A pot poured out

A
A pot poured out
Fulfills its spout
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Jack Agüeros
Puerto Rico was created when the pumpkin on top of
The turtle burst and its teeming waters poured out
With all mankind and beastkind riding on the waves
Until the water drained leaving a tropical paradise.

Puerto Rico was stumbled on by lost vampires bearing
Crucifix in one hand, arquebus in the other, sucking
The veins of land and men, tossing the pulp into the
Compost heap which they used as the foundation for
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Calligraphy Accompanied by the Mood of a Calm but Definitive Sauce by Dick Allen
Dick Allen
Make your strokes thus: the horizontal:
as a cloud that slowly drifts across the horizon;
the vertical: as an ancient but strong vine stem;
the dot: a falling rock;
and learn to master the sheep leg, the tiger’s claw,
an apricot kernel, a dewdrop, the new moon,
the wave rising and falling. Do these
while holding your arm out above the paper
like the outstretched leg of a crane.
The strength of your hand
will give the stroke its bone.
But for real accomplishment, it would be well
if you would go to live solitary in a forest silence,
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It might also be useful
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d e l e t e, Part 2   by Richard O. Moore
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Set up curbside, jewelry tray entanglement with things looking up, but nothing sells unless there is someone looking down, and who might that be? For the moment it’s not raining and off-coast in pods the gray whales parade south. Photographs sprout with the season. The gray whale’s spout is heart shaped, enough said. Just listen for the icon’s intake of breath and see what you can see. Yes, but that was yesterday and which way are prices going to go? There is a pack forming and they will need a leader. It’s then you kick the snot out of them, not before, and make it believable this one last time; but don’t depend on it, auditors, even though it’s turned out like this so many times before. There may be an image whose mind has changed. Sorry, no rain checks in this scheme of things, the windows are broken and boards keep out the light, it’s the cheapest thing to do and then forget it, as has been done before, before, etc. Could you pick out of a lineup who is the culprit here? The mirror is one-way and there’s no way to be sure which side you’re on, but so what? Go on making faces anyway, but be sure, now and then, to check your hand before your face, if just to say Wheaties, the best is yet to be. Our inventions, gods and needles, for instance, are built to say this to us ever and forever. It’s obvious why we can’t give them up, they’re ours, for ourself self’s sake! We live in the afterlife of what, unalterable, has already taken place. The minute you start acting like Robinson Crusoe it’s plain to see you’ve lost your hold on the world. There are many such, so many, washed up on our island shores! They end up sleeping over grates and in doorways at night, far distant from tree ripe fruit and warm sand. The dumps of our artifacts bewilder them. They probe, not knowing what to expect from excess. They act out an experiment, a hairline calculation for survival: is the expenditure of energy to dig up carrots from the frozen ground more than their return in calories? Did you notice the price tag when the wine was poured, the cool chardonnay, the special cabernet, white and red absurdities of words? The motion lights are set to react outside the house but, tell me, did you see the clutter in the study, one would think! Those catalogs, the cave, shadows.
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cutting greens by Lucille Clifton
Lucille Clifton
curling them around
i hold their bodies in obscene embrace
thinking of everything but kinship.
collards and kale
strain against each strange other
away from my kissmaking hand and
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the pot is black,
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A Perfect Market by Clive James
Clive James
ou plutôt les chanter
Recite your lines aloud, Ronsard advised,
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Held all the rhythmic measures that he prized
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Burning by Galway Kinnell
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He lives, who last night flopped from a log
Into the creek, and all night by an ankle
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But for the skin of the teeth of his dog.

I brought him boiled eggs and broth.
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Departure by Edna St. Vincent Millay
Edna St. Vincent Millay
It's little I care what path I take,
And where it leads it's little I care,
But out of this house, lest my heart break,
I must go, and off somewhere!

It's little I know what's in my heart,
What's in my mind it's little I know,
But there's that in me must up and start,
And it's little I care where my feet go!

I wish I could walk for a day and a night,
And find me at dawn in a desolate place,
With never the rut of a road in sight,
Or the roof of a house, or the eyes of a face.

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From the House of Yemanjá by Audre Lorde
Audre Lorde
My mother had two faces and a frying pot
where she cooked up her daughters
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before she fixed our dinner.
My mother had two faces
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where she hid out a perfect daughter
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Song: Your hay it is mow'd, and your corn is reap'd by John Dryden
John Dryden
From King Arthur COMUS
Your hay it is mow'd, and your corn is reap'd;
Your barns will be full, and your hovels heap'd:
Come, my boys, come;
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