Astrophil and Stella 21: Your words my friend (right healthful caustics) blame 

Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air,
In his own ground.

Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.

Blest, who can unconcernedly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,

This is not a small voice
you hear this is a large
voice coming out of these cities.
This is the voice of LaTanya.
Kadesha. Shaniqua. This
is the voice of Antoine.
Darryl. Shaquille.
Running over waters

Do not compare: what lives is incomparable.
I felt a a kind of tender fear
as I took on the plains' equality
and the wide sky became my malady.

I summoned the air, my serving man,
expected from him services or news,
made ready to set out, sail on the arc
of expeditions that could never start.

At supper time an ondine’s narrow feet
made dark tracks on the hearth.
Like the heart of a yellow fruit was the fire’s heat,
but they rubbed together quite blue with the cold.
The sandy hem of her skirt dripped on the floor.
She sat there with a silvered cedar knot
for a low stool; and I sat opposite,
my lips and eyelids hot

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both. Here I am, an old man in a dry month,

Fair enough: you people have eaten me,
I—wrote you down.
They’ll lay you out on a dinner table,
me—on this desk.

I’ve been happy with little.
There are dishes I’ve never tried.
But you, you people eat slowly, and often;

Now swarthy Summer, by rude health embrowned,
Precedence takes of rosy fingered Spring;
And laughing Joy, with wild flowers prank'd, and crown'd,
A wild and giddy thing,
And Health robust, from every care unbound,
Come on the zephyr's wing,
And cheer the toiling clown.

December 1938 About suffering they were never wrong,
The Old Masters: how well they understood

Are you content, you pretty three-years’ wife?
Are you content and satisfied to live
On what your loving husband loves to give,
And give to him your life?

Are you content with work, — to toil alone,
To clean things dirty and to soil things clean;
To be a kitchen-maid, be called a queen, —

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn-horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.

Twice or thrice had I lov'd thee,
Before I knew thy face or name;
So in a voice, so in a shapeless flame
Angels affect us oft, and worshipp'd be;
Still when, to where thou wert, I came,
Some lovely glorious nothing I did see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is
Love must not be, but take a body too;
And therefore what thou wert, and who,
I bid Love ask, and now
That it assume thy body, I allow,
And fix itself in thy lip, eye, and brow.

of the furious


Who take Today and jerk it out of joint
have made new underpinnings and a Head.

Blacktime is time for chimeful
poemhood
but they decree a
jagged chiming now.

If there are flowers flowers

Where is the promise of my years;
Once written on my brow?
Ere errors, agonies and fears
Brought with them all that speaks in tears,
Ere I had sunk beneath my peers;
Where sleeps that promise now?

Naught lingers to redeem those hours,
Still, still to memory sweet!
The flowers that bloomed in sunny bowers
Are withered all; and Evil towers
Supreme above her sister powers
Of Sorrow and Deceit.

I look along the columned years,

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

Alas, my Purse! how lean and low!
My silken Purse! what art thou now!
One I beheld—but stocks will fall—
When both thy ends had wherewithal.
When I within thy slender fence
My fortune placed, and confidence;
A poet’s fortune!—not immense:
Yet, mixed with keys, and coins among,

(Being the philosophy of many Soldiers.) Sit on the bed; I'm blind, and three parts shell.
Be careful; can't shake hands now; never shall.

Huzza! Hodgson, we are going,
Our embargo's off at last;
Favourable breezes blowing
Bend the canvass o'er the mast.
From aloft the signal's streaming,
Hark! the farewell gun is fir'd;
Women screeching, tars blaspheming,
Tell us that our time's expir'd.

I lay down under language
it left me and I slept

—You, the Comforter, came into the room

my blood, my mouth
all buttoned away—

Makers of houses, books, clothes-
makers, goodbye—

I Archipelagoes At the end of this sentence, rain will begin.
At the rain's edge, a sail.

Slowly the sail will lose sight of islands;
into a mist will go the belief in harbours
of an entire race.

The ten-years war is finished.
Helen's hair, a grey cloud.

Unfortunately happiness
Depends a little more than less
On undependable, and hence
Absurdly charming elements.