The Cap and Bells

Abraham Lincoln
his hand and pen
he will be good but
god knows When

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air,
In his own ground.

Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.

Blest, who can unconcernedly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

the Chinaman said don’t take the hardware
and gave me a steak I couldn’t cut (except the fat)
and there was an ant circling the coffee cup;
I left a dime tip and broke out a stick of cancer,
and outside I gave an old bum who looked about
the way I felt, I gave him a quarter,
and then I went up to see the old man
strong as steel girders, fit for bombers and blondes,

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

Where is the promise of my years;
Once written on my brow?
Ere errors, agonies and fears
Brought with them all that speaks in tears,
Ere I had sunk beneath my peers;
Where sleeps that promise now?

Naught lingers to redeem those hours,
Still, still to memory sweet!
The flowers that bloomed in sunny bowers
Are withered all; and Evil towers
Supreme above her sister powers
Of Sorrow and Deceit.

I look along the columned years,

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")

We have set out from here for the sublime
Pastures of summer shade and mountain stream;
I have no doubt we shall arrive on time.

Is all the green of that enameled prime
A snapshot recollection or a dream?
We have set out from here for the sublime

Without provisions, without one thin dime,
And yet, for all our clumsiness, I deem

One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel — every canvas means
The same one meaning, neither more or less.

Here,
among the market vegetables,
this torpedo
from the ocean
depths,
a missile
that swam,
now

As I drew nearer to the end of all desire,
I brought my longing's ardor to a final height,
Just as I ought. My vision, becoming pure,

Entered more and more the beam of that high light
That shines on its own truth. From then, my seeing
Became too large for speech, which fails at a sight

Beyond all boundaries, at memory's undoing—
As when the dreamer sees and after the dream

at the third floor window of the tenement,
the street looks shiny.
It has been washed and rinsed by rain.
Beyond the silver streaks of the streetcar tracks
a single streetlight stands
in a pool of wet light. It is night.
St. Louis. Nineteen forty-seven.
I have just come home from the orphanage

An axe rang sharply ’mid those forest shades
Which from creation toward the skies had tower’d
In unshorn beauty. There, with vigorous arm
Wrought a bold emigrant, and by his side
His little son, with question and response,
Beguiled the toil.
‘Boy, thou hast never seen
Such glorious trees. Hark, when their giant trunks
Fall, how the firm earth groans. Rememberest thou
The mighty river, on whose breast we sail’d,
So many days, on toward the setting sun?
Our own Connecticut, compar’d to that,
Was but a creeping stream.’
‘Father, the brook
That by our door went singing, where I launch’d

All the kids came rumbling down the wood tenement
Shaky stairs, sneakers slapping against the worn
Tin tread edges, downhall came Pepo, Chino, Cojo,
Curly bursting from the door like shells exploding
Singing "I'm a Rican Doodle Dandy" and "What shall
We be today, Doctors or Junkies, Soldiers or Winos?"

Pepo put a milk crate on a Spanish Harlem johnny pump
And drops opened like paratroopers carrying war news.

of the furious


Who take Today and jerk it out of joint
have made new underpinnings and a Head.

Blacktime is time for chimeful
poemhood
but they decree a
jagged chiming now.

If there are flowers flowers

In the greenest of our valleys
By good angels tenanted,
Once a fair and stately palace—
Radiant palace—reared its head.
In the monarch Thought’s dominion,
It stood there!
Never seraph spread a pinion
Over fabric half so fair!

My voice, not being proud
Like a strong woman’s, that cries
Imperiously aloud
That death disarm her, lull her—
Screams for no mourning color
Laid menacingly, like fire,
Over my long desire.
It will end, and leave no print.

The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never any more the dead.

The verses in it say and say:
‘The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay.’

All in green went my love riding
on a great horse of gold
into the silver dawn.

four lean hounds crouched low and smiling
the merry deer ran before.

Fleeter be they than dappled dreams
the swift sweet deer
the red rare deer.