The Good God and the Evil God

Hell, my ardent sisters, be assured,
Is where we’re bound; we’ll drink the pitch of hell—
We, who have sung the praises of the lord
With every fiber in us, every cell.

We, who did not manage to devote
Our nights to spinning, did not bend and sway
Above a cradle—in a flimsy boat,
Wrapped in a mantle, we’re now borne away.

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

Hark, how all the welkin rings,
“Glory to the King of kings;
Peace on earth, and mercy mild,
God and sinners reconcil’d!”

Joyful, all ye nations, rise,
Join the triumph of the skies;
Universal nature say,

Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air,
In his own ground.

Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.

Blest, who can unconcernedly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,

(Being the philosophy of many Soldiers.) Sit on the bed; I'm blind, and three parts shell.
Be careful; can't shake hands now; never shall.

The moon came late to a lonesome bog,
And there sat Goggleky Gluck, the frog.
‘My stars!’ she cried, and veiled her face,
‘What very grand people they have in this place!’

Catullus is my master and I mix
a little acid and a bit of honey
in his bowl love

is my subject & the lack of love
which lack is what makes evil a
poet must strike

Catullus could rub words so hard
together their friction burned a

Felix Randal the farrier, O is he dead then? my duty all ended,
Who have watched his mould of man, big-boned and hardy-handsome
Pining, pining, till time when reason rambled in it, and some
Fatal four disorders, fleshed there, all contended?

Sickness broke him. Impatient, he cursed at first, but mended
Being anointed and all; though a heavenlier heart began some
Months earlier, since I had our sweet reprieve and ransom
Tendered to him. Ah well, God rest him all road ever he offended!

This seeing the sick endears them to us, us too it endears.
My tongue had taught thee comfort, touch had quenched thy tears,
Thy tears that touched my heart, child, Felix, poor Felix Randal;

How far from then forethought of, all thy more boisterous years,

As you came from the holy land
of Walsinghame
Met you not with my true love
By the way as you came?

How shall I know your true love
That have met many one
As I went to the holy land

I lay down under language
it left me and I slept

—You, the Comforter, came into the room

my blood, my mouth
all buttoned away—

Makers of houses, books, clothes-
makers, goodbye—

A Book of Verses underneath the Bough,
A Jug of Wine, A Loaf of Bread—and Thou
Beside me singing in the Wilderness—
Oh, Wilderness were Paradise enow!

My goldfinch, I'll toss back my head—
let's look at the world, you and I:
a wintry day, prickly as stubble,
is it just as rough on your eye?

Tail like a boat, black and gold plumage,
dipped in paint from the beak down—
are you aware, my little goldfinch,
what a goldfinch dandy you are?

(from A Midsummer Night's Dream, spoken by Bottom) When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince? Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep? I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was. Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what. Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

In a world where all the heroes
are pilots with voices like God
he brought her a strand of some woman’s

hair to wear on her wing.
She looked sideways at the ground
silent behind the cloudy film covering

her eyes knowing she would be his
forever. They cruised the city nights

Stranger, you who hide my love
In the curved cheek of a smile
And sleep with her upon a tongue
Of soft lies that beguile,
Your paradisal ecstasy
Is justified is justified
By hunger of the beasts beneath
The overhanging cloud

I first discovered what was killing these men.
I had three sons who worked with their father in the tunnel:
Cecil, aged 23, Owen, aged 21, Shirley, aged 17.
They used to work in a coal mine, not steady work
for the mines were not going much of the time.
A power Co. foreman learned that we made home brew,
he formed a habit of dropping in evenings to drink,
persuading the boys and my husband —

Give me something to eat,
Good people, I pray;
I have really not had
One mouthful today!

I am hungry and cold,
And last night I dreamed
A scarecrow had caught me—
Good land, how I screamed!

Of one little children
And six ailing wives
(No, one wife and six children),
Not one of them thrives.

Let the musicians begin,
Let every instrument awaken and instruct us
In love’s willing river and love’s dear discipline:
We wait, silent, in consent and in the penance
Of patience, awaiting the serene exaltation
Which is the liberation and conclusion of expiation.

Now may the chief musician say:
“Lust and emulation have dwelt amoung us

I try to carry the gravestone
from the darkness of my mother's sickroom—
scratches of light around drawn shades—
outside, the gold and red of autumn.

She is like a queen in exile
scraping with her nails on silk walls
her message of anger, her weak
insatiable demands and regrets.