"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
(from A Midsummer Night's Dream, spoken by Bottom)
When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince?
Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep?
I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was.
Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what.
Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had.
The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.
See, Winter comes to rule the varied year, Sullen and sad, with all his rising train— Vapours, and clouds, and storms. Be these my theme, These, that exalt the soul to solemn thought And heavenly musing. Welcome, kindred glooms! Congenial horrors, hail! With frequent foot, Pleas’d have I, in my cheerful morn of life, When nurs’d by careless solitude I liv’d And sung of Nature with unceasing joy, Pleas’d have I wander’d through your rough domain; Trod the pure virgin-snows, myself as pure; Heard the winds roar, and the big torrent burst; Or seen the deep-fermenting tempest brew’d In the grim evening-sky. Thus pass’d the time, Till through the lucid chambers of the south
Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life, Unvex’d with anxious Cares, and void of Strife! Who studying Peace, and shunning Civil Rage, Enjoy’d his Youth, and now enjoys his Age:
Now that I, tying thy glass mask tightly, May gaze thro’ these faint smokes curling whitely, As thou pliest thy trade in this devil’s-smithy— Which is the poison to poison her, prithee?
He is with her, and they know that I know Where they are, what they do: they believe my tears flow While they laugh, laugh at me, at me fled to the drear Empty church, to pray God in, for them!—I am here.
Grind away, moisten and mash up thy paste, Pound at thy powder,—I am not in haste! Better sit thus and observe thy strange things, Than go where men wait me and dance at the King’s.
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
My dear, your eyes are weary; Rest them a little while. Assume the languid posture Of pleasure mixed with guile. Outside the talkative fountain Continues night and day Repeating my warm passion In whatever it has to say.
The sheer luminous gown The fountain wears Where Phoebe’s very own Color appears Falls like a summer rain Or shawl of tears.
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
Take this kiss upon the brow! And, in parting from you now, Thus much let me avow — You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none,
Do not allow me to sink, I said To a top floating ribbon of kelp. As I was lifted on each wave And made to slide into the vale I wanted not to drown. I wanted To make it all right with my dear, To tell my cat I’ll be away, To have them all destroyed, the poems
There is a coal-black Angel With a thick Afric lip, And he dwells (like the hunted and harried) In a swamp where the green frogs dip. But his face is against a City Which is over a bay of the sea, And he breathes with a breath that is blastment, And dooms by a far decree.
at the third floor window of the tenement, the street looks shiny. It has been washed and rinsed by rain. Beyond the silver streaks of the streetcar tracks a single streetlight stands in a pool of wet light. It is night. St. Louis. Nineteen forty-seven. I have just come home from the orphanage
Last night I dreamed I ran through the streets of New York Looking for help for you, Nicanor. But my few friends who are rich or influential were temporarily absent from their penthouses or hotel suites. They had gone to the opera, or flown for the weekend to Bermuda. At last I found one or two of them at home, preparing for social engagements, absently smiling, as they tried on gown after gown
(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed Is this joint work, by double interest thine, Thine by his own, and what is done of mine Inspired by thee, thy secret power impressed.
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