A Dialogue, between the Resolved Soul and Created Pleasure

Thus every Creature, and of every Kind,
The secret Joys of sweet Coition find:
Not only Man’s Imperial Race; but they
That wing the liquid Air, or swim the Sea,
Or haunt the Desert, rush into the flame:
For Love is Lord of all; and is in all the same.
’Tis with this rage, the Mother Lion stung,
Scours o’re the Plain; regardless of her young:

In the greenest of our valleys
By good angels tenanted,
Once a fair and stately palace—
Radiant palace—reared its head.
In the monarch Thought’s dominion,
It stood there!
Never seraph spread a pinion
Over fabric half so fair!

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn’t know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

At supper time an ondine’s narrow feet
made dark tracks on the hearth.
Like the heart of a yellow fruit was the fire’s heat,
but they rubbed together quite blue with the cold.
The sandy hem of her skirt dripped on the floor.
She sat there with a silvered cedar knot
for a low stool; and I sat opposite,
my lips and eyelids hot

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn-horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.

I need more time, a simple day in Paris hotels and window shopping.
The croissants will not bake themselves and the Tower of London would
Like to spend a night in the tropics with gray sassy paint. It has many
Wounds and historic serial dreams under contract to Hollywood.
Who will play the head of Mary, Queen of Scots, and who will braid her

Hair? Was it she who left her lips on the block for the executioner,
Whose hands would never find ablution, who would never touch a woman
Again or eat the flesh of a red animal? Blood pudding would repulse him
Until joining Anne. That is the way of history written for Marlow and
Shakespear. They are with us now that we are sober and wiser,

Not taking the horrors of poetry too seriously. Why am I telling you this
Nonsense, when I have never seen you sip your coffee or tea,
In the morning? Not to mention,

Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.

(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:

Fle fro the pres, and dwelle with sothefastnesse,
Suffise thin owen thing, thei it be smal;
For hord hath hate, and clymbyng tykelnesse,
Prees hath envye, and wele blent overal.
Savour no more thanne the byhove schal;
Reule weel thiself, that other folk canst reede;
And trouthe schal delyvere, it is no drede.

Tempest the nought al croked to redresse,

If all the trees in all the woods were men;
And each and every blade of grass a pen;
If every leaf on every shrub and tree
Turned to a sheet of foolscap; every sea
Were changed to ink, and all earth's living tribes
Had nothing else to do but act as scribes,
And for ten thousand ages, day and night,
The human race should write, and write, and write,
Till all the pens and paper were used up,
And the huge inkstand was an empty cup,
Still would the scribblers clustered round its brink
Call for more pens, more paper, and more ink.

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.

And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade

Black mountain

black mountain
blocks the earth’s light.
Time—time—time
to give back to God his ticket.

I refuse to—be. In
the madhouse of the inhumans
I refuse to—live. To swim

Can these movements which move themselves
be the substance of my attraction?
Where does this thin green silk come from that covers my body?
Surely any woman wearing such fabrics
would move her body just to feel them touching every part of her.

Yet most of the women frown, or look away, or laugh stiffly.
They are afraid of these materials and these movements
in some way.

And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks—
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")

Do not allow me to sink, I said
To a top floating ribbon of kelp.
As I was lifted on each wave
And made to slide into the vale
I wanted not to drown. I wanted
To make it all right with my dear,
To tell my cat I’ll be away,
To have them all destroyed, the poems

(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed
Is this joint work, by double interest thine,
Thine by his own, and what is done of mine
Inspired by thee, thy secret power impressed.

(FROM THE NORSE TONGUE) Now the storm begins to lower,
(Haste, the loom of Hell prepare.)

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.