The Cap and Bells

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.

No other man, unless it was Doc Hill,
Did more for people in this town than l.
And all the weak, the halt, the improvident
And those who could not pay flocked to me.
I was good-hearted, easy Doctor Meyers.
I was healthy, happy, in comfortable fortune,
Blest with a congenial mate, my children raised,
All wedded, doing well in the world.

Colin, why this mistake?
Why plead thy foolish love?
My heart shall sooner break
Than I a minion prove;
Nor care I half a rush,
No snare I spread for thee:
Go home, my friend, and blush
For love and liberty.

And this is what is left of youth! . . .
There were two boys, who were bred up together,
Shared the same bed, and fed at the same board;
Each tried the other’s sport, from their first chase,
Young hunters of the butterfly and bee,
To when they followed the fleet hare, and tried
The swiftness of the bird. They lay beside
The silver trout stream, watching as the sun

1.

Tonite in need of you
and God
I move imperfect
through this ancient city.

Quiet. No one hears
No one feels the tears
of multitudes.

At supper time an ondine’s narrow feet
made dark tracks on the hearth.
Like the heart of a yellow fruit was the fire’s heat,
but they rubbed together quite blue with the cold.
The sandy hem of her skirt dripped on the floor.
She sat there with a silvered cedar knot
for a low stool; and I sat opposite,
my lips and eyelids hot

Alas, my Purse! how lean and low!
My silken Purse! what art thou now!
One I beheld—but stocks will fall—
When both thy ends had wherewithal.
When I within thy slender fence
My fortune placed, and confidence;
A poet’s fortune!—not immense:
Yet, mixed with keys, and coins among,

In what sense
I am I
a minor observer
as in a dream
absorbed in the interior,

a beardless youth
unaccountably
remote yet present

Wheel of sorrow, centerless.
Voices, sad without cause,
slope upward, expiring on grave summits.
Mournfulness of muddy playgrounds,
raw smell of rubbers and wrapped lunches
when little girls stand in a circle singing
of windows and of lovers.

Hearing them, no one could tell

There is no radical shift of light
or redwings calling areas of marsh
their territories yet, nor plovers
probing for copepods. Only a yellow
front-end loader laying out a new berm
on the beach, from tubes too heavy
to be called hoses, its audience one man
and his protesting dog. No frosted

There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life

And in a little while we broke under the strain:
suppurations ad nauseam, the wanting to be taller,
though it‘s simply about being mysterious, i.e., not taller,
like any tree in any forest.
Mute, the pancake describes you.
It had tiny roman numerals embedded in its rim.
It was a pancake clock. They had ’em in those days,
always getting smaller, which is why they finally became extinct.

So, we'll go no more a roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.

For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.

Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a roving
By the light of the moon.

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

My dear, your eyes are weary;
Rest them a little while.
Assume the languid posture
Of pleasure mixed with guile.
Outside the talkative fountain
Continues night and day
Repeating my warm passion
In whatever it has to say.

The sheer luminous gown
The fountain wears
Where Phoebe’s very own
Color appears
Falls like a summer rain
Or shawl of tears.

As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,

O living pictures of the dead,
O songs without a sound,
O fellowship whose phantom tread
Hallows a phantom ground—
How in a gleam have these revealed
The faith we had not found.

We have sought God in a cloudy Heaven,
We have passed by God on earth:
His seven sins and his sorrows seven,
His wayworn mood and mirth,
Like a ragged cloak have hid from us
The secret of his birth.

Brother of men, when now I see

Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence

Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life,
Unvex’d with anxious Cares, and void of Strife!
Who studying Peace, and shunning Civil Rage,
Enjoy’d his Youth, and now enjoys his Age:

Duncan Gray came here to woo,
Ha, ha, the wooin o't!
On blythe Yule night when we were fou,
Ha, ha, the wooin o't!
Maggie coost her head fu high,
Look'd asklent and unco skeigh,
Gart poor Duncan stand abeigh;
Ha, ha, the wooin o't!

Duncan fleech'd, and Duncan pray'd,
Ha, ha, the wooin o't!
Meg was deaf as Ailsa Craig,
Ha, ha, the wooin o't!
Duncan sigh'd baith out and in,
Grat his een baith bleer't and blin',