When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
When first I walked here I hobbled along ties set too close together for a boy to step easily on each. I thought my stride one day would reach every other and from then on I would walk in time with the way toward that Lobachevskian haze up ahead where the two rails meet.
But anxious cares the pensive nymph oppress'd, And secret passions labour'd in her breast. Not youthful kings in battle seiz'd alive, Not scornful virgins who their charms survive, Not ardent lovers robb'd of all their bliss, Not ancient ladies when refus'd a kiss, Not tyrants fierce that unrepenting die, Not Cynthia when her manteau's pinn'd awry, E'er felt such rage, resentment, and despair, As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew, And Ariel weeping from Belinda flew, Umbriel, a dusky, melancholy sprite, As ever sullied the fair face of light,
In October of the year, he counts potatoes dug from the brown field, counting the seed, counting the cellar’s portion out, and bags the rest on the cart’s floor.
He packs wool sheared in April, honey in combs, linen, leather tanned from deerhide,
On the long shore, lit by the moon To show them properly alone, Two lovers suddenly embraced So that their shadows were as one. The ordinary night was graced For them by the swift tide of blood That silently they took at flood, And for a little time they prized
Neque sermonibus vulgi dederis te, nec in præmiis spem posueris rerum tuarum; suis te oportet illecebris ipsa virtus trahat ad verum decus. Quid de te alii loquantur, ipsi videant, sed loquentur tamen. (Cicero, De Re Publica VI.23)
["... you will not any longer attend to the vulgar mob's gossip nor put your trust in human rewards for your deeds; virtue, through her own charms, should lead you to true glory. Let what others say about you be their concern; whatever it is, they will say it anyway."] Shut, shut the door, good John! fatigu'd, I said, Tie up the knocker, say I'm sick, I'm dead. The dog-star rages! nay 'tis past a doubt, All Bedlam, or Parnassus, is let out:
Bedfordshire A blue bird showing off its undercarriage En route between our oldest universities Was observed slightly off-course above Woburn In the leafy heart of our sleepiest county: Two cyclists in tandem looked up at the same moment, Like a busy footnote to its asterisk.
Over the honored bones of Boston (resting, as we say) old leaves’ bones underfoot are restless; and boys and schoolgirls going home splash through them, reciting alphabet lately received. They run the known, intone the unsure patterns, repeat the magic, nearly Grecian syllables;
Under the separated leaves of shade Of the gingko, that old tree That has existed essentially unchanged Longer than any other living tree, I walk behind a woman. Her hair's coarse gold Is spun from the sunlight that it rides upon. Women were paid to knit from sweet champagne Her second skin: it winds and unwinds, winds
I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain! Of her choice virtues only gods should speak, Or English poets who grew up on Greek (I’d have them sing in chorus, cheek to cheek).
Bargain tarts, raspberry, goose, he said, don't write about that surgery, women who have hacked off write all parts and natures of women who lose food in the bottom parts of refrigerators, onions, scallions, sour tomatoes, tiny cocktail weenies lost in the airless dark write
The sky a pure river of dawn and the red goose wakes, the breeze weaving, interweaving leaves newly turned. In the valley a song, with no one to sing it, some voice of the past or the future. The red goose
Sweet Auburn, loveliest village of the plain, Where health and plenty cheared the labouring swain, Where smiling spring its earliest visit paid, And parting summer's lingering blooms delayed, Dear lovely bowers of innocence and ease, Seats of my youth, when every sport could please, How often have I loitered o'er thy green, Where humble happiness endeared each scene!
All middle age invisible to us, all age passed close enough behind to seize our napehairs and whisper in a voice all thatch and smoke some village-elder warning, some rasped-out Remember me . . . Mute and grey in her city uniform (stitch-lettered JUVENILE), the matron just pointed us to our lockers, and went out. ‘What an old bag!’ ‘Got a butt on you, honey?’ ‘Listen,
Comment form: