O what a physical effect it has on me To dive forever into the light blue sea Of your acquaintance! Ah, but dearest friends, Like forms, are finished, as life has ends! Still, It is beautiful, when October Is over, and February is over,
THEL'S MOTTO Does the Eagle know what is in the pit? Or wilt thou go ask the Mole: Can Wisdom be put in a silver rod? Or Love in a golden bowl? I The daughters of Mne Seraphim led round their sunny flocks. All but the youngest; she in paleness sought the secret air. To fade away like morning beauty from her mortal day:
I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look at the sunset over the box house hills and cry. Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery. The oily water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily. Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a man, sitting dry on top of a pile of ancient sawdust— —I rushed up enchanted—it was my first sunflower, memories of Blake—my visions—Harlem and Hells of the Eastern rivers, bridges clanking Joes Greasy Sandwiches, dead baby carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck and the razor-sharp artifacts passing into the past— and the gray Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye— corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb,
DECAMERON, x. 7 There is no woman living that draws breath So sad as I, though all things sadden her. There is not one upon life's weariest way Who is weary as I am weary of all but death.
"Pheu pheu, ti prosderkesthe m ommasin, tekna;" [[Alas, alas, why do you gaze at me with your eyes, my children.]]—Medea. Do ye hear the children weeping, O my brothers, Ere the sorrow comes with years ? They are leaning their young heads against their mothers, — And that cannot stop their tears.
No spring nor summer beauty hath such grace As I have seen in one autumnal face. Young beauties force our love, and that's a rape, This doth but counsel, yet you cannot scape. If 'twere a shame to love, here 'twere no shame; Affection here takes reverence's name. Were her first years the golden age? That's true, But now she's gold oft tried and ever new. That was her torrid and inflaming time, This is her tolerable tropic clime. Fair eyes, who asks more heat than comes from hence, He in a fever wishes pestilence. Call not these wrinkles, graves; if graves they were, They were Love's graves, for else he is no where. Yet lies not Love dead here, but here doth sit
Alone I list In the leafy tryst; Silent the woodlands in their starry sleep— Silent the phantom wood in waters deep: No footfall of a wind along the pass Startles a harebell—stirs a blade of grass. Yonder the wandering weeds, Enchanted in the light,
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