cutting greens

My angel, don't think the great stillness is wooing us:
We just haven't slept the same among the letters that have a habit of
Recognizing us. Those beautiful letters live in Paris all year around.
For even the best of men go astray with words within the gentle depths

When they are to express something unutterable.
But I believe nevertheless that you need not be left without them as a
Part of me, as a recreation between hesitations,
The boundless ones in moments of doubts.

I. Children's Arms

On my way home I pass a cameraman
On a platform on the bumper of a car
Inside which, rolling and plunging, a comedian
Is working; on one white lot I see a star
Stumble to her igloo through the howling gale
Of the wind machines. On Melrose a dinosaur
And pterodactyl, with their immense pale

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.

Once my nose crawled like a snail on the glass;
my hand tingled
to burst the bubbles
drifting from the noses of the cowed, compliant fish.

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

I sit where I always sit, in back of the Buddha,
Red leather wing chair, pony skin trunk
under my feet,
Sky light above me, Chinese and Indian rugs on the floor.
1 March, 1998, where to begin again?

Over there's the ur-photograph,
Giorgio Morandi, glasses pushed up on his forehead,
Looking hard at four objects—
Two olive oil tins, one wine bottle, one flower vase,
A universe of form and structure,

The universe constricting in front of his eyes,
angelic orders
And applications scraped down

Orange peels, burned letters, the car lights shining on the grass,
everything goes somewhere—and everything we do—nothing
ever disappears. But changes. The roar of the sun in photographs.
Inching shorelines. Ice lines. The cells of our skin; our meetings,
our solitudes. Our eyes.

A bee careens at the window here; flies out, released: a life
without harm, without shame. That woman, my friend,
circling against her life, a married life; that man, my friend,

Washing Kai in the sauna,
The kerosene lantern set on a box
outside the ground-level window,
Lights up the edge of the iron stove and the
washtub down on the slab
Steaming air and crackle of waterdrops
brushed by on the pile of rocks on top
He stands in warm water

When first I walked here I hobbled
along ties set too close together
for a boy to step easily on each.
I thought my stride one day
would reach every other and from then on
I would walk in time with the way
toward that Lobachevskian haze
up ahead where the two rails meet.

Midmorning like a deserted room, apparition
Of armoire and table weights,
Oblongs of flat light,
the rosy eyelids of lovers
Raised in their ghostly insurrection,
Decay in the compassed corners beating its black wings,
Late June and the lilac just ajar.

Where the deer trail sinks down through the shadows of blue spruce,