Before our lives divide for ever, While time is with us and hands are free, (Time, swift to fasten and swift to sever Hand from hand, as we stand by the sea) I will say no word that a man might say Whose whole life's love goes down in a day; For this could never have been; and never, Though the gods and the years relent, shall be.
Is it worth a tear, is it worth an hour, To think of things that are well outworn? Of fruitless husk and fugitive flower, The dream foregone and the deed forborne? Though joy be done with and grief be vain, Time shall not sever us wholly in twain;
I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
The unpurged images of day recede; The Emperor's drunken soldiery are abed; Night resonance recedes, night-walkers' song After great cathedral gong; A starlit or a moonlit dome disdains All that man is, All mere complexities, The fury and the mire of human veins.
Dim vales—and shadowy floods— And cloudy-looking woods, Whose forms we can’t discover For the tears that drip all over: Huge moons there wax and wane— Again—again—again— Every moment of the night— Forever changing places— And they put out the star-light With the breath from their pale faces. About twelve by the moon-dial, One more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down—still down—and down
No other man, unless it was Doc Hill, Did more for people in this town than l. And all the weak, the halt, the improvident And those who could not pay flocked to me. I was good-hearted, easy Doctor Meyers. I was healthy, happy, in comfortable fortune, Blest with a congenial mate, my children raised, All wedded, doing well in the world.
(from A Midsummer Night's Dream, spoken by Bottom)
When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince?
Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep?
I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was.
Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what.
Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had.
The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.
Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life, Unvex’d with anxious Cares, and void of Strife! Who studying Peace, and shunning Civil Rage, Enjoy’d his Youth, and now enjoys his Age:
During the Second World War, I was going home one night along a street I seldom used. All the stores were closed except one—a small fruit store. An old Italian was inside to wait on customers. As I was paying him I saw that he was sad.
at the third floor window of the tenement, the street looks shiny. It has been washed and rinsed by rain. Beyond the silver streaks of the streetcar tracks a single streetlight stands in a pool of wet light. It is night. St. Louis. Nineteen forty-seven. I have just come home from the orphanage
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
The next morning I felt that our house had been lifted away from its foundation during the night, and was now adrift, though so heavy it drew a foot or more of whatever was buoying it up, not water but something cold and thin and clear, silence riffling its surface as the house began to turn on a strengthening current,
An axe rang sharply ’mid those forest shades Which from creation toward the skies had tower’d In unshorn beauty. There, with vigorous arm Wrought a bold emigrant, and by his side His little son, with question and response, Beguiled the toil. ‘Boy, thou hast never seen Such glorious trees. Hark, when their giant trunks Fall, how the firm earth groans. Rememberest thou The mighty river, on whose breast we sail’d, So many days, on toward the setting sun? Our own Connecticut, compar’d to that, Was but a creeping stream.’ ‘Father, the brook That by our door went singing, where I launch’d
(Double Portrait in a Mirror)
I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.
Do not allow me to sink, I said To a top floating ribbon of kelp. As I was lifted on each wave And made to slide into the vale I wanted not to drown. I wanted To make it all right with my dear, To tell my cat I’ll be away, To have them all destroyed, the poems
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