I Hear America Singing

from the Purgatorio of Dante, Canto 28, lines 1-51 And earnest to explore within—around—
The divine wood, whose thick green living woof

Two young men—you just might call them boys—
waiting for the Woodward streetcar to get
them downtown. Yes, they’re tired, they’re also
dirty, and happy. Happy because they’ve
finished a short work week and if they’re not rich
they’re as close to rich as they’ll ever be
in this town. Are they truly brothers?
You could ask the husky one, the one
in the black jacket he fills to bursting;
he seems friendly enough, snapping
his fingers while he shakes his ass and sings
“Sweet Lorraine,” or if you’re put off
by his mocking tone ask the one leaning
against the locked door of Ruby’s Rib Shack,
the one whose eyelids flutter in time

Out of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child leaving his bed wander’d alone, bareheaded, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,

The relief of putting your fingers on the keyboard,
as if you were walking on the beach
and found a diamond
as big as a shoe;

as if
you had just built a wooden table
and the smell of sawdust was in the air,
your hands dry and woody;

There is delight in singing, tho’ none hear
Beside the singer; and there is delight
In praising, tho’ the praiser sit alone
And see the prais’d far off him, far above.
Shakspeare is not our poet, but the world’s,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale,
No man hath walkt along our roads with step
So active, so inquiring eye, or tongue
So varied in discourse. But warmer climes
Give brighter plumage, stronger wing: the breeze
Of Alpine highths thou playest with, borne on
Beyond Sorrento and Amalfi, where
The Siren waits thee, singing song for song.

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn-horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.

When awful darkness and silence reign
Over the great Gromboolian plain,
Through the long, long wintry nights; —
When the angry breakers roar
As they beat on the rocky shore; —
When Storm-clouds brood on the towering heights
Of the Hills of the Chankly Bore: —

Then, through the vast and gloomy dark,

1
The old watch: their
thick eyes
puff and foreclose by the moon. The young, heads
trailed by the beginnings of necks,
shiver,
in the guarantee they shall be bodies.

In the frog pond

Han-Shan sits on a flat stone
In his garden and plays the flute,
Mimicking the birds singing among
The gourd vines or from the top
Of the blue pine tree.

Or he constructs a new trellis
For the rambling rose over his front