For the young man who would have myrrh from a woman, and cinnamon and aloes,
smoother than oil is her mouth. She flatters him with it. Between her lips lies death. The young man learns that as his bride he should instead have taken Wisdom to him. Wisdom is the words that figure her as
This is the month, and this the happy morn, Wherein the Son of Heav'n's eternal King, Of wedded Maid, and Virgin Mother born, Our great redemption from above did bring; For so the holy sages once did sing, That he our deadly forfeit should release, And with his Father work us a perpetual peace.
That glorious Form, that Light unsufferable, And that far-beaming blaze of Majesty, Wherewith he wont at Heav'n's high council-table, To sit the midst of Trinal Unity, He laid aside, and here with us to be, Forsook the courts of everlasting day, And chose with us a darksome house of mortal clay.
To-night again the moon’s white mat Stretches across the dormitory floor While outside, like an evil cat The pion prowls down the dark corridor, Planning, I know, to pounce on me, in spite For getting leave to sleep in town last night. But it was none of us who made that noise, Only the old brown owl that hoots and flies
The houses I had they took away from me. The times happened to be unpropitious: war, destruction, exile; sometimes the hunter hits the migratory birds, sometimes he doesn’t hit them. Hunting was good in my time, many felt the pellet; the rest circle aimlessly or go mad in the shelters.
I sing the man that never equal knew, Whose mighty arms all Asia did subdue, Whose conquests through the spacious world do ring, That city-raser, king-destroying king, Who o’er the warlike Macedons did reign, And worthily the name of Great did gain. This is the prince (if fame you will believe, To ancient story any credit give.) Who when the globe of Earth he had subdued, With tears the easy victory pursued; Because that no more worlds there were to win, No further scene to act his glories in.
Ah that some pitying Muse would now inspire My frozen style with a poetic fire,
I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain! Of her choice virtues only gods should speak, Or English poets who grew up on Greek (I’d have them sing in chorus, cheek to cheek).
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
The edge of our bed was a wide grid where your fifteen-year-old daughter was hanging gut-sprung on police wheels a cablegram nailed to the wood next to a map of the Western Reserve I could not return with you to bury the body reconstruct your nightly cardboards against the seeping Transvaal cold
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