from To Priapus: Elegies 1.iv

“Vengeance of Jenny’s case! Fie on her! Never name her, child!”—Mrs. Quickly Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,

Cold eyelids that hide like a jewel
Hard eyes that grow soft for an hour;
The heavy white limbs, and the cruel
Red mouth like a venomous flower;
When these are gone by with their glories,
What shall rest of thee then, what remain,
O mystic and sombre Dolores,
Our Lady of Pain?

Seven sorrows the priests give their Virgin;
But thy sins, which are seventy times seven,
Seven ages would fail thee to purge in,
And then they would haunt thee in heaven:
Fierce midnights and famishing morrows,
And the loves that complete and control

I go again to the sea and converse with Ovid
whose verses like the Romanian coast roll along
so wide and subdued: waves that wait for the ice to break.

My poet, you that make what I sing to thousand years old,
ancient boundary stone on the edge of the Romanian language,
you the gulls have elected on to the governing board of our
epics,
of our song-grief you turned into Latin and gave

1
I can support it no longer.
Laughing ruefully at myself
For all I claim to have suffered
I get up. Damned nightmarer!

It is New Hampshire out here,
It is nearly the dawn.
The song of the whippoorwill stops

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ONE Day the Amarous Lisander,
By an impatient Passion sway'd,
Surpris'd fair Cloris, that lov'd Maid,
Who cou'd defend her self no longer ;
All things did with his Love conspire,
The gilded Planet of the Day,
In his gay Chariot, drawn by Fire,

I knew a man, he was my chum,
but he grew blacker every day,
and would not brush the flies away,
nor blanch however fierce the hum
of passing shells; I used to read,
to rouse him, random things from Donne—
like “Get with child a mandrake-root.”
But you can tell he was far gone,
for he lay gaping, mackerel-eyed,
and stiff, and senseless as a post
even when that old poet cried
“I long to talk with some old lover’s ghost.”

I tried the Elegies one day,
But he, because he heard me say:

God! How I hate you, you young cheerful men,
Whose pious poetry blossoms on your graves

As soon as you are in them, nurtured up
By the salt of your corruption, and the tears
Of mothers, local vicars, college deans,
And flanked by prefaces and photographs
From all you minor poet friends—the fools—
Who paint their sentimental elegies

Guadalajara—New York, 1965 The trees are crystal chandeliers,
and deep in the hollow

Swing and sway with Sammy Kaye Everyone at Lake Kearney had a nickname:
there was a Bumstead, a Tonto, a Tex,

Dans l'adversité de nos meilleurs amis nous trouvons quelque chose, qui ne nous déplaît pas.
["In the hard times of our best friends we find something that doesn't displease us."]
As Rochefoucauld his maxims drew
From Nature, I believe 'em true:
They argue no corrupted mind
In him; the fault is in mankind.