I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
My sister! my sweet sister! if a name Dearer and purer were, it should be thine. Mountains and seas divide us, but I claim No tears, but tenderness to answer mine: Go where I will, to me thou art the same A lov'd regret which I would not resign. There yet are two things in my destiny— A world to roam through, and a home with thee.
The last time I saw Donald Armstrong He was staggering oddly off into the sun, Going down, off the Philippine Islands. I let my shovel fall, and put that hand Above my eyes, and moved some way to one side That his body might pass through the sun,
And I saw how well he was not Standing there on his hands,
From golden showers of the ancient skies, On the first day, and the eternal snow of stars, You once unfastened giant calyxes For the young earth still innocent of scars:
Young gladioli with the necks of swans, Laurels divine, of exiled souls the dream, Vermilion as the modesty of dawns Trod by the footsteps of the seraphim;
"As certain also of your own poets have said"— (Acts 17.28) Cleon the poet (from the sprinkled isles, Lily on lily, that o'erlace the sea And laugh their pride when the light wave lisps "Greece")— To Protus in his Tyranny: much health!
Huzza! Hodgson, we are going, Our embargo's off at last; Favourable breezes blowing Bend the canvass o'er the mast. From aloft the signal's streaming, Hark! the farewell gun is fir'd; Women screeching, tars blaspheming, Tell us that our time's expir'd.
Openly, yes, With the naturalness Of the hippopotamus or the alligator When it climbs out on the bank to experience the
Sun, I do these Things which I do, which please No one but myself. Now I breathe and now I am sub- Merged; the blemishes stand up and shout when the object
In view was a Renaissance; shall I say The contrary? The sediment of the river which Encrusts my joints, makes me very gray but I am used
O zummer clote! when the brook’s a-glidèn So slow an’ smooth down his zedgy bed, Upon thy broad leaves so seäfe a-ridèn The water’s top wi’ thy yollow head, By alder sheädes, O, An’ bulrush beds, O, Thou then dost float, goolden zummer clote!
The grey-bough’d withy’s a leänèn lowly Above the water thy leaves do hide; The bènden bulrush, a-swaÿèn slowly, Do skirt in zummer thy river’s zide; An’ perch in shoals, O, Do vill the holes, O, Where thou dost float, goolden zummer clote!
In the greenest of our valleys By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion, It stood there! Never seraph spread a pinion Over fabric half so fair!
THE Angel ended, and in Adams Eare So Charming left his voice, that he a while Thought him still speaking, still stood fixt to hear; Then as new wak't thus gratefully repli'd. What thanks sufficient, or what recompence Equal have I to render thee, Divine Hystorian, who thus largely hast allayd The thirst I had of knowledge, and voutsaf't This friendly condescention to relate Things else by me unsearchable, now heard With wonder, but delight, and, as is due, With glorie attributed to the high Creator; something yet of doubt remaines, Which onely thy solution can resolve. When I behold this goodly Frame, this World
To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turned In process of the seasons have I seen, Three April perfumes in three hot Junes burned, Since first I saw you fresh, which yet are green. Ah, yet doth beauty, like a dial-hand, Steal from his figure, and no pace perceived; So your sweet hue, which methinks still doth stand, Hath motion, and mine eye may be deceived: For fear of which, hear this, thou age unbred: Ere you were born was beauty’s summer dead.
I I weep for Adonais—he is dead! Oh, weep for Adonais! though our tears Thaw not the frost which binds so dear a head! And thou, sad Hour, selected from all years To mourn our loss, rouse thy obscure compeers, And teach them thine own sorrow, say: "With me Died Adonais; till the Future dares Forget the Past, his fate and fame shall be An echo and a light unto eternity!"
II Where wert thou, mighty Mother, when he lay, When thy Son lay, pierc'd by the shaft which flies In darkness? where was lorn Urania
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
Romance, who loves to nod and sing, With drowsy head and folded wing, Among the green leaves as they shake Far down within some shadowy lake, To me a painted paroquet Hath been—a most familiar bird— Taught me my alphabet to say— To lisp my very earliest word While in the wild wood I did lie, A child—with a most knowing eye. Of late, eternal Condor years So shake the very Heaven on high With tumult as they thunder by, I have no time for idle cares Through gazing on the unquiet sky.
AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
I don’t love you as if you were a rose of salt, topaz, or arrow of carnations that propagate fire: I love you as one loves certain obscure things, secretly, between the shadow and the soul.
I love you as the plant that doesn’t bloom but carries the light of those flowers, hidden, within itself, and thanks to your love the tight aroma that arose from the earth lives dimly in my body.
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