Somewhere or Other

Then said Almitra, Speak to us of Love.
And he raised his head and looked upon
the people, and there fell a stillness upon
them. And with a great voice he said:
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to
him,

...and a decrepit handful of trees.
—Aleksandr Pushkin

And I matured in peace born of command,
in the nursery of the infant century,
and the voice of man was never dear to me,
but the breeze’s voice—that I could understand.
The burdock and the nettle I preferred,
but best of all the silver willow tree.
Its weeping limbs fanned my unrest with dreams;
it lived here all my life, obligingly.
I have outlived it now, and with surprise.
There stands the stump; with foreign voices other
willows converse, beneath our, beneath those skies,
and I am hushed, as if I’d lost a brother.

Do not allow me to sink, I said
To a top floating ribbon of kelp.
As I was lifted on each wave
And made to slide into the vale
I wanted not to drown. I wanted
To make it all right with my dear,
To tell my cat I’ll be away,
To have them all destroyed, the poems

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

What are you going to do
With what is left of yourself
Now among the rustling
Of your maybe best years?
This is not an auto-elegy
With me pouring my heart
Out into where you
Differently stand or sit

December 1938 About suffering they were never wrong,
The Old Masters: how well they understood

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose

TO MRS. FRY IN NEWGATE

Sermons in stones.—As You Like It.
Out! out! damned spot.—Macbeth. I like you, Mrs. Fry! I like your name!

“Vengeance of Jenny’s case! Fie on her! Never name her, child!”—Mrs. Quickly Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,

(from Macbeth, spoken by Macbeth) Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?

Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

If Heaven has into being deigned to call
Thy light, O Liberty! to shine on all;
Bright intellectual Sun! why does thy ray
To earth distribute only partial day?
Since no resisting cause from spirit flows
Thy universal presence to oppose;
No obstacles by Nature’s hand impressed,
Thy subtle and ethereal beams arrest;

In Memory of Charles Baudelaire

Nous devrions pourtant lui porter quelques fleurs;
Les morts, les pauvres morts, ont de grandes douleurs,
Et quand Octobre souffle, émondeur des vieux arbres,
Son vent mélancolique àl'entour de leurs marbres,
Certe, ils doivent trouver les vivants bien ingrats.

Les Fleurs du Mal.
I
Shall I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

Late in the cold night wakened, and heard wind,
And lay with eyes closed and silent, knowing
These words how bodiless they are, this darkness
Empty under my roof and the panes rattling
Roughed by wind. And so lay and imagined
Somewhere far off black seas heavy-shouldered
Plunging on sand and the ebb off-streaming and
Thunder forever. So lying bethought me, friend,

Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.

The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.

Swift rush the spectral vapours white

One Sunday morning,
instead of studying The Illiad,
I escaped with Bino to Florence,
to see what miracles the aviator Manissero
would perform.

Whether he would demonstrate the art of Daedalus
or the folly of Icarus.

We found the whole city festooned with banners

—Was it for this
That one, the fairest of all Rivers, lov'd
To blend his murmurs with my Nurse's song,
And from his alder shades and rocky falls,
And from his fords and shallows, sent a voice
That flow'd along my dreams? For this, didst Thou,
O Derwent! travelling over the green Plains
Near my 'sweet Birthplace', didst thou, beauteous Stream

who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?

it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.