You have put your two hands upon me, and your mouth, You have said my name as a prayer. Here where trees are planted by the water I have watched your eyes, cleansed from regret, And your lips, closed over all that love cannot say,
My mother remembers the agony of her womb And long years that seemed to promise more than this. She says, “You do not love me,
My friend, I am not what I seem. Seeming is but a garment I wear—a care-woven garment that protects me from thy questionings and thee from my negligence.
The “I” in me, my friend, dwells in the house of silence, and therein it shall remain for ever more, unperceived, unapproachable.
I would not have thee believe in what I say nor trust in what I do—for my words are naught but thy own thoughts in sound and my deeds thy own hopes in action.
When thou sayest, “The wind bloweth eastward,” I say, “Aye it doth blow eastward”; for I would not have thee know that my mind doth not dwell upon the wind but upon the sea.
Thou canst not understand my seafaring thoughts, nor would I have thee understand. I would be at sea alone.
When it is day with thee, my friend, it is night with me; yet even then I speak of the noontide that dances upon the hills and of the purple shadow that steals its way across the valley; for thou canst not hear the songs of my darkness nor see my wings beating against the stars—and I fain would not have thee hear or see. I would be with night alone.
When thou ascendest to thy Heaven I descend to my Hell—even then thou callest to me across the unbridgeable gulf, “My companion, my comrade,” and I call back to thee, “My comrade, my companion”—for I would not have thee see my Hell. The flame would burn thy eyesight and the smoke would crowd thy nostrils. And I love my Hell too well to have thee visit it. I would be in Hell alone.
Thou lovest Truth and Beauty and Righteousness; and I for thy sake say it is well and seemly to love these things. But in my heart I laught at thy love. Yet I would not have thee see my laughter. I would laugh alone.
My friend, thou art good and cautious and wise; nay, thou art perfect—and I, too, speak with thee wisely and cautiously. And yet I am mad. But I mask my madness. I would be mad alone.
My friend, thou art not my friend, but how shall I make thee understand? My path is not thy path, yet together we walk, hand in hand.
Whoever despises the clitoris despises the penis Whoever despises the penis despises the cunt Whoever despises the cunt despises the life of the child.
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
Calm was the sea to which your course you kept, Oh, how much calmer than all southern seas! Many your nameless mates, whom the keen breeze Wafted from mothers that of old have wept. All souls of children taken as they slept Are your companions, partners of your ease,
I have met them at close of day Coming with vivid faces From counter or desk among grey Eighteenth-century houses. I have passed with a nod of the head Or polite meaningless words, Or have lingered awhile and said Polite meaningless words,
Remote and ineffectual Don That dared attack my Chesterton, With that poor weapon, half-impelled, Unlearnt, unsteady, hardly held, Unworthy for a tilt with men— Your quavering and corroded pen; Don poor at Bed and worse at Table, Don pinched, Don starved, Don miserable;
Dear Emily, my tears would burn your page, But for the fire-dry line that makes them burn— Burning my eyes, my fingers, while I turn Singly the words that crease my heart with age. If I could make some tortured pilgrimage Through words or Time or the blank pain of Doom And kneel before you as you found your tomb, Then I might rise to face my heritage.
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