Over gutters and over parking lots, over rooftops, fountains, cloudbanks and the bay, beyond the sun, beyond the medium that fills unoccupied space, beyond the confines of the known
universe, ghost, you slip out of me with the ease of a swimmer at one with the waves, furrowing the deep with a pleasure we can’t articulate
Lord, it’s not true That my faith is cooling. It’s just that people Are saying that candle smoke Has caused cancer in church mice. And I also worry that candle light Is too weak to reach your cloud.
MARIA NEFELE: I walk in thorns in the dark of what’s to happen and what has with my only weapon my only defense my nails purple like cyclamens.
ANTIPHONIST: I saw her everywhere. Holding a glass and staring in space. Lying down listening to records. Walking the streets in wide trousers and an old
Vainly my heart had with thy sorceries striven: It had no refuge from thy love,—no Heaven But in thy fatal presence;—from afar It owned thy power and trembled like a star O’erfraught with light and splendor. Could I deem How dark a shadow should obscure its beam?— Could I believe that pain could ever dwell Where thy bright presence cast its blissful spell?
From childhood’s hour I have not been As others were—I have not seen As others saw—I could not bring My passions from a common spring— From the same source I have not taken My sorrow—I could not awaken My heart to joy at the same tone— And all I lov’d—I lov’d alone— Then—in my childhood—in the dawn Of a most stormy life—was drawn From ev’ry depth of good and ill The mystery which binds me still— From the torrent, or the fountain— From the red cliff of the mountain— From the sun that ’round me roll’d
Traveler, your footprints are the only road, nothing else. Traveler, there is no road; you make your own path as you walk. As you walk, you make your own road, and when you look back you see the path you will never travel again.
(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel
(from Macbeth, spoken by Macbeth)
Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
While that my soul repairs to her devotion, Here I intomb my flesh, that it betimes May take acquaintance of this heap of dust; To which the blast of death's incessant motion, Fed with the exhalation of our crimes, Drives all at last. Therefore I gladly trust
My body to this school, that it may learn To spell his elements, and find his birth Written in dusty heraldry and lines ; Which dissolution sure doth best discern, Comparing dust with dust, and earth with earth. These laugh at jet, and marble put for signs,
Alas, my Purse! how lean and low! My silken Purse! what art thou now! One I beheld—but stocks will fall— When both thy ends had wherewithal. When I within thy slender fence My fortune placed, and confidence; A poet’s fortune!—not immense: Yet, mixed with keys, and coins among,
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
Now that I, tying thy glass mask tightly, May gaze thro’ these faint smokes curling whitely, As thou pliest thy trade in this devil’s-smithy— Which is the poison to poison her, prithee?
He is with her, and they know that I know Where they are, what they do: they believe my tears flow While they laugh, laugh at me, at me fled to the drear Empty church, to pray God in, for them!—I am here.
Grind away, moisten and mash up thy paste, Pound at thy powder,—I am not in haste! Better sit thus and observe thy strange things, Than go where men wait me and dance at the King’s.
All night I stumble through the fields of light, And chase in dreams the starry rays divine That shine through soft folds of the robe of night, Hung like a curtain round a sacred shrine.
When daylight dawns I leave the meadows sweet And come back to the dark house built of clay, Over the threshold pass with lagging feet, Open the shutters and let in the day.
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