Once, in the city of Kalamazoo, The gods went walking, two and two, With the friendly phoenix, the stars of Orion, The speaking pony and singing lion. For in Kalamazoo in a cottage apart Lived the girl with the innocent heart.
Thenceforth the city of Kalamazoo Was the envied, intimate chum of the sun. He rose from a cave by the principal street. The lions sang, the dawn-horns blew, And the ponies danced on silver feet. He hurled his clouds of love around; Deathless colors of his old heart Draped the houses and dyed the ground.
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
Hatred and vengeance, my eternal portion, Scarce can endure delay of execution, Wait, with impatient readiness, to seize my Soul in a moment.
Damned below Judas: more abhorred than he was, Who for a few pence sold his holy master. Twice betrayed, Jesus me, the last delinquent, Deems the profanest.
Man disavows, and Deity disowns me: Hell might afford my miseries a shelter; Therefore hell keeps her ever-hungry mouths all Bolted against me.
Now swarthy Summer, by rude health embrowned, Precedence takes of rosy fingered Spring; And laughing Joy, with wild flowers prank'd, and crown'd, A wild and giddy thing, And Health robust, from every care unbound, Come on the zephyr's wing, And cheer the toiling clown.
Stars from five wars, scars, Words filled with ice and fear, Nightflares and fogginess, and a studied regularity. Gon’ lay down my sword ’n’ shield— Down by the river side, down by the river side— Down by the river side...
America I’ve given you all and now I’m nothing. America two dollars and twentyseven cents January 17, 1956. I can’t stand my own mind. America when will we end the human war? Go fuck yourself with your atom bomb. I don’t feel good don’t bother me. I won’t write my poem till I’m in my right mind. America when will you be angelic?
At supper time an ondine’s narrow feet made dark tracks on the hearth. Like the heart of a yellow fruit was the fire’s heat, but they rubbed together quite blue with the cold. The sandy hem of her skirt dripped on the floor. She sat there with a silvered cedar knot for a low stool; and I sat opposite, my lips and eyelids hot
What slender youth, bedew’d with liquid odors, Courts thee on roses in some pleasant cave, Pyrrha? For whom bind’st thou In wreaths thy golden hair, Plain in thy neatness? O how oft shall he Of faith and changed gods complain, and seas Rough with black winds, and storms Unwonted shall admire! Who now enjoys thee credulous, all gold, Who, always vacant, always amiable Hopes thee, of flattering gales Unmindful. Hapless they To whom thou untried seem’st fair. Me, in my vow’d Picture, the sacred wall declares to have hung My dank and dropping weeds
They have set aside their black tin boxes, scratched and dented, spattered with drops of pink and blue; and their dried-up, rolled-up tubes of alizarin crimson, chrome green, zinc white, and ultramarine; their vials half full of gold powder; stubs of wax pencils;
Most happy letters, fram'd by skilful trade, With which that happy name was first design'd: The which three times thrice happy hath me made, With gifts of body, fortune, and of mind. The first my being to me gave by kind, From mother's womb deriv'd by due descent, The second is my sovereign Queen most kind, That honour and large richesse to me lent.
I'm Ramón González Barbagelata from anywhere, from Cucuy, from Paraná, from Rio Turbio, from Oruro, from Maracaibo, from Parral, from Ovalle, from Loconmilla, I'm the poor devil from the poor Third World, I'm the third-class passenger installed, good God! in the lavish whiteness of snow-covered mountains, concealed among orchids of subtle idiosyncrasy.
I've arrived at this famous year 2000, and what do I get? With what do I scratch myself? What do I have to do with the three glorious zeros that flaunt themselves over my very own zero, my own non-existence? Pity that brave heart awaiting its call or the man enfolded by warmer love, nothing's left today except my flimsy skeleton,
1. i'm crazy bout that chile but she gotta go. she don't pay me no mind no mo. guess her mama was right to put her out cuz she couldn't do nothin wid her. but she been mine so long. she been my heart so long now she breakin it wid her bad habits. always runnin like a machine out of control;
Openly, yes, With the naturalness Of the hippopotamus or the alligator When it climbs out on the bank to experience the
Sun, I do these Things which I do, which please No one but myself. Now I breathe and now I am sub- Merged; the blemishes stand up and shout when the object
In view was a Renaissance; shall I say The contrary? The sediment of the river which Encrusts my joints, makes me very gray but I am used
Twice or thrice had I lov'd thee, Before I knew thy face or name; So in a voice, so in a shapeless flame Angels affect us oft, and worshipp'd be; Still when, to where thou wert, I came, Some lovely glorious nothing I did see. But since my soul, whose child love is, Takes limbs of flesh, and else could nothing do, More subtle than the parent is Love must not be, but take a body too; And therefore what thou wert, and who, I bid Love ask, and now That it assume thy body, I allow, And fix itself in thy lip, eye, and brow.
My sister in her well-tailored silk blouse hands me the photo of my father in naval uniform and white hat. I say, “Oh, this is the one which Mama used to have on her dresser.”
My sister controls her face and furtively looks at my mother, a sad rag bag of a woman, lumpy and sagging everywhere, like a mattress at the Salvation Army, though with no holes or tears, and says, “No.”
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