Bricks and Straw

the Chinaman said don’t take the hardware
and gave me a steak I couldn’t cut (except the fat)
and there was an ant circling the coffee cup;
I left a dime tip and broke out a stick of cancer,
and outside I gave an old bum who looked about
the way I felt, I gave him a quarter,
and then I went up to see the old man
strong as steel girders, fit for bombers and blondes,

Most happy letters, fram'd by skilful trade,
With which that happy name was first design'd:
The which three times thrice happy hath me made,
With gifts of body, fortune, and of mind.
The first my being to me gave by kind,
From mother's womb deriv'd by due descent,
The second is my sovereign Queen most kind,
That honour and large richesse to me lent.

New yeare forth looking out of Janus gate,
Doth seeme to promise hope of new delight:
And bidding th’old Adieu, his pass

Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air,
In his own ground.

Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.

Blest, who can unconcernedly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

Late in the cold night wakened, and heard wind,
And lay with eyes closed and silent, knowing
These words how bodiless they are, this darkness
Empty under my roof and the panes rattling
Roughed by wind. And so lay and imagined
Somewhere far off black seas heavy-shouldered
Plunging on sand and the ebb off-streaming and
Thunder forever. So lying bethought me, friend,

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

Where is the promise of my years;
Once written on my brow?
Ere errors, agonies and fears
Brought with them all that speaks in tears,
Ere I had sunk beneath my peers;
Where sleeps that promise now?

Naught lingers to redeem those hours,
Still, still to memory sweet!
The flowers that bloomed in sunny bowers
Are withered all; and Evil towers
Supreme above her sister powers
Of Sorrow and Deceit.

I look along the columned years,

Andromeda, by Perseus sav'd and wed,
Hanker'd each day to see the Gorgon's head:
Till o'er a fount he held it, bade her lean,
And mirror'd in the wave was safely seen
That death she liv'd by.

Let not thine eyes know
Any forbidden thing itself, although
It once should save as well as kill: but be
Its shadow upon life enough for thee.

And have we done with War at last? Well, we've been lucky devils both, And there's no need of pledge or oath

Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.

The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.

Swift rush the spectral vapours white

Through the black, rushing smoke-bursts,
Thick breaks the red flame;
All Etna heaves fiercely
Her forest-clothed frame.

Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea,

Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

Colin, why this mistake?
Why plead thy foolish love?
My heart shall sooner break
Than I a minion prove;
Nor care I half a rush,
No snare I spread for thee:
Go home, my friend, and blush
For love and liberty.

The country lies flat, expressionless as the face of a stranger.
Not one hillock shelters a buried bone. The city:
a scene thin as a theater backdrop, where no doors open,
no streets extend beyond the view from the corner.

Only the railroad embankment is high, shaggy with grass.
Only the freight, knuckling a red sun under its wheels,
drags familiar box-car shapes down long perspectives
of childhood meals and all crossings at sunset.

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.

Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;

On this Day I Complete my Thirty-Sixth Year 'Tis time this heart should be unmoved,
Since others it hath ceased to move:
Yet though I cannot be beloved,
Still let me love!

God banish from your house
The fly, the roach, the mouse

That riots in the walls
Until the plaster falls;

Admonish from your door
The hypocrite and liar;

No shy, soft, tigrish fear
Permit upon your stair,

Ink-black, but moving independently
across the black and white parquet of print,
the ant cancels the author out. The page,
translated to itself, bears hair-like legs
disturbing the fine hairs of its fiber.
These are the feet of summer, pillaging meaning,
destroying Alexandria. Sunlight is silence
laying waste all languages, until, thinly,

Out of a high meadow where flowers
bloom above cloud, come down;
pursue me with reasons for smiling without malice.

Bring mimic pride like that of the seedling fir,
surprise in the perfect leg-stems
and queries unstirred by recognition or fear
pooled in the deep eyes.

Come down by regions where rocks