Lunar Baedeker

When this warm scribe, my hand, is in the grave.
—John Keats 1.

You are here

Twelve o'clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass

i
The World without Imagination

Nota: man is the intelligence of his soil,
The sovereign ghost. As such, the Socrates
Of snails, musician of pears, principium
And lex. Sed quaeritur: is this same wig
Of things, this nincompated pedagogue,

These roads will take you into your own country.
Seasons and maps coming where this road comes
into a landscape mirrored in these men.

Past all your influences, your home river,
constellations of cities, mottoes of childhood,
parents and easy cures, war, all evasion’s wishes.

What one word must never be said?
Dead, and these men fight off our dying,

Released silhouettes
flow incessantly like water,
flow between mountains
swiftly like a kaleidoscope.
The solitude of  the North Pole
bustles with human silhouettes.
Endless transmission of  ABC.

On the shredded shore

my house’s stairway is seized with vertigo. Matter having forsaken its laws, we land in hell, ascending to heaven.

I
My life is the gardener of my body. The brain—a hothouse closed tight
with its flowers and plants, alien and odd
in their sensitivity, their terror of becoming extinct.
The face—a formal French garden of symmetrical contours
and circular paths of marble with statues and places to rest,
places to touch and smell, to look out from, to lose yourself
in a green maze, and Keep Off and Don’t Pick the Flowers.

I shall not sprinkle with dust
A creature so clearly lunar;
You must die—but of course you must—
And better later than sooner.
But if it should be in a year
That year itself must perish;
How dingy a thing is fear,
And sorrow, how dull to cherish!

I
You say, as one who shapes a life,
That you will never be a wife,

And, laughing lightly, ask my aid
To paint your future as a maid.

This is the portrait; and I take

She said: the pitying audience melt in tears,
But Fate and Jove had stopp'd the Baron's ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fix'd the Trojan could remain,
While Anna begg'd and Dido rag'd in vain.
Then grave Clarissa graceful wav'd her fan;
Silence ensu'd, and thus the nymph began.

"Say, why are beauties prais'd and honour'd most,
The wise man's passion, and the vain man's toast?
Why deck'd with all that land and sea afford,
Why angels call'd, and angel-like ador'd?
Why round our coaches crowd the white-glov'd beaux,
Why bows the side-box from its inmost rows?

Take a statement, the same as yesterday’s dictation:
Lately pain has been there waiting when I awake.
Creative despair and failure have made their patient.
Anyway, I’m afraid I have nothing to say.
Those crazy phrases I desecrated the paper
With against the grain ... Taste has turned away her face
Temporarily, like a hasty, ill-paid waitress
At table, barely capable but very vague.

He said, ‘Tracking across space-time in their long-drawn elliptical
orbits, as many Comets as fish in the sea
are announcing their approach by a fall, from seven Radiants,
of meteors, bombarding Earth with heavenly
debris; myriads visible myriads invisible.’
Copious meteors came streaking toward me
like a driving snow-storm, grasped only in the mind’s geography.

‘Core magnetized by Sun in their elliptical