Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy and call it art. We were piloted by Auden who became Unbearably acrimonious when we dropped off Senghor into the steamy skies of his beloved West Africa. The termites and ants
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
When he pushed his bush of black hair off his brow: When she lifted her mop from her eyes, and screwed it in a knob behind —O act of fearful temerity! When they felt their foreheads bare, naked to heaven, their eyes revealed: When they left the light of heaven brandished like a knife at their defenceless eyes
1. i'm crazy bout that chile but she gotta go. she don't pay me no mind no mo. guess her mama was right to put her out cuz she couldn't do nothin wid her. but she been mine so long. she been my heart so long now she breakin it wid her bad habits. always runnin like a machine out of control;
As I was going down impassive Rivers, I no longer felt myself guided by haulers: Yelping redskins had taken them as targets And had nailed them naked to colored stakes.
who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?
it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.
My sister in her well-tailored silk blouse hands me the photo of my father in naval uniform and white hat. I say, “Oh, this is the one which Mama used to have on her dresser.”
My sister controls her face and furtively looks at my mother, a sad rag bag of a woman, lumpy and sagging everywhere, like a mattress at the Salvation Army, though with no holes or tears, and says, “No.”
'There it is!– You play beside a death-bed like a child, Yet measure to yourself a prophet's place To teach the living. None of all these things, Can women understand. You generalise, Oh, nothing!–not even grief! Your quick-breathed hearts, So sympathetic to the personal pang,
60 Her eye (I'm very fond of handsome eyes) Was large and dark, suppressing half its fire Until she spoke, then through its soft disguise Flash'd an expression more of pride than ire, And love than either; and there would arise A something in them which was not desire, But would have been, perhaps, but for the soul Which struggled through and chasten'd down the whole.
61 Her glossy hair was cluster'd o'er a brow Bright with intelligence, and fair, and smooth; Her eyebrow's shape was like the aerial bow, Her cheek all purple with the beam of youth,
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
Ne Rubeam, Pingui donatus Munere (Horace, Epistles II.i.267) While you, great patron of mankind, sustain The balanc'd world, and open all the main; Your country, chief, in arms abroad defend, At home, with morals, arts, and laws amend;
Not that his judgment eyes have been forgotten nor his great hands’ print on our evening doorknobs one half turn each night and he would come drabbled with the world’s business
I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
My voice, not being proud Like a strong woman’s, that cries Imperiously aloud That death disarm her, lull her— Screams for no mourning color Laid menacingly, like fire, Over my long desire. It will end, and leave no print.
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life
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