years that seemed to promise more than this.
She says, “You do not love me,

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")

On this Day I Complete my Thirty-Sixth Year 'Tis time this heart should be unmoved,
Since others it hath ceased to move:
Yet though I cannot be beloved,
Still let me love!

I burned my life, that I might find
A passion wholly of the mind,
Thought divorced from eye and bone,
Ecstasy come to breath alone.
I broke my life, to seek relief
From the flawed light of love and grief.

With mounting beat the utter fire
Charred existence and desire.

In the moonlight
I met Berserk,
In the moonlight
On the bushy plain.

Oh, sharp he was
As the sleepless!

And, “Why are you red
In this milky blue?”

Here,
among the market vegetables,
this torpedo
from the ocean
depths,
a missile
that swam,
now

As I drew nearer to the end of all desire,
I brought my longing's ardor to a final height,
Just as I ought. My vision, becoming pure,

Entered more and more the beam of that high light
That shines on its own truth. From then, my seeing
Became too large for speech, which fails at a sight

Beyond all boundaries, at memory's undoing—
As when the dreamer sees and after the dream

My goldfinch, I'll toss back my head—
let's look at the world, you and I:
a wintry day, prickly as stubble,
is it just as rough on your eye?

Tail like a boat, black and gold plumage,
dipped in paint from the beak down—
are you aware, my little goldfinch,
what a goldfinch dandy you are?

New yeare forth looking out of Janus gate,
Doth seeme to promise hope of new delight:
And bidding th’old Adieu, his pass

Aunt Mildred tied up her petticoats with binder’s
twine, and my great-uncle Ezekiel waxed and waxed
his moustaches into flexibility. It was the whole
family off then into the dangerous continent of air

and while the salesman with the one gold eyetooth told us
the cords at our ankles were guaranteed to stretch
to their utmost and then bring us safely back
to the fried chicken and scalloped potatoes of Sunday dinner

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn’t know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

Can these movements which move themselves
be the substance of my attraction?
Where does this thin green silk come from that covers my body?
Surely any woman wearing such fabrics
would move her body just to feel them touching every part of her.

Yet most of the women frown, or look away, or laugh stiffly.
They are afraid of these materials and these movements
in some way.

at the third floor window of the tenement,
the street looks shiny.
It has been washed and rinsed by rain.
Beyond the silver streaks of the streetcar tracks
a single streetlight stands
in a pool of wet light. It is night.
St. Louis. Nineteen forty-seven.
I have just come home from the orphanage

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair

Abraham Lincoln
his hand and pen
he will be good but
god knows When