Sarah Byng, Who Could Not Read and Was Tossed into a Thorny Hedge by a Bull

What slender youth, bedew’d with liquid odors,
Courts thee on roses in some pleasant cave,
Pyrrha? For whom bind’st thou
In wreaths thy golden hair,
Plain in thy neatness? O how oft shall he
Of faith and changed gods complain, and seas
Rough with black winds, and storms
Unwonted shall admire!
Who now enjoys thee credulous, all gold,
Who, always vacant, always amiable
Hopes thee, of flattering gales
Unmindful. Hapless they
To whom thou untried seem’st fair. Me, in my vow’d
Picture, the sacred wall declares to have hung
My dank and dropping weeds

Out of a high meadow where flowers
bloom above cloud, come down;
pursue me with reasons for smiling without malice.

Bring mimic pride like that of the seedling fir,
surprise in the perfect leg-stems
and queries unstirred by recognition or fear
pooled in the deep eyes.

Come down by regions where rocks

Head to limp head, the sunk-eyed wounded scanned Yesterday's Mail; the casualties (typed small) And (large) Vast Booty from our Latest Haul. Also, they read of Cheap Homes, not yet planned; “For,” said the paper, “when this war is done The men's first instinct will be making homes. Meanwhile their foremost need is aerodromes, It being certain war has just begun.

You are young, and I am older;
You are hopeful, I am not—
Enjoy life, ere it grow colder—
Pluck the roses ere they rot.

Teach your beau to heed the lay—
That sunshine soon is lost in shade—
That now’s as good as any day—

And the weaver said, Speak to us of
Clothes.
And he answered:
Your clothes conceal much of your beauty,
yet they hide not the unbeautiful.
And though you seek in garments the
freedom of privacy you may find in them
a harness and a chain.

My goldfinch, I'll toss back my head—
let's look at the world, you and I:
a wintry day, prickly as stubble,
is it just as rough on your eye?

Tail like a boat, black and gold plumage,
dipped in paint from the beak down—
are you aware, my little goldfinch,
what a goldfinch dandy you are?

We have set out from here for the sublime
Pastures of summer shade and mountain stream;
I have no doubt we shall arrive on time.

Is all the green of that enameled prime
A snapshot recollection or a dream?
We have set out from here for the sublime

Without provisions, without one thin dime,
And yet, for all our clumsiness, I deem

Wyatt resteth here, that quick could never rest;
Whose heavenly gifts increased by disdain,
And virtue sank the deeper in his breast;
Such profit he by envy could obtain.

A head where wisdom mysteries did frame,
Whose hammers beat still in that lively brain
As on a stithy where that some work of fame

Where does such tenderness come from?
These aren’t the first curls
I’ve wound around my finger—
I’ve kissed lips darker than yours.

The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.

But I’ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.

I ply with all the cunning of my art This little thing, and with consummate care
I fashion it—so that when I depart,
Those who come after me shall find it fair
And beautiful. It must be free of flaws—
Pointing no laborings of weary hands;

(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I
Take back that Heart, you with such Caution give,
Take the fond valu’d Trifle back;
I hate Love-Merchants that a Trade wou’d drive

I need more time, a simple day in Paris hotels and window shopping.
The croissants will not bake themselves and the Tower of London would
Like to spend a night in the tropics with gray sassy paint. It has many
Wounds and historic serial dreams under contract to Hollywood.
Who will play the head of Mary, Queen of Scots, and who will braid her

Hair? Was it she who left her lips on the block for the executioner,
Whose hands would never find ablution, who would never touch a woman
Again or eat the flesh of a red animal? Blood pudding would repulse him
Until joining Anne. That is the way of history written for Marlow and
Shakespear. They are with us now that we are sober and wiser,

Not taking the horrors of poetry too seriously. Why am I telling you this
Nonsense, when I have never seen you sip your coffee or tea,
In the morning? Not to mention,

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed
Is this joint work, by double interest thine,
Thine by his own, and what is done of mine
Inspired by thee, thy secret power impressed.

Hark, how all the welkin rings,
“Glory to the King of kings;
Peace on earth, and mercy mild,
God and sinners reconcil’d!”

Joyful, all ye nations, rise,
Join the triumph of the skies;
Universal nature say,

for Ros Krauss Tell yourself
as it gets cold and gray falls from the air

In the moonlight
I met Berserk,
In the moonlight
On the bushy plain.

Oh, sharp he was
As the sleepless!

And, “Why are you red
In this milky blue?”

A wild-bear chace, didst never see?
Then hast thou lived in vain.
Thy richest bump of glorious glee,
Lies desert in thy brain.

When first my father settled here,
’Twas then the frontier line:
The panther’s scream, filled night with fear

I try to carry the gravestone
from the darkness of my mother's sickroom—
scratches of light around drawn shades—
outside, the gold and red of autumn.

She is like a queen in exile
scraping with her nails on silk walls
her message of anger, her weak
insatiable demands and regrets.

I am the man
Whose name is mud
But what’s in a name
To shame one who knows
Mud does not stain
Clay he’s made of
Dust Adam became—
The dust he was—