The Crane Dance

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

To
Flossie II
1

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. ‘Silas is back.’
She pushed him outward with her through the door
And shut it after her. ‘Be kind,’ she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

‘When was I ever anything but kind to him?
But I’ll not have the fellow back,’ he said.
‘I told him so last haying, didn’t I?
If he left then, I said, that ended it.

I

The house near the sea

The houses I had they took away from me. The times
happened to be unpropitious: war, destruction, exile;
sometimes the hunter hits the migratory birds,
sometimes he doesn’t hit them. Hunting
was good in my time, many felt the pellet;
the rest circle aimlessly or go mad in the shelters.

Foreword to “Dancing on the Grave of a Son of a Bitch”
This poem is more properly a “dance poem” than a song or chant because the element of repetition is created by movements of language rather than duplicating words and sounds. However, it is in the spirit of ritual recitation that I wrote it/ a performance to drive away bad spirits perhaps.

The story behind the poem is this: a man and woman who have been living together for some time separate. Part of the pain of separation involves possessions which they had shared. They both angrily believe they should have what they want. She asks for some possession and he denies her the right to it. She replies that she gave him money for a possession which he has and therefore should have what she wants now. He replies that she has forgotten that for the number of years they lived together he never charged her rent and if he had she would now owe him $7,000.

She is appalled that he equates their history with a sum of money. She is even more furious to realize that this sum of money represents the entire rent on the apartment and implies that he should not have paid anything at all. She is furious. She kills him mentally. Once and for all she decides she is well rid of this man and that she shouldn’t feel sad at their parting. She decides to prove to herself that she’s glad he’s gone from her life. With joy she will dance on all the bad memories of their life together.

I
He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

(For Harold Jackman) What is Africa to me:
Copper sun or scarlet sea,

When first I walked here I hobbled
along ties set too close together
for a boy to step easily on each.
I thought my stride one day
would reach every other and from then on
I would walk in time with the way
toward that Lobachevskian haze
up ahead where the two rails meet.

Swift as a spirit hastening to his task
Of glory & of good, the Sun sprang forth
Rejoicing in his splendour, & the mask
Of darkness fell from the awakened Earth.
The smokeless altars of the mountain snows
Flamed above crimson clouds, & at the birth
Of light, the Ocean's orison arose
To which the birds tempered their matin lay,