HYMNS: Come on, My Partners in Distress

on the 9th of June 1290 Upon a day, came Sorrow in to me,
Saying, ‘I’ve come to stay with thee a while’;

(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed
Is this joint work, by double interest thine,
Thine by his own, and what is done of mine
Inspired by thee, thy secret power impressed.

Written for the Nativity of Our Lord, Puebla, 1689. Since Love is shivering
in the ice and cold,

The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never any more the dead.

The verses in it say and say:
‘The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay.’

1.
i'm crazy bout that chile but she gotta go.
she don't pay me no mind no mo. guess her
mama was right to put her out cuz she
couldn't do nothin wid her. but she been
mine so long. she been my heart so long
now she breakin it wid her bad habits.
always runnin like a machine out of control;

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

TO MRS. FRY IN NEWGATE

Sermons in stones.—As You Like It.
Out! out! damned spot.—Macbeth. I like you, Mrs. Fry! I like your name!

THE Angel ended, and in Adams Eare
So Charming left his voice, that he a while
Thought him still speaking, still stood fixt to hear;
Then as new wak't thus gratefully repli'd.
What thanks sufficient, or what recompence
Equal have I to render thee, Divine
Hystorian, who thus largely hast allayd
The thirst I had of knowledge, and voutsaf't
This friendly condescention to relate
Things else by me unsearchable, now heard
With wonder, but delight, and, as is due,
With glorie attributed to the high
Creator; something yet of doubt remaines,
Which onely thy solution can resolve.
When I behold this goodly Frame, this World

Where does such tenderness come from?
These aren’t the first curls
I’ve wound around my finger—
I’ve kissed lips darker than yours.

The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.

But I’ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.

There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

As the dead prey upon us,
they are the dead in ourselves,
awake, my sleeping ones, I cry out to you,
disentangle the nets of being!

I pushed my car, it had been sitting so long unused.
I thought the tires looked as though they only needed air.
But suddenly the huge underbody was above me, and the rear tires
were masses of rubber and thread variously clinging together

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I've got oil wells
Pumping in my living room.

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn’t know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

Welcome to your day of sanity! Come in and close the door it will likely lock behind you and you will be home alone waste disposal will take care of your needs : at long last undisturbed phenomena without the heavy metal background of the street will be yours for observation and response : do you have visions? do you think? Your mouth do you open it for more than medication? I should know I know that I should know : we’ve watched centuries erode the fortress drain the moat the poet’s clumsy beast has reached its home and prey we wither 
in the gridlock of our power only the guns remain and are in use pure accident is beauty to be glimpsed your trembling only further clouds your sight I in my home you in your other place harmonize 
the fading anthem of an age the cracked bell of our liberty keeps time a penny for the corpse you left behind keep on recycling all that you have heard before call it a double bind much like the dead bolt that locked the door that keeps you safe and sane : ho — hum — harry who? oh that’s just a phrase found in a time capsule capped and sealed and shot up in the air : no I cannot tell you where it fell to earth that page was torn out years ago it’s chance that we have a fragment of that language left : do your archaeology before a mirror the canyons and the barren plains are clear but where to dig for a ruined golden age a fiction we were served with breakfast flakes say have you forgot this day of sanity? No problem the heavy key was thrown away as soon as the door was closed and locked you’re safe : some day the asylum may be torn down to make way for a palace of the mad it does not follow that anything will change : choose your executioner by lot almost 
everyone is trained and competent there are different schools of course check out degrees fees can become an issue of your choice and some may be in service or abroad as usual nothing’s simple it’s all a part of the grand unraveling that must take place before the new line can be introduced : prepare now don’t be shocked when the music starts the year’s fashions may feature pins and nails.

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,—but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if—forgive now—should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks—
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!

A wild-bear chace, didst never see?
Then hast thou lived in vain.
Thy richest bump of glorious glee,
Lies desert in thy brain.

When first my father settled here,
’Twas then the frontier line:
The panther’s scream, filled night with fear