The Haunted

T
Here, in this darkened room of this old house,
I sit beside the fire. I hear again,
Within, the scutter where the mice carouse,
Without, the gutter dropping with the rain.
Opposite, are black shelves of wormy books,
To left, glazed cases, dusty with the same,
Behind, a wall, with rusty guns on hooks,
To right, the fire, that chokes one panting flame.
Over the mantel, black as funeral cloth,
A portrait hangs, a man, whose flesh the worm
Has mawed this hundred years, whose clothes the moth
A century since, has channelled to a term.
I cannot see his face : I only know
He stares at me, that man of long ago.

I light the candles in the long brass sticks,
I see him now, a pale-eyed, simpering man,
Framed in carved wood, wherein the death-watch ticks,
A most dead face : yet when the work began
That face, the pale puce coat, the simpering smile,
The hands that hold a book, the eyes that gaze,
Moved to the touch of mind a little while.
The painter sat in judgment on his ways :
The painter turned him to and from the light,
Talked about art, or bade him lift his head.
Judged the lips’ paleness and the temples’ white,
And now his work abides ; the man is dead.
But is he dead ? This dusty study drear
Creaks in its panels that the man is here.

Here, beyond doubt, he lived, in that old day.
“He was a Doctor here,” the student thought.
Here, when the puce was new, that now is grey,
That simpering man his daily practice wrought.
Here he let blood, prescribed the pill and drop,
The leech, the diet ; here his verdict given
Brought agonies of hoping to a stop,
Here his condemned confessioners were shriven.
What is that book he holds, the key, too dim
To read, to know ; some little book he wrote,
Forgotten now, but still the key to him.
He sacrificed his vision for his coat.
I see the man ; a simpering mask that hid
A seeing mind that simpering men forbid.

Those are his books no doubt, untoucht, undusted,
Unread, since last he left them on the shelves,
Octavo sermons that the fox has rusted,
Sides splitting off from brown decaying twelves.
This was his room, this darkness of old death,
This coffin-room with lights like embrasures,
The place is poisonous with him ; like a breath
On glass, he stains the spirit ; he endures.
Here is his name within the sermon book,
And verse, “When hungry Worms my Body eat” ;
He leans across my shoulder as I look,
He who is God or pasture to the wheat.
He who is Dead is still upon the soul
A check, an inhibition, a control.

I draw the bolts. I am alone within.
The moonlight through the coloured glass comes faint,
Mottling the passage wall like human skin,
Pale with the breathings left of withered paint.
But others walk the empty house with me,
There is no loneliness within these walls
No more than there is stillness in the sea
Or silence in the eternal waterfalls.
There in the room, to right, they sit at feast ;
The dropping grey-beard with the cold blue eye,
The lad, his son, that should have been a priest,
And he, the rake, who made his mother die.
And he, the gambling man, who staked the throw,
They look me through, they follow when I go.

They follow with still footing down the hall,
I know their souls, those fellow-tenants mine,
Their shadows dim those colours on the wall,
They point my every gesture with a sign.
That grey-beard cast his aged servant forth
After his forty years of service done,
The gambler supped up riches as the north
Sups with his death the glories of the sun.
The lad betrayed his trust ; the rake was he
Who broke two women’s hearts to ease his own :
They nudge each other as they look at me,
Shadows, all our, and yet as hard as stone.
And there, he comes, that simpering man, who sold
His mind for coat of puce and penny gold.

O ruinous house, within whose corridors
None but the wicked and the mad go free.
(On the dark stairs they wait, behind the doors
They crouch, they watch, or creep to follow me.)
Deep in old blood your ominous bricks are red,
Firm in old bones your walls’ foundations stand,
With dead men’s passions built upon the dead,
With broken hearts for lime and oaths for sand.
Terrible house, whose horror I have built,
Sin after sin, unseen, as sand that slips
Telling the time, till now the heaped guilt
Cries, and the planets circle to eclipse.
You only are the Daunter, you alone
Clutch, till I feel your ivy on the bone.

66
Rating:

Comment form:

*Max text - 500. Manual moderation.

Similar Poems:

Madeleine in Church by Charlotte Mew
Charlotte Mew
Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;
Read Poem
0
99
Rating:

The Rime of the Ancient Mariner (text of 1834) by Samuel Taylor Coleridge
Samuel Taylor Coleridge
Argument

How a Ship having passed the Line was driven by storms to the cold Country towards the South Pole; and how from thence she made her course to the tropical Latitude of the Great Pacific Ocean; and of the strange things that befell; and in what manner the Ancyent Marinere came back to his own Country. PART I
It is an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,
Read Poem
0
95
Rating:

Andrea del Sarto by Robert Browning
Robert Browning
But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,—but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if—forgive now—should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,
Read Poem
0
127
Rating:

The Ballad of Reading Gaol by Oscar Wilde
Oscar Wilde
I
He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.
Read Poem
0
85
Rating:

Cleon by Robert Browning
Robert Browning
"As certain also of your own poets have said"—
(Acts 17.28)
Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")—
To Protus in his Tyranny: much health!
Read Poem
0
97
Rating:

A Death in the Desert by Robert Browning
Robert Browning
[Supposed of Pamphylax the Antiochene:
It is a parchment, of my rolls the fifth,
Hath three skins glued together, is all Greek,
And goeth from Epsilon down to Mu:
Lies second in the surnamed Chosen Chest,
Stained and conserved with juice of terebinth,
Covered with cloth of hair, and lettered Xi,
From Xanthus, my wife's uncle, now at peace:
Mu and Epsilon stand for my own name.
I may not write it, but I make a cross
To show I wait His coming, with the rest,
And leave off here: beginneth Pamphylax.]

I said, "If one should wet his lips with wine,
"And slip the broadest plantain-leaf we find,
Read Poem
0
114
Rating:

Heart’s Needle by W. D. Snodgrass
W. D. Snodgrass
For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
Read Poem
0
128
Rating:

from Idylls of the King: The Passing of Arthur by Alfred, Lord Tennyson
Alfred, Lord Tennyson
That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.

For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:

"I found Him in the shining of the stars,
I mark'd Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here
Read Poem
0
91
Rating:

Laus Veneris by Algernon Charles Swinburne
Algernon Charles Swinburne
Lors dit en plourant; Hélas trop malheureux homme et mauldict pescheur, oncques ne verrai-je clémence et miséricorde de Dieu. Ores m'en irai-je d'icy et me cacherai dedans le mont Horsel, en requérant de faveur et d'amoureuse merci ma doulce dame Vénus, car pour son amour serai-je bien à tout jamais damné en enfer. Voicy la fin de tous mes faicts d'armes et de toutes mes belles chansons. Hélas, trop belle estoyt la face de ma dame et ses yeulx, et en mauvais jour je vis ces chouses-là . Lors s'en alla tout en gémissant et se retourna chez elle, et là vescut tristement en grand amour près de sa dame. Puis après advint que le pape vit un jour esclater sur son baston force belles fleurs rouges et blanches et maints boutons de feuilles, et ainsi vit-il reverdir toute l'escorce. Ce dont il eut grande crainte et moult s'en esmut, et grande pitié lui prit de ce chevalier qui s'en estoyt départi sans espoir comme un homme misérable et damné. Doncques envoya force messaigers devers luy pour le ramener, disant qu'il aurait de Dieu grace et bonne absolution de son grand pesché d'amour. Mais oncques plus ne le virent; car toujours demeura ce pauvre chevalier auprès de Vénus la haulte et forte déesse ès flancs de la montagne amoureuse.

Livre des grandes merveilles d'amour, escript en latin et en françoys par Maistre Antoine Gaget. 1530.
Asleep or waking is it? for her neck,
Kissed over close, wears yet a purple speck
Wherein the pained blood falters and goes out;
Soft, and stung softly — fairer for a fleck.
Read Poem
0
85
Rating: